Contains ten stories describing aspects of British life in the years after the war.

    127, was Dorothy Whipple’s debut novel. It is about the first twenty years of a girl’s life: she lives at home mostly looked after by the kindly Emily, goes to school, falls in love and finally marries someone else. So far, so unoriginal. Yet it is original. There is something about the description of Anne’s life which is quite simply superb.As Lucy Mangan says in her Persephone Preface: in the novel DW’s ‘unmistakable voice is already there. The book that would start her on her career as a novelist is written with all the sense of command and restraint that her fans (then and now) would come to know and love so well. The temptation of the debut author is to overwrite – to show all that you can do, all at once and repeatedly, so that people Get The Message. We have all read them and been exhausted by them. But Whipple, from the off, keeps her ego and her insecurities in check. As in all her later, more experienced works, she is not a showman but a patient, disciplined archaeologist at a dig, gently but ceaselessly sweeping away sandy layers of human conventionality and self- deception, and on down to deeper pretences to get at the stubborn, jagged, enduring truths about us all beneath.’

    Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when people still had no idea which way the war was going, A House in the Country has a verisimilitude denied to modern writers. Sebastian Faulks in Charlotte Gray or Ian McEwan in Atonement do their research and evoke a particular period, but ultimately are dependent on their own and historians' interpretation of events; whereas a novel like this one is an exact, unaffected portrayal of things as they were at the time. The TLS praised 'its evocation of the preoccupations of wartime England, and its mood of battered but sincere optimism'; and The Tablet remarked on its 'comic energy, compelling atmosphere and richly apt vocabulary.'

    . . 'Yes. It's only - I'm very fond of Alfred, ' said Laura, taking the plunge and temporarily unaware that almost all wives begin conversations about almost all husbands in precisely the same way."Laura has been married for seven years. On those occasions when an after-dinner snooze behind The Times seems preferable to her riveting conversation about their two small sons, Laura dismisses the notion that Alfred does not understand her, reflecting instead that they are what is called happily married. At thirty-four, Laura wonders if she's ever been in love -- a ridiculous thing to ask oneself. Then Duke Ayland enters her life and that vexing question refuses to remain unanswered . . . With Laura, beset by perplexing decisions about the supper menu, the difficulties of appeasing Nurse, and the necessity of maintaining face within the small village of Quinnerton, E.M. Delafield created her first "Provincial Lady." And in the poignancy of Laura's doubts about her marriage, she presents a dilemma which many women will recognise.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    86. The period 1945–8 can now be seen as one of some extraordinary achievements, the most important being the creation of the NHS. But for many of those living in Britain it was an age of austerity, punctuated by regular crises. Wartime rationing not only continued, but its range was broadened. The 1945 Labour victory was based on a broad popular wish to transform the equality of wartime sacrifice into a fairer peacetime society. But the combined effects of rationing and of income tax meant that life for the middle classes was far more austere than in the 1930s, while working-class living standards were higher. And successive crises highlighted divisions in the government and cast doubt on its competence, whether in running the coal industry or the whole economy.The plot of Tory Heaven is as follows: five people return to England in August 1945 after having spent several years on a desert island (cue the 1946 Miss Ranskill Comes Home, PB No. 46). As they approach England ‘our hero’ James Leigh-Smith (think Jacob Rees-Mogg) prays, ‘“God, let it be as it might have been. Alter the clock, fix the election, do it any way you please, but let me see the England of all decent Conservatives’ dreams.” He raised an anguished face to the heavens and at that moment a loud clap of thunder was heard over his right shoulder.’ His prayer has been answered.

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

    It is also extraordinarily atmospheric and perceptive about the English: in some respects it is Forsterian (the greatest compliment we can pay). It too would make a wonderful play or film.

    Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning’s life. Introduction by Trekkie Ritchie.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Porritt, a plumber, into "good service" on a country estate. One of the precipitating events was her having tea at the Ritz. Obviously didn't know her place! How worrisome! Lovely, thoughtful, full of marvelous characters and an abundance of humor.