As rains swell the Mississippi, the mighty river threatens to burst its banks and engulf everything in its path, including federal revenue agent Ted Ingersoll and his partner, Ham Johnson. Arriving in the tiny hamlet of Hobnob, Mississippi, to investigate the disappearance of two fellow agents who’d been on the trail of a local bootlegger, they are astonished to find a baby boy abandoned in the middle of a crime scene.Ingersoll, an orphan raised by nuns, is determined to find the infant a home, and his search leads him to Dixie Clay Holliver. A strong woman married too young to a philandering charmer, Dixie Clay has lost a child to illness and is powerless to resist this second chance at motherhood. From the moment they meet, Ingersoll and Dixie Clay are drawn to each other. He has no idea that she's the best bootlegger in the county and may be connected to the agents’ disappearance. And while he seems kind and gentle, Dixie Clay knows full well that he is an enemy who can never be trusted.When Ingersoll learns that a saboteur might be among them, planning a catastrophe along the river that would wreak havoc in Hobnob, he knows that he and Dixie Clay will face challenges and choices that they will be fortunate to survive. Written with extraordinary insight and tenderness, The Tilted World is that rarest of creations, a story of seemingly ordinary people who find hope and deliverance where they least expect it—in each other.

    She doesn't understand why her father leaves each night with a mysterious box or why her mama drinks so much. What Florence knows are sultry days spent with her grandparents, being cared for by their maid, Zenie, on the colored side of town.Tension builds during the summer of 1963. Mama bakes cakes at all hours to scrape by. And Zenie's niece Eva is in town, selling insurance to the blacks and stepping on Mr. Forrest's toes. When Eva is brutally assaulted, all hell breaks loose: Mama crashes her car, Florence's grandfather dies, a woman is murdered, and Florence finally gets a look in Daddy's box.Florence sees things that summer that she won't understand for years to come: her mother's disappearance, her father's racism. Years later, she'll face the truth and how she was caught in the middle of it. The Queen of Palmyra is rich in both setting and characters. It's an affecting tale of a girl who is loved yet lost, trying to make sense of the world in a tumultuous time, finally forced to confront the sins of her father.

    But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    Extraordinary family lore has been passed down to Abigail Howland, but not all of it. When shocking facts come to light about her late grandfather William’s relationship with Margaret Carmichael, a black housekeeper, the community is outraged, and quickly gathers to vent its fury on Abigail. Alone in the house the Howlands built, she is at once shaken by those who have betrayed her, and determined to punish the town that has persecuted her and her kin. Morally intricate, graceful and suspenseful, The Keepers of the House has become a modern classic.

    Among the patrician men and women who reside in the summer colony on the coast of Maine, her gypsy-like beauty and impulsive behavior immediately brand her an outsider. She, as well as everyone else, is certain she will never fit in. And of course, she doesn't...at first.But over the many summers she spends there, Maude comes to cherish life in the colony, as she does the people who share it with her. There is her husband Peter, consumed with a darkness of spirit; her adored but dangerously fragile children; her domineering mother-in-law, who teaches her that it is the women who possess the strength to keep the colony intact; and Maine native Micah Willis, who is ultimately Maude's truest friend.This brilliant novel, rich with emotion, is filled with appealing, intense, and indomitable characters. Anne Rivers Siddons paints a portrait of a woman determined to preserve the spirit of past generations—and the future of a place where she became who she is...a place called Colony.

    Taking its place next to Breakfast at Tiffany's and In Cold Blood on the Modern Library bookshelf is this new and original edition of Capote's most famous short stories: "A Christmas Memory, " "One Christmas, " and "The Thanksgiving Visitor." All three stories are distinguished by Capote's delicate interplay of childhood sensibility and recollective vision, evoking a strong sense of place.

    Until now. When an old schoolmate from Possett turns up at Arlene's door in Chicago asking questions about Jim Beverly, former quarterback and god of Possett High, Arlene's break with her former hometown is forced to an end. At the same time, Burr, her long-time boyfriend, has raised an ultimatum: introduce him to her family or consider him gone. Arlene loves him dearly but knows her lily white (not to mention deeply racist) Southern Baptist family will not understand her relationship with an African American boyfriend. Reluctantly, Arlene bows to the pressure, and she and Burr embark on the long-avoided road trip back home. As Arlene digs through guilt and deception, her patched-together alibi begins to unravel, and she discovers how far she will go for love and a chance at redemption.

    He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    Left behind is a mysterious list of seven outrageous tasks that Raleigh must perform in order to rescue his father and his inheritance. And so Raleigh and fat Mingo Sheffield (his irrepressibly loyal friend) set off on an uproarious contemporary treasure hunt through a landscape of unforgettable characters, falling into adventures worthy of Tom Jones and Huck Finn. A moving parable of human love and redemption, Handling Sin is Michael Malone's comic masterpiece.

    I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

    Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."

    As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident--a tragedy that destroys not only a life but also the domestic happiness and contentment of a young family. A novel of great courage, lyric force, and powerful emotion, A Death in the Family is a masterpiece of American literature.

    She is used to flying under the radar-a sidekick, a third wheel, a marching band dropout, a disastrous babysitter, the kind of girl whose Eureka moment is the discovery that "fudge" can't be said with an English accent.Luckily, she has a best friend, a similarly undiscovered girl with whom she shares the everyday adventures of a 1970s American girlhood, incidents through which a world is revealed, and character is forged.In time, their friendship is tested—by their families' claims on them, by a clique of popular girls who stumble upon them as if they were found objects, and by the first, startling, subversive intimations of womanhood.With dry wit and piercing observation, Jo Ann Beard shows us that in the seemingly quiet streets of America's innumerable Zanesvilles is a world of wonders, and that within the souls of the awkward and the overlooked often burns something radiant and unforgettable.

    After a night of rage and terror, Anna Nassad wakes to find her abusive husband dead and instinctively hides her bruises and her relief. As the daughter of Syrian immigrants living in segregated Alabama, Anna has never belonged, and now her world is about to erupt.Days before, Anna set in motion an explosive chain of events by allowing the first black postman to deliver the mail to her house. But it’s her impulsive act of inviting him inside for a glass of water that raises doubts about Anna’s role in her husband’s death.As threats and suspicions arise in the angry community, Anna must confront her secrets in the face of devastating turmoil and reconcile her anguished relationship with her daughter. Will she discover the strength to fight for those she loves most, even if it means losing all she’s ever known?

    But because Mama couldn't find anyone who thought Avocet was a fine name for a child, she called me Bird. Which is okay by me. She named both her children after birds, her logic being that if we were named for something with wings then maybe we'd be able to fly above the shit in our lives. . . .                       So says Bird Jackson, the mesmerizing narrator of Connie May Fowler's vivid and brilliantly written, Before Women Had Wings.                       Starstruck by a dime-store picture of Jesus, Bird fancies herself "His girlfriend" and embarks upon a spiritual quest for salvation, even as the chaos of her home life plunges her into a stony silence. In stark and honest language, she tells the tragic life of her father, a sweet-talking wanna-be country music star, tracks her older sister's perilous journey into womanhood, and witnesses her mother make a courageous and ultimately devastating decision.                      Yet most profound is Bird's own story--her struggle to sift through the ashes of her parents' lives, her meeting with Miss Zora, a healer whose prayers over the bones of winged creatures are meant to guide their souls to heaven, and her will to make sense of a world where fear is more plentiful than hope, retribution more valued than love. . . .                     "A thing of heart-rending beauty, a moving exploration of love and loss, violence and grief, forgiveness and redemption."           --Chicago Tribune                      "There is no denying the depth of Connie May Fowler's talent and the breadth of her imagination."           --The New York Times Book Review                      "Brilliant."           --The Boston Sunday Globe