It's 1959 and the school bristles with bullies and sadistic staff. Tommy, a quirky loner, obsessed with cowboys and Indians, needs all the bravery he can summon.Salvation comes when his glamorous actress sister is swept off to Hollywood by one of his heroes, TV cowboy Ray Montane. But with the Cold War looming, the sinister side of Tinseltown seeps through and Tommy and Diane soon find themselves in jeopardy. Forty years on, Tommy has to confront his boyhood ghosts when his own son finds himself charged with murder.

    Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth—the sexy sirens, the screwball comedies, the high romance—take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

    Nathanael West's Hollywood is not the glamorous "home of the stars" but a seedy world of little people, some hopeful, some despairing, all twisted by their by their own desires -- from the ironically romantic artist narrator, to a macho movie cowboy, a middle-aged innocent from America's heartland, and the hard-as-nails call girl would-be-star whom they all lust after. An unforgettable portrayal of a world that mocks the real and rewards the sham, turns its back on love to plunge into empty sex, and breeds a savage violence that is its own undoing, this novel stands as a classic indictment of all that is most extravagant and uncontrolled in American life.

    I suspect it may be both.” --Toby Young, New York Times bestselling author of How to Lose Friends and Alienate PeopleAn offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy. In the course of this hilariously honest book, our narrator suffers through a relationship with his vapid wannabe-actress girlfriend until he finds the perfect girl. But when he moves into the new relationship, he slowly learns that all women are pretty much the same, that man's true desires will never be fulfilled, and the decision between living life alone or biting the marriage bullet must be made.

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    When he found himself alone with his infant daughter, Sabrina, he was determined to bring her up to run the biggest mining business in California. Nothing would stop her from taking over his dynasty -- not the San Francisco earthquake, the deadly schemes of a cunning rival, the Great depression, or her own needs and determination as she carries on the traditions established by her father.

    Her book The Serial: A Year in the Life of Marin County is a deadly satire on such pretensions. The principal characters in this mock soap opera wander aimlessly from body to body and from cliché to cliché in a culture where evil, like perspiration odor, has been banished with squirt-can philosophies. McFadden's cassette ear for the jargon of the "mellow" and "laid back" is faultless..." -- Time

    When a former congressional aide becomes part of the staff of the governor of a small Southern state, he watches in horror, admiration, and amazement, as the governor mixes calculation and sincerity in his not-so-above-board campaign for the presidency.From the Hardcover edition.

    Eleanor is a health nut of the first stripe, and when in 1907 she journeys to Dr. John Harvey Kellogg's infamous Battle Creek Spa to live out the vegetarian ethos, poor Will goes too. So begins T. Coraghessan Boyle's wickedly comic look at turn-of-the-century fanatics in search of the magic pill to prolong their lives - or the profit to be had from manufacturing it. Brimming with a Dickensian cast of characters and laced with wildly wonderful plot twists, Jane Smiley in The New York Times Book Review called The Road to Wellville "a marvel, enjoyable from beginning to end."

    It was waiting for him, just as he had left it. But where? He only knew he was in the center of a galaxy in a universe of galaxies. Within them lay endless varieties of the planet Earth. And there was only one way to find his Earth again: he would have to visit each one. And he would have to hurry--because his search for home had turned into a race with death.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    Every action fan knows it could only be the explosive big-screen blockbuster Die Hard. But before Bruce Willis blew away audiences as unstoppable hero John McClane, author Roderick Thorp knocked out thriller readers with the bestseller that started it all.A dozen heavily armed terrorists have taken hostages, issued demands, and promised bloodshed all according to plan. But they haven't counted on a death-defying, one-man cavalry with no shoes, no backup, and no intention of going down easily. As hot-headed cops swarm outside, and cold-blooded killers wield machine guns and rocket launchers inside, the stage is set for the ultimate showdown between anti-hero and uber-villains. Merry Christmas to all, and to all a good fight to the death. Ho ho ho!

    His coffin was lowered into the ground to the recorded sounds of his famous jungle call. Maureen O'Sullivan, his Jane, followed him in 1998. But their co-star Cheeta the chimpanzee, the 'World's Funniest Animal', lives on. At seventy-six, he is by some distance the oldest chimp ever recorded.Now, in his own words, Cheeta finally tells his extraordinary story.Plucked from millions of hopefuls in the jungles of Liberia, Cheeta became an international screen icon from the moment of his debut in 1934's Tarzan and His Mate. He went on to star in a further nine Tarzan pictures, and later in Doctor Dolittle with the appalling Rex Harrison, before his battles with substance abuse forced him into early retirement. He now lives happily in Palm Springs where he has re-invented himself as a globally acclaimed abstract painter.We are privileged indeed that such a legendary entertainer should grant us intimate access to the lives of the most glittering stars. Well aware that no animal has ever been successfully sued for libel, Me Cheeta is packed with fascinating revelations about a lost Hollywood. Funny, moving and searingly honest, this is the greatest celebrity autobiography of our time.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.