He had a broken sternum, two broken legs, a broken elbow and shrapnel lodged in both forearms. He had a severed femoral artery, while sustaining nerve damage to his hands and feet as well as facial injuries. He had been blown up during a routine foot patrol in Afghanistan. Within days of coming to his senses, a doctor told Andy that because of the blast he would no longer be able to have children. You’ll Never Walk is his story. This is the tale of a Scouser who had to cope with losing his mum at the tender age of 12. The story of how a dream career in the Royal Marines descended into nightmare at the hands of the Taliban. The painstaking account of how he grew back six centimetres of shattered bone in his leg and learned to walk again. However, Andy wanted to run and push himself to the very edge of his limits and so he made a colossal decision. Against doctor’s advice and pleas from his father, he chose to have his leg amputated. The operation was a success, although there was a minor twist. Where once Andy’s treasured Liverpool FC tattoo had carried the message ‘You’ll Never Walk Alone’, surgery to create a stump removed a key word from the slogan. The scars of his amputation had been decorated with an ominous new motto, which read ‘You’ll Never Walk...’ Andy would walk again – he would do much more than that. Armed with a running blade he learned to run and play football, scaled mountains in South America and Italy and claimed two gold medals at Prince Harry’s Invictus Games. Through public speaking he brought hope to people right across the country. In 2016, he set his sights on a 10k below- the-knee-amputee world-record and completed the run in an unprecedented 37 minutes 17 seconds. And, most preciously of all, after every obstacle placed in his path, Andy became a father to a little girl.

    This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.

    

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    It also provides cast and performance information from every production of Gypsy. Titles include: Let Me Entertain You * Some People * If Momma Was Married * Everything's Coming Up Roses * Together Wherever We Go * Rose's Turn and more.

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    She meets and joins up with Lloyd Bophtelophti, a true "original" who has changed his name to avoid alimony payments and who now lives with a paraplegic named Pootie (who also pretends to be deaf in order to get double disability). Thus begins a series of picaresque escapades involving numerous psychiatrists, a TV game show, and, eventually, an ill-fated reunion with her husband. Filled with bizarre characters and events, the play reflects the fractured lifestyles which have become the norm for so many in our tenuous times.

    The First Phone Call from Heaven is a compelling, emotional read with a mystery that will keep readers intrigued and eager to see the story to its finish. Albom wraps the story up in a surprising way, giving readers a satisfactory yet thought-provoking conclusion. The novel is more sentimental than it is intellectually stimulating, but it does lead readers to question what makes a miracle, and question the importance of faith. Although it deals primarily with Christianity, people of all faiths will find that the story resonates with them. The First Phone Call from Heaven features relatable characters, each coping with the loss of a loved one. As you will learn in this review, Albom's writing style is simple and to the point, making it an easy read that will appeal to anyone looking for an inspirational novel. This review also gives you commentary from literary experts to help you understand where this novel succeeds, as well as where it falls short.

    Meet the Air Raid Girls: three young women keen to do their bit during the Yorkshire blitz.Connie's life has taken an unexpected turn since her husband died - she's living at home and working in the family bakery - but night shifts as an ARP Warden give her a firm sense of purpose.Her younger sister Lizzie is eager to play her part too, perhaps as an ambulance driver. Her fiance refuses to support her decision... but does he really know what's best for her?Twenty-year-old Pamela has led a sheltered life, but when her family's home is destroyed in a raid she must learn to stand on her own two feet - helped by new friends.As bombs fall and fires rage, the young women face the destruction of everything they've ever known. Can their fighting spirit prevail? And what of their families and the men they love?A thrilling and heartwarming new story of friendship, love and duty in wartime by the author of The Spitfire Girls, for fans of Elaine Everest and Rosie Hendry.

    He's worked a number of years in Montana as a rangeman and wants to live where there's no snow in the winter. So he sets out for New Mexico, a place where he's heard the weather is mild and the living is easy. But getting there may be tougher than he thinks.In the Wyoming town of Derby, Lockwood is wounded in a gunfight and has to stay long enough to recuperate...and meet the pretty widow, Lady Barlow, owner of the Barlow ranch. The ranch is in need of a ramrod, but Lockwood refuses the job. After all, Wyoming isn't much warmer than Montana. But it looks like Fate—or someone else—doesn't want Lockwood to leave town. When he tries, he's ambushed and forced to stay again. It seems to Lockwood like his journey's ending, but sometimes life leads you down trails you never expected. Some mighty dangerous trails.

    Forbidden love spans the ages to occupy Bloodlore House for ever after. The Barnes family move into an expansive old Tudor home, never imaging they could ever own such splendour. The family’s three children, Sam and Jane, and Bridget, the brooding, love-sick teenager have the uppermost third-floor room as their game room, and a local babysitter, Tess thrown in to the mix. This room comes with a sinister ambience, an irremovable wooden cross and a jammed window, but is there more lurking unseen in this otherwise empty old room? Nightmares, voices and inexplicable happenings change each family member in different ways, and the babysitter is not left unscathed. Who will win out, the ancient or the contemporary? This compelling debut from Tabatha Cross will have the hairs standing on the back of your neck.