It will also include FREE the full length novel 2nd Kill and the short story Denial when they upload in late 2014. A $19.00 value for $3.99!!! **Warning, this collection includes GRAPHIC crime scenes and taut thrills. Please do not buy this collection unless you have a strong stomach and don't scare easily! Praise for the Darc Murders Collection... "I really really like this series.....not my usual reading, as I normally read paranormal romance/HEA stories... work is a refreshing break for me of my usual reading material. Definitely not for the faint of heart---gory and violence is graphically described, possibly giving you not-so-nice dreams. This is a great deal for all the books included." L.Ludwig Amazon Reviewer "This series of books really captivated me. I have always loved murder mysteries and would definitely recommend the Darc Collection to all... delivers 5 Stars in each of these books... has become one of my all time favorite authors, because no matter what book I read by her I am never disappointed!!!" Guinevere Amazon Reviewer Overview: The collection includes... Devolved - the prequel/crossover short story to the Harbinger Series and 3rd Body 3rd Body - Just try not to lose your head Detached*exclusive to the collection - the bridge short story between 3rd Body and 2nd Kill 2nd Kill*exclusive to the collection - the full-length sequel to 3rd Body (will upload late 2014) Denial *exclusive to the collection- the bridge short story between 2nd Kill and 1st Body More Praise for the Darc Murders Collections... "WOW, just WOW! I don't think I've ever come across such a gruesome series of crime scenes! Further knowing each of the scenes were booby trapped, had me cringing and then to read the full spectre of the carnage, left me in equal parts awe and queasiness of the macabre imaginings of the writers! They pulled out the big guns! There was gore galore! Luckily, I like that in a thriller, it makes the suspense that much higher and the take down of the bad guy that much more satisfying. What I didn't expect was to be so enchanted by the characters. I loved the eclectic mix, from the brilliant but emotionally challenged Detective with Aspergers to his laid back empathetic partner plus the razor sharp mind of the child psychologist consultant and the adorable and brave sole survivor, little Janey. All these nuances and traits give a rich tapestry to the book and endear you to the clever writing of... Ben." Kizzle79 Amazon Reviewer "I definitely recommend the Darc Murders Collection. The character development is phenomenal, story development is superb-- I thoroughly enjoyed reading both 9th Circle and 7th Sin; the story telling entwined with the characteristics of Darc's aspergers is incredibly entertaining. Not for the faint of heart, lots of gore and suspense, great mysteryseries." Tetch Amazon Reviewer If you are a fan of characters such as Alex Cross and Hannibal or movies like 7 and Saw, The Darc Murders Collection is sure to shock and satisfy. **If you were looking for Hopkin's latest crime thriller collection, search under The Nursery Rhyme Murders Collection. **If you were looking for The #1 Police Procedural/Hard Boiled mystery series that includes the blockbuster, Plain Jane search under The Harbinger Collection

    "Why don't you get out of that wet coat and into a dry martini?"

    What began as a solitary ramble through the nooks and crannies of pop culture evolved into a way of life. My Year Of Flops collects dozens of the best-loved entries from the A.V. Club column along with bonus interviews and fifteen brand-new entries covering everything from notorious flops like The Cable Guy and Last Action Hero to bizarre obscurities like Glory Road, Johnny Cash’s poignantly homemade tribute to Jesus. Driven by a unique combination of sympathy and Schadenfreude, My Year Of Flops is an unforgettable tribute to cinematic losers, beautiful and otherwise.

    For reasons of space, the Weekly must often slightly truncate the pieces and also sees fit to change the name of the piece. So, what you read there isn’t always what I sent them. This is one of the reasons I wanted to put this book out. Also, knowing there are a lot of people out there without the time to go to some website and read something every week, I thought it would be a good idea to have the articles all in one place. I hope you enjoy the book and thank you. - Henry

    In "elegant, finely honed prose" (The Washington Post Book World), Lebowitz limns the vicissitudes of contemporary urban life—its fads, trends, crazes, morals, and fashions. By turns ironic, facetious, deadpan, sarcastic, wry, wisecracking, and waggish, she is always wickedly entertaining.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    He also talked a fair amount about mayonnaise. The interview was conducted by Mara Altman, the author of four bestselling Kindle Singles including “Baby Steps” and “Bearded Lady.” Altman has worked as a staff writer for The Village Voice, and has also written for New York Magazine and The New York Times. In 2009, HarperCollins published Altman's first book, “Thanks For Coming: A Young Woman's Quest for an Orgasm,” which was optioned as a comedy series by HBO. Cover design by Adil Dara Kim.

    Graphs are not included, but both the graphs and the concepts behind them are explained; only basic math is included, and you can even skim over the math and still come away with an understanding of the concepts; statistics is not included at all.BASIC ECONOMICS FOR STUDENTS AND NON-STUDENTS ALIKE is an easy way to learn concepts relating to economics and the economy. It is a product of thousands of hours spent online, teaching basic concepts in economics to hundreds of students worldwide over the course of the past several years. From back and forth communications, I have discovered the explanations for the concepts that students find easiest to understand, as well as the areas that most often get misunderstood and under-emphasized.I have worked with students located throughout the United States and from many different countries, on six different continents; students from many different school systems with different points of emphasis; students with different levels of knowledge, different backgrounds, and different levels of interest in the subject. I have received numerous comments and testimonials regarding the teaching methods that I incorporate in BASIC ECONOMICS FOR STUDENTS AND NON-STUDENTS ALIKE.The subject matter included in BASIC ECONOMICS FOR STUDENTS AND NON-STUDENTS ALIKE comes from a compilation of many different textbooks at the introductory and intermediate levels. My goal was to include every subject in economics that normally will be found in an introductory level textbook of economics, microeconomics, or macroeconomics. Since different school systems, different classroom instructors, and different textbooks cover a slightly different combination of topics, BASIC ECONOMICS FOR STUDENTS AND NON-STUDENTS ALIKE is a little more comprehensive than most single introductory textbooks of economics. Some of the topics will be found in introductory classes in some schools, but in intermediate-level classes in other schools.

    For well over two centuries now, Americans of all stripes--presidents and activists, writers and soldiers--have turned to Shakespeare's works to address the nation's political fault lines, such as manifest destiny, race, gender, immigration, and free speech. In a narrative arching across the centuries, James Shapiro traces the unparalleled role of Shakespeare's 400-year-old tragedies and comedies in making sense of so many of these issues on which American identity has turned. Reflecting on how Shakespeare has been invoked--and at times weaponized--at pivotal moments in our past, Shapiro takes us from President John Quincy Adams's disgust with Desdemona's interracial marriage to Othello, to Abraham Lincoln's and his assassin John Wilkes Booth's competing obsessions with the plays, up through the fraught debates over marriage and same-sex love at the heart of the celebrated adaptations Kiss Me Kate and Shakespeare in Love. His narrative culminates in the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated.Extraordinarily researched, Shakespeare in a Divided America shows that no writer has been more closely embraced by Americans, or has shed more light on the hot-button issues in our history. Indeed, it is by better understanding Shakespeare's role in American life, Shapiro argues, that we might begin to mend our bitterly divided land.

    The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That’s where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong? In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegría Hudes, the Pulitzer Prize–winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights. Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda’s songs—complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world. This is the story of characters who search for a home—and the artists who created one.

    It is a guide to advanced improvisation. This sequel to the best-selling improv book "Truth in Comedy" is designed to help improv performers move up to the more advanced levels of improvisation. Accompanying the book is a DVD featuring performers in action demonstrating the instructions and ideas covered in the book. The DVD includes performances by four popular improv groups: Upright Citizens Brigade, Beer Shark Mice, Armando Diaz Theatrical Experience, The Reckoning and assorted short clips with Peter Hulne. Also on the DVD are interviews with many celebrity improv artists including: Tina Fey, Rachel Dratch, Amy Poehler, Stephnie Weir, Tim Meadows, Andy Dick, and Adam McKay.

    When is a short story collection not a short story collection? A. When it is an exercise in extreme horror metafiction… Helen Clarke finds a book on her bookshelf that she has never seen before, simply entitled, ‘The Collection’. Intrigued, she begins to read. At first, the slim book appears to be nothing more than just a collection of short horror stories. But as the secrets that lie within the pages of the book are slowly revealed, her life turns into a waking nightmare. From Gypsy curses, to flesh-eating maniacs and creatures from the depths of Hell, Sam West invites you to take a road-trip through his messed-up head. But please be warned, there is strong sex, blood and innards.

     “Wickedly clever - written with a sharp eye and elan. Guaranteed to make every Agatha Christie fan smile.” - Peter James Murder Will Out (Agatha Christie Investigates Book 1): 1923. The Great War is over, but the ghosts of the dead still linger. Agatha Christie was one of the lucky ones - her husband returned from the conflict - and for her, and her local neighbours, life has resumed. Agatha is beginning to gain some notoriety for her crime writing and she is busy working on her latest novel. But then her neighbour tells her there has been a real ‘murder at the vicarage’ - a young man, Cecil Coates, has been poisoned, and due to Christie’s expertise, the neighbourhood wants her to investigate. What secrets and lies are lying beneath the village’s tranquil exterior? Can Agatha Christie use her imagination to draw the murderer out? ‘Christie herself is the fulcrum of this highly diverting piece, delivered with all the quirky skill that is Joseph’s trademark.’ - Barry Forshaw, Crime Time. Hidden Sins (Agatha Christie Investigates Book 2): Summer, 1925 Life is starting to go back to normal after the shock of the Great War. Agatha Christie, now a successful crime author, is holidaying in Cornwall. And when her husband, Archie, has to leave early, she decides to use her alone time to work on a romance novel. But it isn’t long before she finds herself thrown back into the world of murder and intrigue. A fellow guest at Agatha’s hotel is murdered in the early hours of the morning, and all guests become suspects. Agatha soon discovers that there is far more going on in the sleepy Cornish town than first meets the eye. Her enquiries unearth tales of ghosts, secret affairs and mysterious ship wrecks. Tension escalates amongst the residents of the hotel when they realise that the murderer is somewhere in their midst. Can Agatha Christie unmask the identity of the killer before anyone else becomes a victim? ‘Christie herself is the fulcrum of this highly diverting piece, delivered with all the quirky skill that is Joseph’s trademark.’ - Barry Forshaw, Crime Time. ‘Clever and intriguing - a must for all Agatha Christie fans’ - Peter James Death in Disguise (Agatha Christie Investigates Book 3): Some people want to be fooled… 1920s, London Agatha Christie, the famous detective writer, is struggling to come to terms with her divorce. So much so that she can barely bring herself to say the word.

    In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a product of postmodernism, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but orchestrators of social interactions and participants in an on-going dialogue about the future.We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction)This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new."

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.