Their impressive cities, tall pyramids, shining goldwork, and intricate textiles constitute one of the greatest artistic traditions in history.For the second edition, Rebecca Stone-Miller has added new material covering the earliest mummification in the world at Chinchorros, wonderful new Moche murals and architectural reconstructions, the latest finds from the Chachapoyas culture, and a greater emphasis on shamanism. Throughout, Stone-Miller demonstrates how the Andean peoples adapted and refined their aesthetic response to an extremely inhospitable environment.

    Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

    The furrows of Robin Hardy ('The Wicker Man'), Piers Haggard ('Blood on Satan's Claw'), and Michael Reeves ('Witchfinder General') have arisen again, most notably in the films of Ben Wheatley ('Kill List'), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes.Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.

    The second book of Dante Alighieri's classic poem "The Divine Comedy," this version of "Purgatorio" couples a clever literary adaptation incorporating modern urban speech and contemporary references with powerful illustrations inspired by Gustave Dore's famous engravings. Whereas "Inferno" was primarily situated in a city that bears a curious resemblance to modern Los Angeles, "Purgatorio" is set in a surreal San Francisco Bay Area, an outlandish and hopeful milieu for those who have a chance to wash their sins away. Together, the sardonic yet playful combination of text and images comprise a vivid retelling of this masterpiece.

    In this anthology the authors have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources, some of which were here translated for the first time. The resulting volume is an invaluable reference work for art historians as well as for anyone interested in the mind and methods of one of the world’s greatest creative geniuses.“Highly readable. . . . Also included are documentary sources and letters illuminating Leonardo’s career; the manuscript sources for all of Leonardo’s statements are fully cited in the notes. The volume is skillfully translated and is illustrated with appropriate examples of drawings and paintings by the artist.”—Choice“Certainly easier to read and . . . more convenient than previous compilations.”—Charles Hope, New York Review of Books“A chaotic assemblage of Leonardo da Vinci’s writings appeared in 1651 as Treatise on Painting. . . . [Kemp] successfully applies . . . order to the chaos.”—ArtNews

    A Mexican drug cartel dismembers the body of a rival and then stitches his face onto a soccer ball. These are the sorts of grisly tales that dominate the media, infiltrate movies and TV shows, and ultimately shape Americans' perception of Mexico as a dangerous and scary place, overrun by brutal drug lords.Without a doubt, the drug war is real. In the last six years, over 60,000 people have been murdered in narco-related crimes. But, there is far more to Mexico's story than this gruesome narrative would suggest.While thugs have been grabbing the headlines, Mexico has undergone an unprecedented and under-publicized political, economic, and social transformation. In her groundbreaking book, Two Nations Indivisible, Shannon K. O'Neil argues that the United States is making a grave mistake by focusing on the politics of antagonism toward Mexico. Rather, we should wake up to the revolution of prosperity now unfolding there.The news that isn't being reported is that, over the last decade, Mexico has become a real democracy, providing its citizens a greater voice and opportunities to succeed on their own side of the border. Armed with higher levels of education, upwardly-mobile men and women have been working their way out of poverty, building the largest, most stable middle class in Mexico's history.This is the Mexico Americans need to get to know. Now more than ever, the two countries are indivisible. It is past time for the U.S. to forge a new relationship with its southern neighbor. Because in no uncertain terms, our future depends on it.

    Yet the debate over its legacy continues to this day. In a comprehensible style, aimed at students and general readers, The Mexican Revolution recounts the revolution’s main events, sorts through its internal conflicts, and asks whether or not its leaders achieved their goals.

    That's a long time ago. Back then, we were worrying about the Millennium Bug, paying $700 for DVD players, and using pagers. 1999: a century ago.And yet, the show continues to have an impact that is arguably unique. If you live or work in DC, references to it are inescapable. People have walked down the aisle to the theme music. Or they’ve named children, pets, GPS systems, and even an iPhone app after the characters. Or they’ve started Twitter accounts as the characters to continue the storyline and comment on current political events. Or they credit it for closer relationships with their family members or a way out of depression.In this anthology of quotes and essays, contributors from six countries, ranging in age from twenty to seventy years old, tell their West Wing stories.

    

    

    Twenty step-by-step exercises cover methods of finding inspiration, developing observation techniques, and creating fashion drawings in both color and black-and-white media. Separate sections are devoted to getting started and understanding figure proportions, planning and designing garments, and creating and assessing flat specification drawings. The book also features cross-references to its various art instruction techniques, a designer�1/2s glossary, and a helpful index. This book guides students through their first steps in fashion illustration, covering everything that is presented in the best college-level courses. It makes a fine starting point for all students of fashion, introducing them to fashion drawing as a first step toward a career as a creative costumier. More than 250 illustrations in color and black and white.

    Unravel the remarkable mysteries of the ancient peoples who built great palaces and pyramids, and developed an accurate calendar and a knowledge of astronomy without the benefit of telescopes or written language.

    In "Song of Herself", Kahlo expert and child psychiatrist Salomon Grimberg introduces and contextualizes an intimate, deeply introspective interview that Kahlo gave towards the end of her life to her friend the psychologist Olga Campos for an unpublished book on the creative process. Kahlo comments directly and starkly as never before on her life, her loves and her art, and expresses her attitudes towards sexuality, her body, friendship, politics and death, among other personal concerns.The most revealing autobiographical text known on this singular woman, this startling interview is accompanied here by Campos' reflections on her relationship with Kahlo and a psychological assessment of Kahlo by Dr James Bridger Harris. The book is illustrated with selected photographs and works by Kahlo, including previously unseen and rarely seen drawings.

    As he forefully shows, this is a demographic and cultural revolution with extraordinary implications. With Spanish surnames increasing five times faster than the general population, salsa is becoming the predominant ethnic rhythm (and flavor) of contemporary city life. In Los Angeles, Houston, San Antonio, and (shortly) Dallas, Latinos outnumber non-Hispanic whites; in New York, San Diego and Phoenix they outnumber Blacks. According to the Bureau of the Census, Latinos will supply fully two-thirds of the nation’s population growth between now and the middle of the 21st century when nearly 100 millions Americans will boast Latin American ancestry.Davis focuses on the great drama of how Latinos are attempting to translate their urban demographic ascendancy into effective social power. Pundits are now unanimous that Spanish-surname voters are the sleeping giant of US politics. Yet electoral mobilization alone is unlikely to redress the increasing income and opportunity gaps between urban Latinos and suburban non-Hispanic whites. Thus in Los Angeles and elsewhere, the militant struggles of Latino workers and students are reinventing the American left. Fully updated throughout, and with new chapters on the urban Southwest and the explodiing counter-migration of Anglos to Mexico, Magical Urbanism is essential reading for anyone who wants to grasp the future of urban AmericaThis paperback edition of Mike Davis’s investigation into the Latinization of America incorporates the extraordinary findings of the 2000 Census as well as new chapters on the militarization of the border and violence against immigrants.

    Monroe Colson, a successful children’s book illustrator living in small-town Texas, baffles family and friends when he unceremoniously announces he’s moving to Mexico, ostensibly to paint.In Mexico, the true nature of his mysterious behavior not only comes to light, but takes an unexpected turn when he runs into a vibrant young American woman who has been abandoned, penniless, by her fiancé.This emotionally powerful and often humorous story with its controversial subject matter is a poignant testament to the resilience of the human heart.