from Cuba. Filled with puns, wordplay, lists upon lists, and Sternean typography--such as the section entitled "Some Revelations," which consists of several blank pages--this novel has been praised as a more modern, sexier, funnier, Cuban Ulysses. Centering on the recollections of a man separated from both his country and his youth, Cabrera Infante creates an enchanting vision of life and the many colorful characters found in steamy Havana's pre-Castro cabaret society.

    Handsome, rich and married to a beautiful wife, Ricardo seemed to have everything to live for. So why did he take his own life?But when the police arrive at the scene, Carvalho's death looks like a straight-forward case of robbery gone horribly wrong, since the victim's gun and briefcase are nowhere to be found. And so Inspector Espinosa is called in to investigate. Not your typical detective, the world-weary Espinosa has the mind of a philosopher, the heart of a romantic, and enough experience to realize that things are not always as they seem.

    This one is personal...because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys to a daring criminal heist beneath the city, his survival instincts will once again be tested to their limit. Pitted against enemies inside his own department and forced to make the agonizing choice between justice and vengeance, Bosch goes on the hunt for a killer whose true face will shock him.

    But no one expects to find the mysterious child-sized handprint in the childless home. Public prosecutor Jana Berzelius steps in to lead the investigation. Young and brilliant but emotionally cold, Berzelius, like her famous prosecutor father, won't be swayed by the hysterical widow or intimidated by the threatening letters the victim had tried to hide. Jana is steely, aloof, impenetrable. That is, until the boy… A few days later on a nearby deserted shoreline, the body of a preteen boy is discovered, and with him, the murder weapon that killed him and the original victim. Berzelius is drawn more deeply into the case for as she attends his autopsy, she recognizes something strangely familiar in his small, scarred, heroin-riddled body. Cut deep into his flesh are initials that scream child trafficking and trigger in her a flash of memory of her own dark, fear-ridden past. Her connection to this boy has been carved with deliberation and malice that penetrate to her very core. Now, to protect her own hidden past, she must find the suspect behind these murders, before the police do. International bestselling author Emelie Schepp introduces us to the enigmatic, unforgettable Jana Berzelius in this first novel of a chilling trilogy.

    Just as seasoned detective Max Heller begins investigating, the Fright Man kills again…The investigation seems hopeless. Desperate refugees flood the streets, all of Heller’s resources are depleted, and his new boss is a ruthless SS officer. And like so many others, Heller and his wife, Karin, survive on meager rations while fearing for the lives of their sons at the front. But as tensions mount and enemy firebombs decimate the city, dangerous new clues come to light—and the determined Heller pursues a violent and twisting path to unmask a monster.

    The narrator, unable to stop himself, tries to track Ruiz-Tagle down, and sees signs of his activity over and over again. A corrosive, mocking humor sparkles within Bolaño's darkest visions of Chile under Pinochet. In Bolaño's world there's a big graveyard and there's a big graveyard laugh. (He once described his novel By Night in Chile as "a tale of terror, a situation comedy, and a combination pastoral-gothic novel.")Many Chilean authors have written about the "bloody events of the early Pinochet years, the abductions and murders," Richard Eder commented in the The New York Times: "None has done it in such a dark and glittering fashion as Roberto Bolaño."

    Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    Now, in THE MERMAIDS SINGING, she continues her trademark ingenuity for suspense, and introduces criminal profiler Tony Hill, who has spent years exploring the psyches of madmen. But now he's become one of the hunted...YOU ALWAYS REMEMBER THE FIRST TIME...This was the summer he discovered what he wanted—at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.BUT THE NEXT TIME WOULD BE BETTER...The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim.AND PRACTICE MAKES PERFECT.A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it...

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    to learn her fate. Instead, she is surprised to be told that she is to head up a new police squad, working on solving old cold cases.Though relived to still have a job, Capestan is not overjoyed by the prospect of her new role. Even less so when she meets her new team: a crowd of misfits, troublemakers and problem cases, none of whom are fit for purpose and yet none of whom can be fired.But from this inauspicious start, investigating the cold cases throws up a number a number of strange mysteries for Capestan and her team: was the old lady murdered seven years ago really just the victim of a botched robbery? Who was behind the dead sailor discovered in the Seine with three gunshot wounds? And why does there seem to be a curious link with a ferry that was shipwrecked off the Florida coast many years previously?

    Now one of Sampson's friends may have arranged his kidnapping.Lew Archer follows the clues from the canyon sanctuaries of the mega-rich to jazz joints where you get beaten up between sets.Welcome to the first Lew Archer, private investigator - a roving conscience who walks the treacherous frontier between criminal guilt and human sin. You are sure to find that Ross Macdonald's "The Moving Target" blends sex, greed, and family hatred into an explosively readable crime novel.

    Even locked up in a maximum security prison, he vowed he would come after her and make her pay. Now the cunning killer has escaped--and the most dangerous game of all begins.... After a lifetime of fear, Tess will do something she's never done before. She's going to learn to protect her daughter and fight back, with the help of a burned-out ex-marine. As the largest manhunt four states have ever seen mobilizes to catch Beckett, the clock winds down to the terrifying reunion between husband and wife. And Tess knows that this time, her only choices are to kill--or be killed.

    The dog has been beheaded and is missing a paw; the woman is naked, covered in gruesome axe wounds, and her panties have been stuffed in her mouth.What looks like a crime committed by the victim's jealous husband keeps the local police force on their toes. Then a second victim is found. A serial killer terrorizes tourists and locals alike, and Inspector Anders Knutas has to face additional pressure from the media and local politicians who are worried about bad PR for the island.In his quest for the murderer, he is aided by Johan Berg, an intrepid young journalist from Stockholm who has been sent to cover the incidents and who gets involved with Emma, one of the first victim's close friends. Three women die before Knutas and Berg, each approaching the case in their own way, finally close in on the killer, who has always, until now, been the one unseen by everybody.Jungstedt has written an atmospheric and exciting first mystery in clear, unadorned prose, in the tradition of Henning Mankell, Håkan Nesser, and Karin Fossum.

    Detective-Adjutant Gripstra and Sergeant de Gier of the Amsterdam police are sent to investigate what looks like a simple suicide, but they are immediately suspicious of the circumstances.    This now-classic novel, first published in 1975, introduces Janwillem van de Wetering’s lovable Amsterdam cop duo of portly, worldly-wise Gripstra and handsome, contemplative de Gier. With its unvarnished depiction of the legacy of Dutch colonialism and the darker facets of Amsterdam’s free drug culture, this excellent procedural asks the question of whether a murder may ever be justly committed.