However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character.Readers can discover these and other aspects of her influential style in the eight stories collected here, among them a delightful, feminist put-down of the male intellect in "A Society" and a brilliant and sensitive portrayal of nature in "Kew Gardens." Also included are "An Unwritten Novel," "The String Quartet," "A Haunted House," "Blue & Green," "The Mark on the Wall," and the title story.In recent years, Woolf's fiction, feminism, and high-minded sensibilities have earned her an ever-growing audience of readers. This splendid collection offers those readers not only the inestimable pleasures of the stories themselves, but an excellent entrée into the larger body of Woolf's work.

    Part of the Shadows Beneath - The Writing Excuses Anthology

    It is the 1860s; Japan is closed to foreigners and this has to be a clandestine operation. During his undercover negotiations with the local baron, Joncour's attention is arrested by the man's concubine, a girl who does not have Oriental eyes. Although the young Frenchman and the girl are unable to exchange so much as a word, love blossoms between them, conveyed by a number of recondite messages in the course of four visits the Frenchman pays to Japan. How their secret affair develops and how it unfolds is told in a narration as beautiful, smooth and seamless as a piece of the finest silk.

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    As he works, he meditates on Czechoslovakia, on Kafka, on life, on art and, obsessively, on his passionate and adulterous love affair with the sculptress Daria. Gradually he admits the impossibility of being at once an honest writer and an honest lover, and with that agonizing discovery comes a moment of choice.

    . . Bradbury?You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . "almost."Ray Bradbury--peerless storyteller, poet of the impossible, and one of America's most beloved authors--is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.TABLE OF CONTENTSSam Weller and Mort Castle - IntroductionRay Bradbury - Second HomecomingNeil Gaiman - The Man Who Forgot Ray BradburyMargaret Atwood - HeadlifeJay Bonansinga - HeavySam Weller - The Girl In The Funeral ParlorDavid Morrell - The CompanionsThomas F. Monteleone - The ExchangeLee Martin - Cat on a Bad CouchJoe Hill - By The Silver Water Of Lake ChamplainDan Chaon - Little AmericaJohn McNally - The Phone CallJoe Meno - Young PilgrimsRobert McCammon - Children Of The Bedtime MachineRamsey Campbell - The Page Mort Castle - LightAlice Hoffman - ConjureJohn Maclay - MaxJacqueline Mitchard - Two Of A KindGary Braunbeck - Fat Man And Little BoyBonnie Jo Campbell - The TattooAudrey Niffenegger - Backwards In SevilleCharles Yu - Earth: (A Gift Shop)Julia Keller - Hayleigh's DadDave Eggers - Who Knocks?Bayo Ojikutu - Reservation 2020Kelly Link - Two HousesHarlan Ellison - Weariness

    He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.~from the back cover

    From the title story told by a woman suffering from gaps in her memory, to one about a man seeking insight in bags of garbage, to a surreal story about a car salesman and the customer he tries to seduce, The Woman Next Door charms and provokes with an incomparable style.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    CLARKE'S FAVORITE STORIESTHE NINE BILLION NAMES OF GOD -- A short-term course for computer the way to God.TROUBLE WITH TIME -- Martian time proves that crimes doesn't pay!NO MORNING AFTER -- Drink, drink and be merry, for tomorrow there will be no morning after...THE POSSESSED -- Or, why the lemmings drowned.ENCOUNTER AT DAWN -- The day the gods came to Earth.THE SENTINEL -- The story which inspired 2001: A SPACE ODYSSEY; when man sets off the galactic burglar alarm, who will answer the call?

    Abounding in philosophical, psychological and theological inquiries - yet laced with humour that is as infectious as it is wilful - The Discovery of Heaven convinces us that it just might be possible to bring order into the chaos of the world through a story.

    Latro, a mercenary soldier from the north, has suffered a head wound in battle and has been separated from his compatriots. He has not only lost the memory of who he is and where he is from, he has also lost the ability to remember from day to day and must live out of context in an eternal present, every day rediscovering the shreds of his identity and the nature of the world around him, aided only by a written record that he attempts to continue daily and must read every morning.But in recompense for his unhappy condition Latro has received the ability to see and converse with invisible beings, all the gods and goddesses, ghosts and demons and werewolves, who inhabit the land and affect the lives of others, all unseen. Everyone knows that supernatural creatures are constantly around them and sometimes, under special circumstances, can perceive them—but Latro is now constantly able to penetrate the veil of the supernatural, which is both a triumph and a danger.