King Kong as she's known on the courts falls hard, but will it be because of the person who wants to kill her or for love?

    By night, she’s the writer for the network’s very cheesy, very straight holiday romance series―Christmas in Evermore. Holly took the job to accomplish exactly one thing: a gay Christmas movie. She’s been shot down before, but things start to look up when Meredith Drake unexpectedly moves into the network’s holiday division.On the heels of a brief (but totally hot) fling, Holly and Meredith agree to keep things professional now that they’ll be working together. Especially since the network has a strict policy about workplace relationships. Instead, they vow to channel their passion into a pitch for the network’s first Christmas movie to feature two female leads.In this contemporary romance, Holly and Meredith work to make the Yuletide gayer while discovering that happy endings aren’t only for the movies.

    Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart. Valencia conveys a blend of youthful urgency and apocalyptic apathy.

    . . Other Girls.