They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure - William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

    The two begin to interlock as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage. In the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown.

    The perfect listening/reading combination, this book/CD package includes a world-class recording of the complete opera along with a full-color 144-page guide featuring the libretto, history, a synopsis and more. The Flying Dutchman spotlights world-renowned performers Peter Seiffert and Pinchas Steinberg. The book also details the life and work of the composer, the careers of the most famous and talented performers of all time and the nuances of the operas themselves.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the individual, and finally into the theatre of phychosis: the mind itself. This play was written in 1999 shortly before the playwright took her own life at age 28. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.

    By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered to be the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.

    Howard” Contains: • An aesthetic cover page. • A beginning click-able Table of Contents for all titles. • Inner click-able Tables of Contents for all individual books with multiple chapters. • Nicely organized chapters and text. Author’s works include: • SKULLS IN THE STARS • THE FOOTFALLS WITHIN • THE MOON OF SKULLS • THE HILLS OF THE DEAD • WINGS IN THE NIGHT • RATTLE OF BONES • RED SHADOWS • THE DAUGHTER OF ERLIK KHAN • HAWK OF THE HILLS • BLOOD OF THE GODS • SON OF THE WHITE WOLF • THE COUNTRY OF THE KNIFE • THE PHOENIX ON THE SWORD • THE SCARLET CITADEL • THE TOWER OF THE ELEPHANT • BLACK COLOSSUS • THE SLITHERING SHADOW • THE POOL OF THE BLACK ONE • GODS OF THE NORTH • ROGUES IN THE HOUSE • SHADOWS IN THE MOONLIGHT • QUEEN OF THE BACK COAST • THE DEVIL IN IRON • THE PEOPLE OF THE BLACK CIRCLE • A WITCH SHALL BE BORN • JEWELS OF GWAHLUR • BEYOND THE BLACK RIVER • SHADOWS IN ZAMBOULA • RED NAILS • THE HOUR OF THE DRAGON • THE HYBORIAN AGE • THE VALLEY OF THE WORM • THE GARDEN OF FEAR • APPARITION IN THE PRIZE RING • ALLEYS OF DARKNESS • ALLEYS OF PERIL • ALMURIC • WORMS OF THE EARTH • THE LOST RACE • EVIL DEEDS AT RED COUGAR • A GENT FROM BEAR CREEK (NOVELLA) • A GENT FROM BEAR CREEK (SHORT STORY) • CUPID FROM BEAR CREEK • GUNS OF THE MOUNTAINS • HIGH HORSE RAMPAGE • MOUNTAIN MAN • NO COWHERDERS WANTED • PILGRIMS TO THE PECOS • TEXAS JOHN ALDEN • WHILE SMOKE ROLLED • PISTOL POLITICS • SHARP’S GUN SERENADE • THE APACHE MOUNTAIN WAR • THE CONQUERIN’ HERO OF THE HUMBOLTS • THE FEUD BUSTER • THE HAUNTED MOUNTAIN • THE RIOT AT COUGAR PAW • THE ROAD TO BEAR CREEK • THE SCALP HUNTER • WAR ON BEAR CREEK • THE TOMB’S SECRET • CHAMP OF THE FORECASTLE • CIRCUS FISTS • THE CHILDREN OF THE NIGHT • THE HAUNTER OF THE RING • HAWKS OF OUTREMER • THE BLOOD OF BELSHAZZAR • THE BLACK STONE • THE FIRE OF ASSHURBANIPAL • THE THING ON THE ROOF • CUPID VS POLLUX • IN THE FOREST OF VILLEFÉRE • WOLFSHEAD • BLACK CANAAN • THE HOUSE OF ARABU • PEOPLE OF THE DARK • THE VOICE OF EL-LIL • SPEAR AND FANG • SEA CURSE • FIST AND FANG • GENERAL IRONFIST • GATES OF EMPIRE • LORD OF SAMARCAND • THE LION OF TIBERIAS • THE SOWERS OF THE THUNDER • THE CAIRN ON THE HEADLAND • THE DREAM SNAKE • THE FEARSOME TOUCH OF DEATH • THE HYENA • THE TREASURES OF TARTARY • THE SHADOW KINGDOM • THE MIRRORS OF TUZUN THUNE • KINGS OF THE NIGHT • NIGHT OF BATTLE • OLD GARFIELD’S HEART • T

    Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love".Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

    

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    With reminiscence and narration, a local sheriff must comb through his own humid world to unravel the truth behind the death of a local boy. But it’s not as easy as it seems, because no one is talking. The Other Side of the Bay is a remarkable portrait of the unique people in the Panhandle of Florida. The story weaves itself into the tall longleaf forests, and along the crests of the uneasy bay, telling a tale of the human spirit. This is a novel of how things aren't always as black and white as they ought to be, and how right and wrong aren't always easy to tell apart. It's an evocative tale that delivers its reader to the apricot sun rises and sepulchral storm clouds of their own bittersweet memories.

    

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.