Nearly a decade has passed since Rahul Satyabhagi, heir to the mega Satyabhagi business empire, had raped Avni Rambha, bested her in court, and gone on to become a men’s rights activist, and the who’s-who of Badrid Bay had breathed a sigh of relief that the sordid mess was over. But now a sting operation proves what many, the three friends included, had suspected all along – he’d been lying. Furious that he has been exposed, Rahul plans to sue the media as well as his long-suffering victim. Now, Rhea, Hitaishi and Amruta find themselves at a crossroad - can they carry on doing nothing? DC Virendra Dixit was among those who’d believed that the Rambha rape case had been a ‘false allegation’, but now the sting tape brings him to a case that promises to be a turning point in his career. Just as he thinks he is nearing a resolution, he finds himself at a crossroad of his own. Rhea, Hitaishi and Amruta have carved out a path that has already affected DC Dixit’s, but do their paths cross? Who is the hunter, and who is the hunted? Can a story of hard questions and difficult choices have an easy resolution?

    She discovers a book written by Julian Winslett, a British war hero and writer, who was a young boy she cared for while working as a 16-year-old nanny in Bengal. His book is about those old days, and features the two of them as named characters. The 1920s British Raj was an era of expansive homes and gardens, elegant rail travel, and very strict divisions between Indians, Anglo-Indians and the British. For the rulers of India, it was a glorious period; but for Menakshi, it's a time she'd rather forget. She'd pushed away all her old feelings for Julian…but now they're back. As Menakshi reads Julian's book, she returns to a vanished world where luxury and deprivation co-exist in the same grand bungalow--and romance breaks all rules in the hills of Darjeeling and on the Bengal-Nagpur Railway. Menakshi's own recollections add suspense as his family heads toward rupture, and she is torn between loyalty toward the children and her own secret dreams. THE AYAH'S TALE is a 202-page novella by Sujata Massey, author of THE SLEEPING DICTIONARY, a longer novel set in British India that was published by Simon & Schuster in 2013. She is also the author of the contemporary Rei Shimura mystery novel series set in modern Japan, which starts with THE SALARYMAN'S WIFE.

    Her patience snaps, eventually. Pure in her love, this gentle woman is transformed into an avenging angel, raining death and doom on all her foes, until the gods are forced to intervene. Ilango Adigal's Tamil classic, Shilappadikaram presents life with all its flaws but also with hope.

    The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish. With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani's reputation as India's most influential playwright.

    But Dharavi is much more than cold a statistic. What makes it special are the extraordinary people who live there, many of whom have defied fate and an unhelpful State to prosper through a mix of backbreaking work, some luck and a great deal of ingenuity. It is these men and women whom journalist Kalpana Sharma brings to life through a series of spellbinding stories. While recounting their tales, she also traces the history of Dharavi from the days when it was one of the six great koliwadas or fishing villages to the present times when it, along with other slums, is home to almost half of Mumbai.

    That one day, I will be standing outside an auditorium, a packed house a-a-a-auditorium. People there would be waiting to hear me speak. They would be chanting my name. We love R-R-R-Rohit, We love Rohit," he said, looking into her mesmerizing eyes.After seventeen years, Sherly was standing in his house, holding a copy of his first novel in one hand, and her wedding invitation card in the other. She was getting married in four days. Join Rohit in his journey as he sets off to conquer the greatest obstacle of his life, and how on the way he finds out that his childhood dream was the thread connecting everything happening to him in his life. Will he lose her on this journey of his lifetime?

    That superpower was what we know today as India under the Mughal Empire. Years of internal strife, attacks by Afghan raiders and finally conquest by the British led to the decline and destruction of this mighty empire.But what if India had never been conquered by the British? What if it remained a mighty and prosperous nation under the rule of the Mughal Empire?A nation known as Hindustaan.Dilli, 1857. The Mughal Empire is at the peak of its power and is gearing up to celebrate the hundredth anniversary of its victory over the British, an occasion where the popular Emperor Bahadur Shah Zafar is widely expected to announce his successor. The Empire is thrown into sudden chaos when the Emperor is assassinated and a new regime seizes power in a bloody coup. In this maelstrom, three unlikely companions find themselves thrown together by fate. Ranveer, a young officer in the elite Mughal cavalry, who is now hunted by the very Empire he served; Theo, a rakish English traveller with a mysterious past and Maya, a beautiful and spirited Princess they rescue. Together, they embark on a series of dramatic adventures across Hindustaan. A journey that takes them from bloody skirmishes with Afghan raiders, rescue missions in remote forts, joining a coalition of rulers who band together against the new despotic regime to protect their independence, and finally back into the heart of Dilli for a dramatic mission.The stage is set for a monumental struggle that will decide not just their fate, but that of the whole of Hindustaan.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    Yet—startling as this is— the instrument as we know it is only a century old. T.M. Krishna investigates the history of the mrdangam and meets the invisible keepers of a tradition: the mrdangam makers.The making process is an intellectually, aesthetically and physically taxing one. From acquiring the skins for the circular membranes and straps to the wood for the drum, from curing the material to the final construction, and at the end of it all, making sure that it has the tone that the mrdangam player wants, mrdangam-making is also a highly nuanced operation at every stage.While several artists have been credited with the evolution of the instrument, including the stalwart Palghat Mani Iyer, none of them had knowledge of a fundamental aspect of the making: hide. The quality of the hide and how it is cured, cut, stretched, bound and braided impacts the tone, timbre and sound of the instrument. This requires a highly tuned ear and an ability to translate abstract ideas expressed by musicians into the corporeal reality of a mrdangam. Yet, their contribution to the art of the mrdangam is dismissed as labour and repair—when it is spoken of at all.There are legendary mrdangam players, yes; there are also distinguished mrdangam makers, many of them from Dalit Christian communities, who remain on the fringes of the Karnatik community. Sebastian and Sons explores the world of these artists, their history, lore and lived experience to arrive at a more organic and holistic understanding of the music that the mrdangam makes.

    No doubt that it is about the sea, storm and adventurous men; but most of all it is the story that probe deep in to the human minds molded by Indian, British, Philippine and Indonesian cultures. It is the drama of these four cultures conflicting, clashing, but living together to fight their destiny, which makes ‘M. T. Aiwa Maru’ the only novel of its kind in the world literature. Many known directors from Indian film industry have an ambition to create a movie based on this novel.

    . . [will] take a place on my shelves beside the stories of Narayan — Graham GreeneThis volume presents two celebrated novels by Manoj Das, one of India’s most illustrious authors, who has been writing in English and Oriya (Odia)for over six decades.In A Tiger at Twilight the erstwhile raja of Samargarh returns to his abandoned palace in Nijanpur, after years of self-exile, with his sick daughter and his supposed half-sister, and immediately assumes the responsibility of killing a man-eating tiger. Assisting him are a few noted men of the valley including Dev the owner and manager of a resort. But as the hunt intensifies Dev realizes that things aren’t as they seem: Heera, the raja’s sister, has an inexplicable power over the men in the hunting party and a strange connection with the tiger. As the men get closer to killing the beast, bizarre things begin to happen, hinting at the influence of the supernatural.Cyclones is set in Kusumpur, a small coastal village, during the struggle for Independence. The village is devastated by a cyclone and Sandip, the scion of the zamindar (land-lord) family, helps restore it. The war-time colonial government, though, wants to turn the sleepy hamlet into a busy port town. They plan to fill up the river that flows by it, in the process angering all the villagers, including Sandip. But when the contractor for the project is found murdered, Sandip is accused of the crime, forcing him to flee from the authorities. This is the start of a series of adventures that take him from a remote ashram in a forest to the city where communal violence is rife. Cyclones is a powerful novel about the metaphorical storms that gripped the nation during the most turbulent period of its modern history.

    Based on the Tamil Original Vikramaadityan Kadaigal. All the 24 riddles/stories that the Betal narrated to King Vikramaadityan. Also included is the story of the origin of the Betal - Who is the Betal? How did he/she become a Betal? What is its redemption?

    Transported to a dingy basement in Kolkata to identify the body of her murdered husband she has no explanation for his presence in India. As she searches for answers about who the man she married really was she finds his death surrounded by allegations of drug smuggling, child trafficking and murder. Unsure of what is true and who she can trust, Rachel has no idea of the danger her husband's hidden life has put her in.

    The splendour of imperial Delhi flares one last time. The young daughter of a craftsman in the city elopes with an officer of the East India Company. And so we are drawn into the story of Wazir Khanam: a dazzlingly beautiful and fiercely independent woman who takes a series of lovers, including a Navab and a Mughal prince--and whom history remembers as the mother of the famous poet Dagh. But it is not just one life that this novel sets out to capture: it paints in rapturous detail an entire civilization.Beginning with the story of an enigmatic and gifted painter in a village near Kishangarh, The Mirror of Beauty embarks on an epic journey that sweeps through the death-giving deserts of Rajputana, the verdant valley of Kashmir and the glorious cosmopolis of Delhi, the craft of miniature painting and the art of carpet designing, scintillating musical performances and recurring paintings of mysterious, alluring women. Its scope breathtaking, its language beguiling, and its style sumptuous, this is a work of profound beauty, depth and power.