When Lilly "Aimee" Wust, a gentile mother of four and wife of a Nazi officer, met Felice "Jaguar" Schragenheim, a Jew living underground in Berlin, neither could have guessed that their brief initial encounter would develop into a blazing, devoted love. As the Nazi stranglehold closed in on them, Lilly and Felice found themselves fighting insurmountable odds to stay together. Extraordinarily passionate and heartrending, this is a rare and personal look at the love and strength of two women whose commitment to each other defied the brutality of their time.

    It brings together the works of famous as well as less-known authors, all of whom boast passionate followings. Every genre you could imagine is covered, including literature, memoirs, thrillers, science fiction, self-help, fantasy, graphic novels, fairy tales, and more. Each entry features a photo of the book cover, a plot synopsis, a review, and suggestions for further reading.Fun to pore over ... A great reference source ... Sure to provoke conversation and debates among devoted readers ... Here's a page-turner you won't ever want to close the book on.

    Many books have been written about Oscar Wilde. Who Was That Man? is unique - the acting out of a love-hate relationship between Wilde and a gay Londoner of today. Neil Bartlett has grabbed history by the collar and made bitter love to it. I can think of no other way to describe this fantastic personal meditation on Oscar Wilde and the last hundred years of English homosexuality. At the very moment gay existence is endangered by disease and a renewed puritanism, Bartlett has embraced what was alien and criminal or merely clinical and loved it into poignant life - Edmund White

    Leeming, Baldwin's friend for 25 years, accessed all of Baldwin's private papers to bring readers closer than ever to the complex man who struggled out of Harlem to become a legend of American literature. Photos.

    Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written.

    With extraordinary sensitivity, Norah Lofts has captured the changing, volatile, intriguing character of Emma Hamilton. Her lucid narrative is enhanced by selections from Emma's letters and many portraits by the great painters of her time.Non-fiction

    Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's.In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.

    The portraits there, large and imposing, were of women: Ida Rubinstein, Una Troubridge, Gluck, Elisabeth de Gramont, Renata Borgatti, Bryher. Romaine's lover Natalie Barney said that Paris had been 'the Sapphic Centre of the Western World', and these women defined it. Capote himself called them 'the all-time ultimate gallery of famous dykes'. This book is about that gallery and celebrates the central role they played in the cultural revolution that was Modernism.Modernism happened in Paris, and these women were Paris. Shocking, free, blatant, they weren't just expats. They'd grouped together to create their own world, far from the restrictions of home. They were talented, often well-off, and lesbian. They answered to no one but themselves. Among them, for example, was Sylvia Beach, the American who set up the legendary Shakespeare & Co in 1919 and published Joyce's Ulysses when nobody else dared to, as well as Radclyffe Hall's The Well of Loneliness which was burned in Britain. The shop became the unofficial meeting place of the Modernists. Gertrude Stein, Beach's friend, bought the work of her friends – Matisse, Cézanne, Picasso, Gauguin – when they were young and unknown. Hemingway, Scott Fitzerald, Paul Bowles and others gravitated to the shop and to the world around these women.Told in the spirit of Stein's Autobiography of Alice B. Toklas, or Hemingway's A Moveable Feast, this book is as colourful and exuberant as the women themselves.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    Einar Wegener was a leading artist in late 1920's Paris. One day his wife Grete asked him to dress as a woman to model for a portrait. It was a shattering event which began a struggle between his public male persona and emergent female self, Lili. Einar was forced into living a double life; enjoying a secret hedonist life as Lili, with Grete and a few trusted friends, whilst suffering in public as Einar, driven to despair and almost to suicide. Doctors, unable to understand his condition, dismissed him as hysterical. Lili eventually forced Einar to face the truth of his being - he was, in fact, a woman. This bizarre situation took an extraordinary turn when it was discovered that his body contained primitive female sex organs. There followed a series of dangerous experimental operations and a confrontation with the conventions of the age until Lili was eventually liberated from Einar - a freedom that carried the ultimate price. Now with a foreword written by a modern transsexual - the book has not been published in English for decades, and a sensation when it first appeared over seventy years ago - this new edition of Man into Woman, the birth, life and confessions of Lili Elbe, is a story of a marriage and of love and romance that paints a fascinating portrait of a 1930's European artistic community. Compiled fron Lili's own letters and manuscripts, and those of the people who adored her, Man into Woman is the Genesis of the Gender Revolution.

    When he became leader of the Liberal Party in 1967 at the age of just thirty-seven, he seemed destined for truly great things. But as his star steadily rose so his nemesis drew ever nearer: a time-bomb in the form of Norman Scott, a homosexual wastrel and sometime male model with whom Jeremy had formed an ill-advised relationship in the early 1960s. Scott's incessant boasts about their 'affair' became increasingly embarrassing, and eventually led to a bizarre murder plot to shut him up for good. Jeremy was acquitted of involvement but his career was in ruins.Michael Bloch's magisterial biography is not just a brilliant retelling of this amazing story; ten years in the making, it is also the definitive character study of one of the most fascinating figures in post-war British politics.

    From Weimar Berlin to LA's Chinatown, from a seaside resort in East Germany to a luxury apartment on the Champs-Élysées, the different settings they inhabit are as richly textured as the roles they play: siren, muse, predator, or lover, each one a carefully calibrated performance. And in the orbit of each star live secondary players--a Chinese immigrant housemaid, a German soldier on leave from North Africa, a pompous Hollywood director--whose voices and viewpoints reveal the legacy each woman left in her own time, as well as in ours. Amanda Lee Koe's playful, wry prose guides the reader dexterously around murky questions of ego, persona, complicity, desire, and difference. Intimate and raw, Delayed Rays of a Star is a visceral depiction of womanhood--its particular hungers, its calculations, and its eventual betrayals--and announces a bold new literary voice.

    ‘I have put my genius into my life but only my talent into my work’.So said Oscar Wilde of his remarkable life – a life more complex, more erotic, more troubled and more triumphant than any of his contemporaries ever knew or suspected.Neil McKenna’s The Secret Life of Oscar Wilde charts fully for the first time Oscar’s astonishing erotic odyssey through Victorian London’s sexual underworld.Oscar Wilde emerges as a man driven personally and creatively by his powerful desires for sex with men, and Neil McKenna argues compellingly and convincingly that Oscar’s Wilde’s life and work can only be fully understood and appreciated in terms of his sexuality.The book draws of a vast range of sources, many of them previously unpublished, and includes startling new material like the statements made to the police by the male prostitutes and blackmailers ranged against Oscar Wilde at his trial which have been lost for over a century.Dazzlingly written, The Secret Life of Oscar Wilde meticulously and brilliantly reconstructs Oscar Wilde’s emotional and sexual life, painting an astonishingly frank and vivid portrait of a troubled genius who chose to martyr himself for the cause of love between men.

    These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

    This volume is a unique collection of photographs of LGBTQ and/or cross-dressing people from 1900 to 1960. While this is a time many now regard as the deeply closeted "dark ages," these photos show LGBTQ who were clearly out (at least for a moment)-some camping it up for the cameras while others in loving or clearly domestic poses. These photographs were discovered and collected by the author at flea markets and garage sales, the names of the subjects and their photographers lost to time. He was intrigued by the fact that the pictures show couples posed hand in hand, revealing happiness, serenity, and a surprising air of freedom.This unique collection inspired Sebastien Lifshitz to restore to these nameless couples their voices in his documentary movie The Invisibles for which he was awarded the Cesar Award for Best Documentary in 2013.