Twentysomething Benji Steiner views the concept with skepticism. But the elderly rabbi who stumbles into Benji's office one day has no such doubts. Jacob Zuckerman's late wife, Sophie, was his bashert. And now that she's gone, Rabbi Zuckerman grapples with overwhelming grief and loneliness. Touched by the rabbi's plight, Benji becomes his helper—driving him home after work, sitting in his living room listening to stories. Their friendship baffles everyone, especially Benji's sharp-tongued, modestly observant mother. But Benji is rediscovering something he didn't know he'd lost. Yet the test of friendship, and of both men's faith, lies in the difficult truths they come to share. With each revelation, Benji learns what it means not just to be Jewish, but to be fully human—imperfect, striving, and searching for the pieces of ourselves that come only through another's acceptance. "A story that is beautifully told, profound and funny. " —Jonathan Rosen, author of Joy Comes In The Morning"A stirring story about the face of love on many different levels." —Carolyn Hessel "An unforeseen tale of friendship and faith. " —Dave King, author of The Ha-HaWayne Hoffman is a writer and editor whose cultural reporting has appeared in the Washington Post, Village Voice, The Forward, The Advocate, and elsewhere. Wayne is currently deputy editor of Nextbook Press. He lives in New York City and the Catskills.

     Their bond is forbidden. Their relationship could upend lives. But their love? It’s a force of nature… Ten years ago, a desperate and confused Robert Glazer briefly married a woman before confronting his sexuality and starting his life as an out gay man. They divorced and lost contact – until now. Today, a sudden family death throws Robert and his ex-wife back together for the first time. That’s where Robert meets her son Eliot, who was raised with his own father and is now a gorgeous – and openly gay – adult. And to Robert and Eliot’s surprise, sparks fly. Passion ignites, then threatens to explode. Soon Eliot knows three things. One: Robert is not his father figure, and never was – in fact, he barely remembers him. Two: news of their union would still rock his whole world. And three: he craves Robert more than anything he has ever wanted. And as suspicions arise, their attraction only grows…

    Living in New York in 1991 is Gilbert Selwyn, a young man possessed of boundless charm and an allergy to employment, who has devised a plan to wring a nice pile of loot from his mother's newest (and obscenely wealthy) husband.The scheme, simply put, is to get married for the gifts. But Gilbert, who's gay, needs a fiancée... Enter Moira Finch, a demonically conniving young woman whose own mother, having recently married the Duke of Dorsetshire, will contribute richly to the couple's receipts. Enter, too, Philip Cavanagh, Gilbert's longtime friend, former lover, and highly strung Best Man. And enter, finally, the Cellinis, Gilbert's huge internecine stepfamily, whose fortune has not been amassed as innocently as Gilbert first thought, and who conform rather more closely to Italian-American stereotypes than Gilbert would like to believe. As Gilbert, Moira, and Philip struggle to keep their plot under wraps, the scams get bigger and more perilous, deceit multiplies, and a wonderfully calamitous trail leads us towards what could be the wedding of the season.

    In this restless, swerving book simple questions—such as, Why paint a bird?—are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its—and our own—invention.

    Jones's I'm Open to Anything explores bohemian Southern California of the late 1980s and early 90s, before gentrification ruined everything. The book's narrator flees a crumbling industrial wasteland in the Midwest and finds himself in sunny Los Angeles without a car, working in a neighborhood video store and spending many hours watching films. He explores his adopted city and befriends a number of men, most of them immigrants, who teach him the finer points of sex. He acquires the skill of fisting, giving his partners intense pleasure, and at the same time hearing the stories of their lives. They too have fled their hometowns: one to escape torture at the hands of a Salvadoran death squad; another to study anthropology after years of wandering and religious questioning. Alternating between explicit scenes of kinky sex and intimate conversations about matters of life and death, I'm Open to Anything is a porno novel of rare ambition and humor. The book recalls Olympia Press's heyday, when authors made quick money churning out dirty books, but couldn't hide the intellectual obsessions that made them writers in the first place. William E. Jones's previous book, True Homosexual Experiences (also published by We Heard You Like Books), a biography of Straight to Hell's iconoclastic editor Boyd McDonald, celebrates the frank, raunchy language of the first queer 'zine. Jones brings the same unsparing and profane attitude to I'm Open to Anything, his debut novel.

    Nate Schaper found his in high school. In the eight months since their cautious flirting became a real, honest, tell-the-parents relationship, Nate and Adam have been inseparable. Even when local kids take their homophobia to brutal levels, Nate is undaunted. He and Adam are rock solid. Two parts of a whole. Yin and yang.But when Adam graduates and takes an Off-Broadway job in New York—at Nate’s insistence—that certainty begins to flicker. Nate starts a blog to vent his frustrations and becomes the center of a school controversy, drawing ire and support in equal amounts. But it is the attention of a new boy who is looking for more than guidance that forces him to confront who and what he really wants.J.H. Trumble’s debut, DON’T LET ME GO, is a witty, beautifully written novel that is both a sweet story of love and long-distance relationships, and a timely discourse about bullying, bigotry, and hate in high schools.

    The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day.

    In Naked, Sedaris turns the mania for memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview—a sensibility at once take-no-prisoners sharp and deeply charitable. A tart-tongued mother does dead-on imitations of her young son's nervous tics, to the great amusement of his teachers; a stint of Kerouackian wandering is undertaken (of course!) with a quadriplegic companion; a family gathers for a wedding in the face of imminent death. Through it all is Sedaris's unmistakable voice, without doubt one of the freshest in American writing.

    From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.--Off Our Backs

    As he tries to settle in this new environment, he cannot help but recall the events and experiences that have led him there.It is in these recollections that we meet a vast array of people--those who had either helped Andy along the way or had threatened his hope to escape. These are the stories of his hope to escape. These are the stories of his great-uncle, the one person who seemed to understand him; his father, who domineering presence and unwavering anger were the rules, not the exceptions; and Evan, an older boy who became his first true love.Rarely does a writer capture the essence of the journey from a child to adult so acutely. Cart's dazzling novel is a potent reminder of the pain and the euphoria that come from growing up and how we remember our family, friends, and first loves.

    His sublime, ethereal performances were unforgettable, drawing on the most treasured traditions of every culture, every people, throughout inhabited space. His crowning achievement, and his obsession: the Somalite song dance, an art form that transcends both song and movement to become something greater and more spectacular . . . almost divine.When tragic events caused performance of the song dance to be proscribed, Mikk was devastated . . . until his strong sense of justice forced him to defy the ban. His trial will be the most sensational in the recent history of the galaxy; the sentence he faces is death. Now the greatest performance master must hope to become the greatest escape artist. Somehow Mikk must break the stranglehold of censorship and change the law . . . or die trying!