Readers all over the world—Shakespeare Our Contemporary has been translated into nineteen languages since it appeared in 1961—have similarly found their responses to Shakespeare broadened and enriched. Mary McCarthy called the work "the best, the most alive, radical book about Shakespeare in at least a generation."

    Three young friends, on a drunken dare, set out on a dinghy for a nearby island. But when the gas ran out and they drifted into barren waters, their biggest threat wasn't the ocean -- it was each other.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Throughout, Chabon energetically argues for a return to the thrilling, chilling origins of storytelling, rejecting the false walls around "serious" literature in favor of a wide-ranging affection.Cover art by Jordan Crane.

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    His female characters especially are engulfed by the bathos of their lives, and Inge capitalizes on this fact in order to heighten dramatically the moment of personal crisis which comes to each of them. In his four major successes--Come Back, Little Sheba; Picnic; Bus Stop; and The Dark at the Top of the Stairs--the play carries the audience through the moment of crisis; and the final curtain falls upon a note of hope and fulfillment.'--R. Baird Shuman

    In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz—from horn blare to drum riff—is created conceptually. Expanding on his popular interviews for The New York Times, Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music.Playful and keenly insightful, The Jazz Ear is a revelatory exploration of a unique way of making and hearing music.

    A sequel to a #1 bestselling horror anthology Don't Scream, featuring hideous doppelgangers, terrifying apps, lurking monsters, and more. Read... if you dare.

    What’s it like to work at Walt Disney World?Amber Sewell spent two semesters “earning her ears” at the Happiest Place on Earth, first in the CareerStart Program and then in the better known Disney College Program.During her time backstage, as the Cast Member areas of the theme park are called, Amber kept a diary of her successes and her failures, her moments of delight and her moments of despair, and most of all, her discoveries about what happens when the pixie dust settles and the guests have gone home.Amber will never feel the same about Walt Disney World again.After you’ve read her book, neither will you.

    His present lifestyle is complicated enough before past indiscretions come back to haunt him. Once a gung-ho investigator of murderous criminals and violent crime, Fyfe has been taken off the frontlines and reassigned to the low-profile Fraud Squad — mistakes from years earlier conspired to condemn him to dull work that he doesn’t much enjoy. His enforced distance from solving murders bothers him particularly at the moment, as a series of seemingly drug dealing–related murders in the city is all anyone can talk about. When Chief Constable Sir Duncan Morrison asks him to look into the several hundred thousand dollars missing from the Catholic Church’s accounts, Fyfe expects the job to be little more than soothing the Archbishop’s worries — only to discover that things are considerably more complicated than they first appear. As he begins his investigation into the licentious Father Byrne and the accused embezzler Father Quinn (Byrne’s superior), Fyfe begins to find evidence that link the corrupt priests to racketeering kingpin Gus Barrie…and an armed robbery that occurred nearly a decade previously. For Fyfe himself, the spectre of the past rises with not only the reappearance of his ex-lover Sylvia, whose impending marriage throws him for a loop, but the return to British soil of the beautiful Angela — a sexy widow whose acquaintance he first made in the aftermath of the robbery ten years earlier. But this time Angela has blood on her hands and a million pounds in unmarked notes stuffed into her luggage. Any ordinary policeman would make the arrest and wrap up the inquiry. But David Fyfe is no ordinary policeman… Sleeping Dogs is a fast-moving, wryly humorous, expertly plotted crime novel with an outrageous finale. Praise for William Paul ‘Fyfe's engrossing ruminations on the human condition [means] readers will find themselves absorbed from beginning to end’Booklist Sleeping Dogs is the first of three books featuring DCI David Fyfe. William Paul has also authored a number of other books, including Seasons of Revenge and The Lion Rampant.

    Learn not just what to do, but why it matters- and in simple terms. Presented here is the exercise foundation to preventing the most common biomechanical dysfunctions that we all may face. Whether young or old or somewhere in between- the information in this book will help you physically function better now and throughout your life.

    They and the critics agree that a trip to see any one of this master of comedy's stage triumphs ranks among the most wonderful experiences that the American theater offers. The eight plays in this, the second volume of The Collected PLays of Neil Simon, bear eloquent witness to the unique genius of this master playwright who so magnificently blends the joy of laughter and the love of life.

    However, when unexpected guests attend Akira and Zane's wedding, her life will change forever. But for better or for worse? For fans of the Tassamara series, this short story (16,000 words) takes place at the wedding of the main characters from A Gift of Ghosts, after the events of A Gift of Time. One reviewer calls it, "a super fun, sassy, and supernatural story you don't want to miss!"

    A short critical essay which considers the significance of the title.

    While courageously admitting to being "euphorically antisocial" and "sick in the head," he allows us to plunge even deeper into his troubled psyche in this unabashedly uproarious memoir-in-essays where we observe Resnick’s committed indifference to family, friends, strangers, and the world at large. His mind shaped by such touchstone events as a traumatic Easter egg hunt when he was six (which solidified his hatred of parties) and overwrought by obsessions, including one with a plastic shopping bag (which solidified his hatred for change), he refuses to be burdened by chores like basic social obligation and personal growth, living instead by his own steadfast rule: "I refuse to do anything I don’t want to do." Cut from a similar (if somewhat stranger) cloth as Albert Brooks or Louis C.K., Resnick is the crazy, miserable bastard you can’t help rooting for, and the brilliant Will Not Attend showcases this seasoned comedy writer at his brazenly hilarious best.