Soldiers, mercenaries, free-booters. Europeans all, braving the heat and dust of India. They fought for wealth, for glory, and for sheer fun. Their glorious and inglorious exploits are full of thrill, romance, and violence. Ruskin Bond has recreated the turbulent and colourful India of the eighteenth and nineteenth centuries with the soldiers of fortune strutting across the subcontinent. The saga of their lives and loves in Delhi, Jaipur, Aligarh, Sardhana, and Lucknow reads stranger than fiction.

    I still think so… From within we are one and the same. Sometimes he wores the mask with my name while at others I do so to fool people.’ A jeep passed by speedily and very closely. It would have brushed up. ‘They are out to kill us!’ the terror in Shreenath’s voice was unmistakable. ‘They are out to kill us! Is this some kind of game that destiny is playing with us? It wants to kill us together; both the original and the duplicate, along with their fiancées.’ Once again the jeep passed by. It symbolized a kite swooping down from high skies upon its prey. As it misses the prey it goes back to get into action. What is going to happen now? We three are set upon the journey. Where? No one knows. How long? No one knows. We are mere puppets in the hands of destiny. Ten breathtaking stories! Each one creating doubt beyond imagination while piling up the tension. Ten stories that would really create doubt! Shaded with games played by human minds these stories take us to immeasurable height and fathomless depth at the same time. Matkari has once again proved that his stories are not just entertaining or pleasing. They take us beyond that where it is impossible to comprehend. They are terribly frightful. They are mysterious. These ten stories once again prove his command over words and themes and excellent manifestation of novel ideas. They underline his authority in writing such dubious stories.

    Grief, longing, being away from near and dear…….. Colours not seen before, each story has a unique shade. Each reveals different pain. The story of the king titled perfectly as to Once Upon A Time…….. is the best example of this. The comedian in the Courts of the king helps him to win the heart of the most wise and beautiful damsel in the town. He uses all his wit so as to bring the beautiful maiden in the king’s palace. At the end, when he realizes that it is the wittiness that the lady was fallen for and not name or fame of the king, he pities himself. It could have been he himself who could have become the partner of the lady. She was not impressed with the king’s wealth neither craved for bravery. What she wished was a mind equivalent to her talents………. Alas……….

    This book also brings in the problems faced by the Dalits in India.

    Written in a colloquial style, the original Tamil version overturns the decorum and aesthetics of upper-caste, upper-class Tamil literature and culture and, in turn, projects a positive cultural identity for Dalits in general and for Dalit women in particular. Sangati flouts received notions about what a novel should be and has no plot in the normal sense. It relates the mindscape of a Dalit woman who steps out of her small town community, only to enter a caste-ridden and hierarchical society, which constantly questions her caste status. Realizing that leaving her community is no escape, she has to come to terms with her identity as an educated, economically independent woman who chooses to live alone. In relating this tale, Bama turns Sangati into the story not just of one individual, but of a pariah community.23p intro + 126p

    Using the oral story-telling tradition, Rao has brought to the fore not just the social and cultural life of generations of Dalits, but their art forms. Through the stories of successive generations, we are taken on a journey to their heart from those who were exploited to those who discover their humanity through defiance. The reminiscences of Ruth take us to her husband Reuben's family in Yennela Dinni, to the boy Yellanna, his being chased away by his caste superiors , his music, his son Sivaiah's escape from the drought along with his wife, the latter's conversion to Christianity, the brutality against him and other Dalit Christians, the birth of Reuben when things seem to fall apart and he is later left in an orphanage, and then to Reuben's search for his roots. This faithful translation from the Telugu, arousing pity for all that is pitiable and rage at what man has done to man, points to the growing awareness of people's rights and how they are driven to armed struggle.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    Vasudeva was in a quandary as to how much money would satisfy all his needs. And Jinadatta hoped that his father-in-law would help him out of bankruptcy. These tales told by Jain monks in ancient times are as relevant today as they were long ago.

    In Nishkriti (Deliverance), the strong-willed Shailaja, the youngest daughter-in-law in a joint family, is made an outcast as a result of a misunderstanding; much later, her elders realize their mistake, just in time to save the family from disintegration.

    It takes a horrific incident like 26/11 to make each of them realize the shortcomings of the parties they swear by and to look at the larger picture.

    First published in 1984, The Outcaste is a first-person account of the dehumanizing impact of caste oppression in India.

    Over 21 days five murder cases were discovered that led to the unravelling of a spine-chilling tale of cold-blooded crime. Half-naked bodies; missing suspects; a desperate manhunt; connections with the underworld, police and Bollywood; and a seductress who lured victims - all led to a man named Vijay Palande.Palande, who targeted dreamers, mainly Bollywood aspirants in Mumbai, had an uncomplicated modus operandi - he would befriend the target, gauge his wealth, murder him, hack his body into pieces, and abandon the remains in the Western Ghats. Equipped with the sophistication of Charles Sobhraj, the nonchalance of serial-killer Raman Raghav and the cruelty of Jack the Ripper, Palande had the country hooked.In The Front Page Murders, Puja Changoiwala, who covered the story as it came to light, recounts in gripping detail one of the most sensational cases in India’s recent history and the personalities involved in it. In doing so, she delves into the functioning of daily crime reporting and police investigations, providing startling insights into the worlds of journalism and crime

    Made-to-order for those with a taste for inventive idiosyncrasy, this book promises to provoke and entertain in equal measure. About the author: Ishavasyam took a sabbatical from her career in marketing to fulfil her childhood dream of writing a book. Besides weaving tall tales, she loves playing board games and belly dancing. She is a hoarder of art supplies, and has an alarming number of incomplete DIY projects. Ishavasyam lives with her husband, whom she adores to bits, to the point where she may soon give in to his incessant plea to get a dog.

    Weaving tales of India and of the new settlers in America, Chitra Divakaruni's stories explore themes of solitude, expectations, love and betrayal, as well as other reflections on life in both the East and the West.

    However, there are forces working against this fragile peace. A Pakistani jihadi leader, Yasser Basheer, travels to the Red Corridor and enlists the support of an Indian Naxalite commander, Agyaat. Their plan: to unleash Pralay, India's experimental intercontinental ballistic missile, on the subcontinent. As the missile changes course en route, it hits Pakistan and causes collateral damage. In response, Pakistan unleashes war on India. The battle for South Asia turns murkier as an Indo-Pak war threatens to embroil many other countries in the endgame. Have India and Pakistan sparked off the mother of all wars?A gripping, award-winning thriller, Red Jihad explores perhaps the most feared nexus in South Asia: between the Jihadis and the Naxalites.WINNER of "Muse India Young Writer (Runner-up) Award" at the Hyderabad Literary Festival 2013 and "Excellence in Youth Fiction Writing" award at Delhi World Book Fair 2013.