By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.This 1st volume of “100 Books You Must Read Before You Die” contains the following 50 works, arranged alphabetically by authors’ last names:Alcott, Louisa May: Little WomenAusten, Jane: Pride and PrejudiceAusten, Jane: EmmaBalzac, Honoré de: Father GoriotBarbusse, Henri: The InfernoBrontë, Anne: The Tenant of Wildfell HallBrontë, Charlotte: Jane EyreBrontë, Emily: Wuthering HeightsBurroughs, Edgar Rice: Tarzan of the ApesButler, Samuel: The Way of All FleshCarroll, Lewis: Alice’s Adventures in WonderlandCather, Willa: My ÁntoniaCervantes, Miguel de: Don QuixoteChopin, Kate: The AwakeningCleland, John: Fanny HillCollins, Wilkie: The MoonstoneConrad, Joseph: Heart of DarknessConrad, Joseph: NostromoCooper, James Fenimore: The Last of the MohicansCrane, Stephen: The Red Badge of CourageCummings, E. E.: The Enormous RoomDefoe, Daniel: Robinson CrusoeDefoe, Daniel: Moll FlandersDickens, Charles: Bleak HouseDickens, Charles: Great ExpectationsDostoyevsky, Fyodor: Crime and PunishmentDostoyevsky, Fyodor: The IdiotDoyle, Arthur Conan: The Hound of the BaskervillesDreiser, Theodore: Sister CarrieDumas, Alexandre: The Three MusketeersDumas, Alexandre: The Count of Monte CristoEliot, George: MiddlemarchFielding, Henry: Tom JonesFlaubert, Gustave: Madame BovaryFlaubert, Gustave: Sentimental EducationFord, Ford Madox: The Good SoldierForster, E. M.: A Room With a ViewForster, E. M.: Howards EndGaskell, Elizabeth: North and SouthGoethe, Johann Wolfgang von: The Sorrows of Young WertherGogol, Nikolai: Dead SoulsGorky, Maxim: The MotherHaggard, H. Rider: King Solomon’s MinesHardy, Thomas: Tess of the D’UrbervillesHawthorne, Nathaniel: The Scarlet LetterHomer: The OdysseyHugo, Victor: The Hunchback of Notre DameHugo, Victor: Les MisérablesHuxley, Aldous: Crome YellowJames, Henry: The Portrait of a LadyIn the 2nd volume of “100 Books

    The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.

    Speaking out against the unjust French government, he takes refuge with a nomadic band of actors and assumes the role of the clown Scaramouche—a comic figure with a very serious message...Set during the French Revolution, this novel of swashbuckling romance is also a thought-provoking commentary on class, inequality, and the individual’s role in society—a story that has become Rafael Sabatini’s enduring legacy.With an Introduction by Gary Hoppenstand

    Bug-Jargal is one of the most important works of nineteenth-century colonial fiction, and quite possibly the most sustained novelistic treatment of the Haitian Revolution by a major European author.

    However, when it comes to the question of Gaston Lachaille, very rich, and very bored, Gigi does not want to obey the rules.In 'The Cat', a story of burgeoning sexuality and blossoming love, an exquisite strong-minded Russian Blue is struggling for mastery of Alain with his seductive fiancée, Camille.

    Christopher Newman, a 'self-made' American millionaire in France, falls in love with the beautiful aristocratic Claire de Bellegarde. Her family, however, taken aback by his brash American manner, rejects his proposal of marriage. When Newman discovers a guilty secret in the Bellegardes' past, he confronts a moral dilemma: Should he expose them and thus gain his revenge? James's masterly early work is at once a social comedy, a melodramatic romance and a realistic novel of manners.

    Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime - and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed, and ennui, and Julien - the cold exploiter whose Machiavellian campaign is undercut by his own emotions - is one of the most intriguing characters in European literature.

    This collection gathers together the works by Thomas Hardy in a single, convenient, high quality, and extremely low priced Kindle volume! This book contains now several HTML tables of contents that will make reading a real pleasure! Novels Desperate Remedies [1871] Under the Greenwood Tree [1872] A Pair of Blue Eyes [1873] Far from the Madding Crowd [1874] The Hand of Ethelberta [1876] The Return of the Native [1878] The Trumpet-Major John Loveday [1880] A Laodicean [1881] Two on a Tower [1882] The Mayor of Casterbridge [1886] The Woodlanders [1887] Tess of the d'Urbervilles [1891] Jude the Obscure [1895] The Well–Beloved [1897] Stories Wessex Tales [1888]: The Three Strangers; A Tradition of Eighteen Hundred and Four; The Melancholy Hussar of the German Legion; The Withered Arm; Fellow-Townsmen; Interlopers at the Knap; The Distracted Preacher A Group of Noble Dames [1891]: The first Countess of Wessex; Barbara of the House of Grebe; The Marchioness of Stonehenge; Lady Mottisfont; The Lady Icenway; Squire Petrick's Lady, Anna, Lady Baxby; The Lady Penelope; The Duchess of Hamptonshire; The Honourable Laura Life's Little Ironies [1894]: An Imaginative Woman; The Son's Veto; For Conscience' Sake; A Tragedy of Two Ambitions; On the Western Circuit; To Please His Wife; The Fiddler of the Reels; A Few Crusted Characters A Changed Man and Other Tales [1913]: A Changed Man; The Waiting Supper; Alicia's Diary; The Grave by the Handpost; Enter A Dragoon; A Tryst at an Ancient Earth Work; What the Shepherd Saw; A Committee-Man of 'The Terror'; The Duke's Reappearance; A Mere Interlude; The Romantic Adventures of a Milkmaid Uncollected Stories: Blue Jimmy: The Horse Stealer; Destiny and a Blue Cloak; How I Built Myself a House; Old Mrs Chundle; Our Exploits at West Poley; The Doctor's Legend; The Spectre of the Real; The Thieves Who Couldn't Help Sneezing; The Unconquerable; An Indiscretion in the Life of an Heiress And Poems

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories. He received numerous awards for his writing, including seven Hugo Awards and three Nebula Awards. This volume collects 8 classic stories:WITCH OF THE DEMON SEAS (1951)DUEL ON SYRTIS (1951)SECURITY (1953)SENTIMENT, INC. (1953)THE SENSITIVE MAN (1954)THE CHAPTER ENDS (1954)THE VALOR OF CAPPEN VARRA (1957)INDUSTRIAL REVOLUTION (1963)And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the more than 170 entries in the MEGAPACK™ ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

    The woman is no one in particular, a "she," a warm, moist body with a beating heart-the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn love. It isn't a matter of will, she tells him. Still, he wants to learn to try . . .This beautifully wrought erotic novel is an extended haiku on the meaning of love, "perhaps a sudden lapse in the logic of the universe," and of its absence, "the malady of death." "The whole tragedy of the inability to love is in this work, thanks to Duras' unparalleled art of reinventing the most familiar words, of weighing their meaning." - Le Monde; "Deceptively simple and Racinian in its purity, condensed to the essential." - Translation Review.

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    This is the COMPLETE WORKS of Wilkie Collins, with every novel, short story - even the very rare ones – published play, non-fiction text and much, much more. Now you can truly own all of Collins’ works on your Kindle, and all in ONE well-organised file.Please note: we aim to provide the most comprehensive author collections available to Kindle readers. Sadly, it’s not always possible to guarantee an absolutely ‘complete’ works, due to copyright restrictions or the scarcity of minor works. However, we do ensure our customers that every possible major text and a wealth of other material are included. We are dedicated to developing and enhancing our eBooks, which are available as free updates for customers who have already purchased them.CONTENTSThe NovelsANTONINABASILHIDE AND SEEKTHE DEAD SECRETA ROGUE'S LIFETHE WOMAN IN WHITENO NAMEARMADALETHE MOONSTONEMAN AND WIFEPOOR MISS FINCHTHE NEW MAGDALENTHE LAW AND THE LADYTHE TWO DESTINIESTHE FALLEN LEAVESJEZEBEL’S DAUGHTERTHE BLACK ROBEHEART AND SCIENCE"I SAY NO"THE EVIL GENIUSGUILTY RIVERTHE LEGACY OF CAINBLIND LOVEThe Novellas and Shorter FictionOVER 40 TITLES AND THREE SHORT STORY COLLECTIONSThe PlaysNO NAMETHE FROZEN DEEPNO THOROUGHFAREBLACK AND WHITENO NAME:THE WOMAN IN WHITETHE NEW MAGDALENMISS GWILTTHE MOONSTONEThe Non-FictionMEMOIRS OF THE LIFE OF WILLIAM COLLINS ESQ., R.A.RAMBLES BEYOND RAILWAYSA PICTORIAL TOUR TO ST. GEORGE BOSHERVILLE.THE EXHIBITION OF THE ROYAL ACADEMYCONSIDERATIONS ON THE COPYRIGHT QUESTIONMAGNETIC EVENINGS AT HOMEBOOKS NECESSARY FOR A LIBERAL EDUCATIONHOW I WRITE MY BOOKSREMINISCENCES OF A STORY-TELLERTHE CRUISE OF THE TOMTITTHE NATIONAL GALLERY AND THE OLD MASTERSA FAIR PENITENTTHE DEBTOR'S BEST FRIENDDEEP DESIGN ON SOCIETYTHE LITTLE HUGUENOTTHANKS TO DOCTOR LIVINGSTONESERMON FOR SEPOYSDRAMATIC GRUB

    In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects.In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.Contents--What We Talk About When We Talk About LoveWhy Don’t You Dance?ViewfinderMr. Coffee and Mr. FixitGazeboI Could See the Smallest ThingsSacksThe BathTell the Women We’re GoingAfter the DenimSo Much Water So Close to HomeThe Third Thing That Killed My Father OffA Serious TalkThe CalmPopular MechanicsEverything Stuck to HimWhat We Talk About When We Talk About LoveOne More ThingStories from FiresThe LieThe CabinHarry’s DeathThe PheasantCathedralFeathersChef’s HousePreservationThe CompartmentA Small, Good ThingVitaminsCarefulWhere I’m Calling FromThe TrainFeverThe BridleCathedralFrom Where I’m Calling FromBoxesWhoever Was Using This BedIntimacyMenudoElephantBlackbird PieErrandOther FictionThe HairThe AficionadosPoseidon and CompanyBright Red ApplesFrom The Augustine NotebooksKindlingWhat Would You Like to See?DreamsVandalsCall If You Need MeSelected EssaysMy Father’s LifeOn WritingFiresAuthor’s Note to Where I’m Calling FromBeginners (The Manuscript Version of What We Talk About When We Talk About Love)Why Don’t You Dance?ViewfinderWhere Is Everyone?GazeboWant to See Something?The FlingA Small, Good ThingTell the Women We’re GoingIf It Please YouSo Much Water So Close to HomeDummyPieThe CalmMineDistanceBeginnersOne More Thing--loa.org

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.