McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more.For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.

    A lonely teenage girl falls in love with an older, married neighbor. A woman attends a party at the home of her boyfriend’s ex-wife. A schoolteacher gets fired for teaching time incorrectly to grade-school students. And a young woman recovering from a breakup receives guidance from a drunk therapist. Poignant and sharply rendered, Otis’s stories seek answers to the questions of whom we love and why, how we search for love, lose it, or find it—sometimes at the last moment and in the most unlikely places. Quirky and hilarious, these stories display a knowing affection for human strangeness.

    From “Guests of the Nation” to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex,” these tales of Ireland have touched generations of readers the world over and placed O'Connor alongside W. B. Yeats and James Joyce as the greatest of Irish authors.Analyzing a Robert Browning poem, O'Connor once wrote: “Since a whole lifetime must be crowded into a few minutes, those minutes must be carefully chosen indeed and lit by an unearthly glow.” Each of the sixty-seven stories gathered here achieves the same incredible feat of the imagination, laying bare entire lives and histories within the space of a few pages. Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O'Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers.As a writer, critic, and teacher, O'Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with the small moments and intimate details that earned him a reputation as Ireland’s Chekhov, is a testament to Frank O’Connor's magnificent storytelling and a true pleasure to read from first page to last.

    A traveling salesman consigned to a late-night bus ride. A prison inmate stripped of everything but his pride. A teenage runaway. Mismatched lovers. In his debut collection of short fiction, award-winning novelist Craig Lancaster returns to the terrain of his Montana home and takes on the notion of separation in its many forms - from comfort zones, from ideas, from people, from security, from fears. These ten stories delve into small towns and big cities, into love and despair, into what drives us and what scares us, peeling back the layers of our humanity with every pag

    It was Halloween and Samantha`s contractions were unbearable so her husband rushed his pregnant wife to the hospital to deliver their new bundle of joy. Mike told the doctor and nurse to take great care of his wife. The doctor and nurse reassured Mike they would take very good care of her and not to worry. Mike waited patiently in the waiting room as the doctor and nurse delivered their beautiful baby. After a few hours the baby finally arrived and the doctor entered the waiting room and told Mike to come in the room and see his new baby. Mike entered and his wife was all smiles and said "Honey, it`s a boy!" "I think he looks like a Johnny. What do you think?" asked his wife. "Johnny sounds fine to me," replied Mike. Mike was so excited and held his baby boy in his arms as tears rolled down his cheeks and said "Darling, I think he likes me." Mike stayed the night in his wife's room with their new baby, but as they were both sleeping, an unforeseen force came in their room that was about to change their lives forever, when they both woke in the morning. Morning came, and Samantha was discharged from the hospital, and time for their new baby to be raised in their new home. It wasn't until after little Johnny turned 6 years of age that things around the Delany Estate turned deadly. The first sign that Johnny had the mark of the beast was June 6. It was the 6th month, 6th day, and Johnny was 6. All the numbers represented 666.

    Estranged from his family, Rafe settles in Seeker’s Island off the coast of Florida, where he runs a successful riding stable.Attorney Angel Howard must obtain Rafe’s signature on documents for his deceased grandfather’s estate, or the Flanigan family will lose the ranch. Receiving no response to letters, she flies to Seeker’s Island to confront him. Rafe stubbornly refuses to discuss the paperwork, and Angel won’t leave until he does. As the two clash, their attraction is as strong as ever. But can they get past old pain to rekindle their romance and save the ranch?Montana Sky Series in Chronological Order:2015Angel in Paradise1880sBeneath Montana’s SkyMail-Order Brides of the West: Trudy
Mail-Order Brides of the West: Lina
Mail-Order Brides of the West: Darcy1890sWild Montana Sky
Starry Montana Sky
Stormy Montana Sky
Montana Sky ChristmasA Valentine’s Choice
Painted Montana SkyGlorious Montana Sky
Healing Montana Sky (January 2016)Sweetwater Springs Scrooge
Sweetwater Springs Christmas

    He’s a man of the African bush, and coping with ‘girlie feelings’ was always Helene’s department, not his. When an orphaned baby elephant is found, Rodger sees an opportunity that might help him reconnect with his children. But interfering with the orphan goes against his usual conservation methods. It will require a new approach to save both the baby and his family.

    With power and precision, humanity and insight, Supporting Cast captures the extraordinary moments in our ordinary lives, and the darkness and the joy of the everyday.

    His stories have been called “beautifully crafted” (The New York Times), “unforgettable” (San Francisco Chronicle), and “diverse and expansive” (The Washington Post). His 1989 collection, Nebraska, was widely praised, and he has published stories in literary magazines nationwide—The Atlantic, Esquire, Harper’s, Tin House, The Paris Review, and many others. In this new volume, comprising twelve new stories and seven pieces selected from Nebraska, the subjects of Hansen’s scrutiny range from Oscar Wilde to murder to dementia to romance, and display Hansen at his storytelling best: the craftsman described as “part Hemingway and part García Márquez . . . an all-American magic realist in other words, a fabulist in the native grain.” Readers will thrill to Hansen’s masterful attention to the smallest and most telling details, even as he plunges straight into the deepest recesses of desire, love, fury, and loss. Magisterial in its scope and surprising in its variety, She Loves Me Not shows an author at the height of his powers and confirms Hansen’s place as a major American writer.

    Two short mysteries featuring amateur sleuths Joe and Dottie Loudermilk.

    Francesca, Kelly, and Kelly's teenage sister Amanda are only meant to spend several hours at the pool together, while their professor parents finish up an afternoon of work at their lush, Oregon college. The younger girls are caught up in hair braiding and Marco Polo, but Amanda is poised on the cusp of an adult realm bursting with cruel secrets. When the girls run into a beautiful, anxious woman and her toddler, Amanda starts to act in ways that may well transform an unremarkable day into a dark turning point in all their lives. By turns enchanting and terrifying, and always bursting with vivid emotion, “Frito Lay” brings us deep into our own childhood memories, reminding us that the dark and sinister were never quite as far away as we might have believed.

    Full of memorable characters and masterfully composed narrative, these short stories constitute a wonderful addition to any personal library, and are not to be missed by discerning collectors of Runyon's work. The stories contained herein include: Beach of Promise, Romance in the Roaring Forties, Dream Street Rose, The Old Doll's House, Blood Pressure, The Bloodhounds of Broadway, Tobias the Terrible, The Snatching of Bookie Bob, The Lily of St. Pierre, Earthquake, and more. Alfred Damon Runyon (1880 1946) was an American newspaperman and author, best remembered for his short stories about the world of Broadway in New York City that resulted from the Prohibition era. This volume is being republished now in an affordable, modern edition complete with a specially commissioned new biography of the author."

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald