Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also--because it is about many kinds of power--is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.

    Their stories unfold in this explosive new book told in free verse. A story of teen angst like no other, it is based on fictional characters but is rooted in the realities of the teen experience. When Natalie moves to a new high school she befriends three unwitting victims into her spider-web of manipulations, lies and deceit. Through the poetry and assignments of an English class we glimpse the world of the four teens. Natalie, whose alcoholic parents, years of neglect and ultimate rape by her father's friend has shaped her into a cruel and manipulative teen; Tricia, dealing with her blended family, is drawn into Natalies' forbidden world of partying and rebellion; Kyle, a would-be musician is in love with Tricia and Miguel who lusts for Natalie while hiding the secrets of his family.The story weaves us through their poetry, their lives and culminates at a party where the four lives fishtail out of control. English class will never be the same.

    Beautifully illustrated in water colors and can be opened up to make a poster.

    Each piece is nameless in the hope that you’ll crawl into them and see yourself.

    In addition, this beautifully conceived clothbound anthology includes 35 new poems as well as original and arresting illustrations by the author.Lang’s evocative words of love, loss, and self-empowerment have inspired millions across the globe to seek their own voice through the healing power of poetry. A definite must-have collection for all lovers of poetry and prose.   The Gift of Everything will thrill and delight fans of Lang Leav as well as those yet to discover the enchanting world of one the most celebrated poets in modern history.

    And it carries through to the vote that made Barack Obama the forty-fourth president of the United States.

    

    It is pollution in the public square, where a toxic smog of adversarial rhetoric, propaganda, and polarization stifles discussion and debate, creating resistance to change and thwarting our ability to solve our collective problems.In this second edition of I'm Right and You're an Idiot , James Hoggan grapples with this critical issue, through interviews with outstanding thinkers and drawing on wisdom from highly regarded public figures. Featuring a new, radically revised prologue, afterword, and a new chapter addressing the changes in the public discourse since the 2016 United States election, his comprehensive analysis explores:How political will is manipulatedHow tribalism shuts down open-minded thinking, undermines trust, and helps misinformation thriveWhy facts alone fail and how language is manipulated and dissent silencedThe importance of dialogue, empathy, and pluralistic narrative reframing arguments to create compelling narratives and spur action.Our species' greatest survival strategy has always been foresight and the ability to leverage intelligence to overcome adversity. For too long now this capacity has been threatened by the sorry state of public discourse. Focusing on proven techniques to foster more powerful and effective communication, I'm Right and You're an Idiot will appeal to readers looking for deep insights and practical advice in these troubling times.

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    It harks back to the 1989 issue of the same name, themed around the response to the fall of the Berlin wall. Through the lenses of exile and migration, we ask ourselves what it means to be European now. Featuring a photoessay by Bruno Fert who steps inside the temporary homes of refugees in camps in Greece and France.

    The book is categorized into four parts, LOST, FOUND, HOPE and Short Stories. In an age of lesser readers and short attention spans, she hopes this book could stir ideas in the most efficient way possible; through really short, melodious writing. Awards- Award-Winning Finalist in the “Poetry” category of the 2017 International Book Awards- Award-Winning Finalist in the “Best Cover Design: Fiction” category of the 2017 International Book Awards- MPH Best Paperback Fiction Nominee 2016Get it on Amazon Kindle:http://amzn.to/2AHkNzT

    But after accidentally becoming involved a tragic fatal accident, they become embroiled in a situation out of their control, and Joe and Imogen's relationship becomes slowly unravelled until the truth is out there for all to see ... Structured around a dramatic and tense court case, the reader becomes both judge and jury in a stunning and page-turning novel of uncovering secrets and lies — who can be believed?Shortlisted for the Warwickshire Year 9 Book Award 2021Shortlisted for the Wirral Book Awards 2021Longlisted for the Cumbria SLS Spellbinding book awards 2021

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice”"Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord"...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury ReviewGregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving."If to say it onceAnd once only, then stillTo say: Yes.And say it complete,Say it as if the wordFilled the whole momentWith its absolute saying.Later for “but,” Later for “if.”NowOnly the single syllableThat is the beloved.That is the world.Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

    Entitled Songs in Time of War, Shared Ground, The Traveller and Seven Elements, the libretti take us all over the world - from Chinese and Indian poetry, to the beauty and quietness of the Wiltshire rectory where English poet George Herbert lived and died.Spanning centuries of creativity and humanity, the poems that form these libretti pulse with life, energy and inspired brilliance.They are accompanied by four pieces of calligraphy by the author.