It may be considered the best work extant on the philosophy of history. On the 18th Brumaire (Nov. 9th), the post-revolutionary development of affairs in France enabled the first Napoleon to take a step that led with inevitable certainty to the imperial throne. The circumstance that fifty and odd years later similar events aided his nephew, Louis Bonaparte, to take a similar step with a similar result, gives the name to this work-"The Eighteenth Brumaire of Louis Bonaparte.

    He was a world-class rogue who held high office in five successive regimes. A well-known opportunist and a notorious bribe taker, Talleyrand's gifts to France arguably outvalued the vast personal fortune he amassed in her service. Once a supporter of the Revolution, after the fall of the monarchy, he fled to England and then to the United States. Talleyrand returned to France two years later and served under Napoleon, and represented France at the Congress of Vienna. Duff Cooper's classic biography contains all the vigor, elegance, and intellect of its remarkable subject.

    It was also known as the waiting room for the guillotine because prisoners only spent a day or two here before their conviction and subsequent execution. The ex-queen surely knew her days were numbered, but she could never have known that two and a half months would pass before she would finally stand trial and be convicted of the most ungodly charges. Will Bashor traces the final days of the prisoner registered only as Widow Capet, No. 280, a time that was a cruel mixture of grandeur, humiliation, and terror. Marie Antoinette s reign amidst the splendors of the court of Versailles is a familiar story, but her final imprisonment in a fetid, dank dungeon is a little-known coda to a once-charmed life. Her seventy-six days in this terrifying prison can only be described as the darkest and most horrific of the fallen queen s life, vividly recaptured in this richly researched history."

    This narrative history masterfully weaves together the sweeping events surrounding the so-called “Babylonian captivity” of the popes into the broader story of 14th-century Europe, a turbulent time of transition between Middle Ages and Renaissance when seven successive popes resided in Avignon in the south of France.

    A peasant himself, Guillaumin was unique in that, after a few years of schooling, he continued to work his small farm in central France to the end of his life, reserving nights for study and writing. Guillaumin felt that the French peasant had been misrepresented in contemporary literature--either romanticized as in George Sand or depicted as a dumb victim of the forces of nature as in Zola--and wanted to correct the picture. The result is a moving first-person story that can be read as a fictional account, as well as the best kind of material for historians seeking to understand how nineteenth-century French peasants really lived.

     Instead of a mere two months the Russian campaign would go on to last over five months. Yet, his army would not be overcome in pitched battle, instead it would be decimated by a vicious Russian winter. Prior to the beginning of the war Armand de Caulaincourt served as French ambassador to St. Petersburg and records within his memoirs how he attempted to dissuade Napoleon from his invasion of this vast country. His warnings were, however, not heeded and he went on to serve with Napoleon throughout the conflict as Grand Écuyer, or Master of the Horse, riding at his leader's side through many of the major battles such as Borodino. Caulaincourt continued with Napoleon through his capture of Moscow and warned his commander against wintering in Russia, but again was not listened to, and so records the disintegration of the once magnificent French army. With Napoleon in Russia is a remarkably intimate portrayal of the brilliant general as he suffered one of his greatest defeats. General Armand de Caulaincourt left Russia with Napoleon in December 1812. After this campaign he continued with his critical support of Napoleon right through until the Battle of Waterloo. After which his name was placed upon a list of those proscribed for arrest and execution, but this stopped by the personal intervention of Tsar Alexander I. During his life he kept numerous records and memoirs, which were eventually compiled and translated by Jean Hanoteau in 1935. Caulaincourt passed away in 1827 and the translator of the work Hanoteau died in 1939. B. H. Liddell Hart cited the work extensively when studying why Hitler's invasion of Russia failed in the twentieth century. Yet it was also a favored reference for many of those German commanders, for example General Günther von Kluge, who General Günther Blumentritt recounted: "I can still see von Kluge trudging through the mud from his sleeping quarters to his office, and standing there before the map with Caulaincourt's book in his hand. That went on day after day."

    At its heart is one of the world's greatest love stories: the lifelong devotion of King Henri II of France to Diane de Poitiers, a beautiful aristocrat who was nineteen years older than her lover.At age fourteen, Henri was married to fourteen-year-old Catherine de' Medici, an unattractive but extremely wealthy heiress who was to bring half of Italy to France as her dowry. When Catherine met Henri on her wedding day, she fell instantly in love, but Henri could see no one but the beautiful Diane. When Henri eventually became king, he and Diane ruled France as one. Meanwhile, Catherine took as her secret motto the words "Hate and Wait" and lived for the day Diane would die and she could win Henri's love and rule by his side. Fate had another plan.Her Royal Highness Princess Michael of Kent, herself a descendant of both Catherine and Diane, imbues this seldom-told story with an insider's grasp of royal life. The Serpent and the Moon is a fascinating love story as well as a richly woven history of an extraordinary time.

    Depicting the great age of Anglo-French rivalry from the deposition of Edward II to the downfall of Richard II, Froissart powerfully portrays the deeds of knights in battle at Sluys, Crecy, Calais and Poitiers during the Hundred Years War. Yet they are only part of this vigorous portrait of medieval life, which also vividly describes the Peasants' Revolt, trading activities and diplomacy against a backdrop of degenerate nobility. Written with the same sense of curiosity about character and customs that underlies the works of Froissart's contemporary, Chaucer, the Chronicles are a magnificent evocation of the age of chivalry.

    He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American. Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none other. Karnow came to France at a time when the French were striving to return to the life they had enjoyed before the devastation of World War II. Yet even during food shortages, political upheavals, and the struggle to come to terms with a world in which France was no longer the mighty power it had been, Paris remained a city of style, passion, and romance. Paris in the Fifties transports us to Latin Quarter cafés and basement jazz clubs, to unheated apartments and glorious ballrooms. We meet such prominent political figures as Charles de Gaulle and Pierre Mendès-France, as well as Communist hacks and the demagogic tax rebel Pierre Poujade. We get to know illustrious intellectuals, among them Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and André Malraux, and visit the glittering salons where aristocrats with exquisite manners mingled with trendy novelists, poets, critics, artists, composers, playwrights, and actors. We meet Christian Dior, who taught Karnow the secrets of haute couture, and Prince Curnonsky, France's leading gourmet, who taught the young reporter to appreciate the complexities of haute cuisine. Karnow takes us to marathon murder trials in musty courtrooms, accompanies a group of tipsy wine connoisseurs on a tour of the Beaujolais vineyards, and recalls the famous automobile race at Le Mans when a catastrophic accident killed more than eighty spectators. Back in Paris, Karnow hung out with visiting celebrities like Ernest Hemingway, Orson Welles, and Audrey Hepburn, and in Paris in the Fifties we meet them too.A veteran reporter and historian, Karnow has written a vivid and delightful history of a charmed decade in the greatest city in the world.

    Maria Theresa inherited her father’s thrones at the age of twenty-three and was immediately attacked on all sides by foreign powers confident that a woman would to be too weak to defend herself. Maria Christina, a gifted artist who alone among her sisters succeeded in marrying for love, would face the same dangers that destroyed the monarchy in France. Resourceful Maria Carolina would usher in the golden age of Naples only to face the deadly whirlwind of Napoleon. And, finally, Marie Antoinette, the doomed queen whose stylish excesses and captivating notoriety have masked the truth about her husband and herself for two hundred and fifty years. Vividly written and deeply researched, In the Shadow of the Empress is the riveting story of four exceptional women who changed the course of history.

    

    As an impressionable bride of seventeen who married a man more than twice her age, Grace's remarkable beauty (likened by journalists to "a May morning") soon attracted the attentions of other men. A disastrous liaison with a consummate rake not only branded Grace as a demi-rep - a woman with half a reputation - but the scandal provoked Dr. John Eliot, her philandering husband, to pursue a divorce.Grace became mistress of the most infamous peer in England, George James, Lord Cholmondeley, whose "secret perfections" were reputed to inspire "female enthusiasm." Cholmondeley commemorated the relationship by commissioning two works from eminent portraitist Thomas Gainsborough, first in 1778 and later in 1782, the same year Grace gave birth to a daughter, Georgiana (who may, in fact, have been the child of the Prince of Wales). Had Grace been an aristocrat, she and Cholmondeley might have had a future together, but it was not to be.The tabloids broke the news: "Miss Dalrymple has embarked for France, and it is said parted with her noble gallant." Grace was soon to find a new protector in that nation's richest man, Philippe, Duc d'Orleans. Though Grace was ensconced as "one of the most brilliant and popular among the fashionable 'impures,'" her liaison with the duke turned perilous when Orleans fell to the Revolution's guillotine, just as she narrowly escaped with her life."People die, but love may not," declares author Jo Manning of her subject's romantic and historic misadventures. A connoisseur of the times, Manning ably demonstrates - through contemporary newspapers, magazines, prints, and portraits as well as Grace's posthumously published journal - how life in George III's England and Marie Antoinette's France can seem strangely familiar, especially when history turns to affairs of the heart.

    Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her destiny—to dance with kings. Purely by chance, a drunken nobleman witnesses the birth and makes a reckless promise to return for Marguerite in seventeen years. With those fateful words, events are set into motion that will span three monarchies, affecting the lives of four generations of women.Marguerite becomes part of the royal court of the Sun King, but her fairy-tale existence is torn out from under her by a change of political winds. Jasmin, Marguerite’s daughter, is born to the life of privilege her grandmother dreamed of, but tempts fate by daring to catch the eye of the king. Violette, Marguerite’s granddaughter, is drawn to the nefarious side of life among the nobles at Versailles. And Rose, Violette’s daughter, becomes a lady-in-waiting and confidante to Marie Antoinette. Through Rose, a love lost generations before will come full circle, even as the ground beneath Versailles begins to rumble with the chaos of the coming revolution.An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition.

    Although innocent and unaware of what was happening at the time, they eventually discovered the extent of their father’s occupations: These men—their fathers who were capable of loving their children and receiving love in return—were leaders of the Third Reich, and would later be convicted as monstrous war criminals. For these children, the German defeat was an earth-shattering source of family rupture, the end of opulence, and the jarring discovery of Hitler’s atrocities.How did the offspring of these leaders deal with the aftermath of the war and the skeletons that would haunt them forever? Some chose to disown their past. Others did not. Some condemned their fathers; others worshipped them unconditionally to the end. In this enlightening book, Tania Crasnianski examines the responsibility of eight descendants of Nazi notables, caught somewhere between stigmatization, worship, and amnesia. By tracing the unique experiences of these children, she probes at the relationship between them and their fathers and examines the idea of how responsibility for the fault is continually borne by the descendants.

    This version has the original photographs returned.