A bright young star in a multinational conglomerate, she's living well in a post-millennial age of peace, prosperity, and profit.In an age of advanced technology, information is the world's most precious commodity. Information is power. Data is locked in computers and carefully rationed through a global communications network. Full access is a privilege held by few.Now, Laura Webster is about to be plunged into a netherworld of black-market data pirates, new-age mercenaries, high-tech voodoo... and murder.

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    Rather, it suddenly wanted to stop thinking about them. The public was scared. Throughout all human history, the most horrifying of all ideas has been the idea of something which was as intelligent as a man, but wasn't human.The first sounds came at midnight, a plaintive keening from an unknown voice in the vastness of uncharted space. Within hours the whole world had heard the strange, unearthly music--and the panic had begun.Were the sounds a plea for help? From whom? From where? Or were they a command too terrible to think about? No one knew: And in billions of earth-bound minds the horror grew...For how could man, who had not yet claimed the moon, defy a challenge from the stars?And hours later, to the ears of a helpless world, the second message came. . .And Earth's days were numbered.

    Only a few scientists even suspected its presence, and then, suddenly and silently, it arrived, dwarfing and threatening the Moon and wreaking havoc on Earth's tides and weather. Though the Wanderer is stopping in the solar system only to refuel, its mere presence is catastrophic. A tense, thrilling, and towering achievement. Winner of the Hugo Award for Best SF Novel of the Year!

    Another wet summer, another year of storm surges and high tides. But this time the Thames Barrier is breached and central London is swamped. The waters recede, life goes on, the economy begins to recover, people watch the news reports of other floods around the world. And then the waters rise again. And again.Lily, Helen, Gary and Piers, hostages released from five years captivity at the hands of Christian Extremists in Spain, return to England and the first rumours of a flood of positively Biblical proportions…Sea levels have begun to rise, at catastrophic speed. Within two years London and New York will be under water. The Pope will give his last address from the Vatican before Rome is swallowed by the rising water. Mecca too will vanish beneath the waves.The world is drowning. A desperate race to find out what is happening begins. The popular theory is that we are paying the price for our profligacy and that climate change is about to redress Gaia’s balance. But there are dissenting views. And all the time the waters continue to rise and mankind begins the great retreat to higher ground. Millions will die, billions will become migrants. Wars will be fought over mountains.

    THE MAKING OF A REBELAt thirteen, Bran Tregare was stripped of his home, his name and his family, and sent to the brutal space academy known as the Slaughterhouse.At seventeen, he'd survived the sadistic discipline of a starcaptain called the Butcher to become an ace pilot, crack gunner and hardened killer.At twenty, he escaped with an armed warship to begin a one-man war against Earth's imperial masters.

    Beneath its baneful light, Shadrapar, last of all cities, harbours fewer than 100,000 human souls. Built on the ruins of countless civilisations, surviving on the debris of its long-dead progenitors, Shadrapar is a museum, a midden, an asylum, a prison on a world that is ever more alien to humanity.Bearing witness to the desperate struggle for existence between life old and new, is Stefan Advani, rebel, outlaw, prisoner, survivor. This is his testament, an account of the journey that took him into the blazing desolation of the western deserts; that transported him east down the river and imprisoned him in verdant hell of the jungle's darkest heart; that led him deep into the labyrinths and caverns of the underworld. He will treat with monsters, madman, mutants. The question is, which one of them will inherit this Earth?

    In this classic of alternate history by grand master Philip Jose Farmer, Native American bomber pilot Roger Two Hawks bails out over enemy territory in WWII, only to find himself on another Earth-one in which the American continents never rose from the waters, and the ancestors of the American Indians remained in Asia and Europe-an Earth embroiled in a world war of its own, with Two Hawks caught in the middle.

    Dramocles, an ordinary king on an ordinary planet, finds himself thrust into an adventure that combines soap opera, Greek tragedy and Shakespearean drama as he unwillingly, and disastrously, seeks to fulfill a momentous destiny that is only revealed to him a piece at a time as he managed to foment an interplanetary war, precipitate the disintegration of his family, lose all his friends and uncover betrayal among his closest advisers as barbarian invaders besiege his realm.

    Suddenly, Savage found himself pitted against an enemy he had never seen, an enemy who could be anyone, anywhere, at any time . . . an enemy determined to destroy him and all who got in his way. And in this raging intergalactic war between Good and Evil, Savage discovered that he couldn't be sure whose side he was on . . . .

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins, salvaging books but keeping the guns in good repair.Into this cold land comes shocking evidence that life might be flourishing elsewhere: a refugee emerges from the vast emptiness of forest, whose existence inspires Makepeace to reconnect with human society and take to the road, armed with rough humor and an unlikely ration of optimism.What Makepeace finds is a world unraveling: stockaded villages enforcing an uncertain justice and hidden work camps laboring to harness the little-understood technologies of a vanished civilization. But Makepeace's journey—rife with danger—also leads to an unexpected redemption.Far North takes the reader on a quest through an unforgettable arctic landscape, from humanity's origins to its possible end. Haunting, spare, yet stubbornly hopeful, the novel is suffused with an ecstatic awareness of the world's fragility and beauty, and its ability to recover from our worst trespasses.

    Then terrible monsters, who bring with them a screaming silence, are seen and people start to disappear. One young man realises he must question the nature of Darkness itself.

    This is the America of "The Armageddon Crazy." — It is an example of ultimate power corrupting ultimately a body considered uncorruptable: the church. See how far the religious fall."The Armageddon Crazy" is not an attack on Catholicism. It is an image of a parallel world where something MIGHT happen, if certain circumstances are followed through.

    The stories detail his ensuing adventures as he tries to make sense of the societies he encounters each time he wakes.