Some of his tales will seem far fetched, unless you're a cop and then you know that anything can happen - and just when you think you've seen it all, someone will surprise you.

    Laurel Thatcher Ulrich, writing of this small group of Mormon women who've previously been seen as mere names and dates, has reconstructed these textured, complex lives to give us a portrait of who these women were and of their "sex radicalism"--the idea that a woman should choose when and with whom to bear children.

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Amidst confusion over several versions of this mother's account of her son, Mormon prophet Joseph Smith, his 5th great grandson for the family foundation reaffirms this version developed in 1996 by Scot & Maurine Proctor, "who restored Lucy's language and feeling through verification with the original notebook."

    It’s a decision Huck’s creator already had made, albeit for somewhat different reasons, a quarter of a century earlier. He wasn’t even Mark Twain then, but as Huck might have said, “That ain’t no matter.” With the Civil War spreading across his native Missouri, twenty-five-year-old Samuel Clemens, suddenly out of work as a Mississippi riverboat pilot, gladly accepted his brother Orion’s offer to join him in Nevada Territory, far from the crimsoned battlefields of war.A rollicking, hilarious stagecoach journey across the Great Plains and over the Rocky Mountains was just the beginning of a nearly six-year-long odyssey that took Samuel Clemens from St. Joseph, Missouri, to Hawaii, with lengthy stopovers in Virginia City, Nevada, and San Francisco. By the time it was over, he would find himself reborn as Mark Twain, America’s best-loved, most influential writer. The “trouble,” as he famously promised, had begun.With a pitch-perfect blend of appreciative humor and critical authority, acclaimed literary biographer Roy Morris, Jr., sheds new light on this crucial but still largely unexamined period in Mark Twain’s life. Morris carefully sorts fact from fiction—never an easy task when dealing with Twain—to tell the story of a young genius finding his voice in the ramshackle mining camps, boomtowns, and newspaper offices of the wild and woolly West, while the Civil War rages half a continent away.With the frequent help of Twain’s own words, Morris follows his subject on a winding journey of selfdiscovery filled with high adventure and low comedy, as Clemens/Twain dodges Indians and gunfighters, receives marriage advice from Brigham Young, burns down a mountain with a frying pan, gets claim-jumped by rival miners, narrowly avoids fighting a duel, hikes across the floor of an active volcano, becomes one of the first white men to try the ancient Hawaiian sport of surfing, and writes his first great literary success, “The Celebrated Jumping Frog of Calaveras County.”Lighting Out for the Territory is a fascinating, even inspiring, account of how an unemployed riverboat pilot, would-be Confederate guerrilla, failed prospector, neophyte newspaper reporter, and parttime San Francisco aesthete reinvented himself as America’s most famous and beloved writer. It’s a good story, and mostly true—with some stretchers thrown in for good measure.

    More than 120 men, women, and children perished in the slaughter. Massacre at Mountain Meadows offers the most thoroughly researched account of the massacre ever written. Drawn from documents previously not available to scholars and a careful re-reading of traditional sources, this gripping narrative offers fascinating new insight into why Mormons settlers in isolated southern Utah deceived the emigrant party with a promise of safety and then killed the adults and all but seventeen of the youngest children. The book sheds light on factors contributing to the tragic event, including the war hysteria that overcame the Mormons after President James Buchanan dispatched federal troops to Utah Territory to put down a supposed rebellion, the suspicion and conflicts that polarized the perpetrators and victims, and the reminders of attacks on Mormons in earlier settlements in Missouri and Illinois. It also analyzes the influence of Brigham Young's rhetoric and military strategy during the infamous "Utah War" and the role of local Mormon militia leaders in enticing Paiute Indians to join in the attack. Throughout the book, the authors paint finely drawn portraits of the key players in the drama, their backgrounds, personalities, and roles in the unfolding story of misunderstanding, misinformation, indecision, and personal vendettas. The Mountain Meadows Massacre stands as one of the darkest events in Mormon history. Neither a whitewash nor an exposé, Massacre at Mountain Meadows provides the clearest and most accurate account of a key event in American religious history.

    This autobiographical history of Scientology is told by one of L. Ron Hubbard’s staunchest defenders.

    This is vintage Krakauer, an utterly compelling work of nonfiction that illuminates an otherwise confounding realm of human behavior.Jon Krakauer’s literary reputation rests on insightful chronicles of lives conducted at the outer limits. In Under The Banner of Heaven: A Story of Violent Faith, he shifts his focus from extremes of physical adventure to extremes of religious belief within our own borders. At the core of his book is an appalling double murder committed by two Mormon Fundamentalist brothers, Ron and Dan Lafferty, who insist they received a revelation from God commanding them to kill their blameless victims. Beginning with a meticulously researched account of this "divinely inspired" crime, Krakauer constructs a multilayered, bone-chilling narrative of messianic delusion, savage violence, polygamy, and unyielding faith. Along the way, he uncovers a shadowy offshoot of America’s fastest-growing religion, and raises provocative questions about the nature of religious belief.Krakauer takes readers inside isolated communities in the American West, Canada, and Mexico, where some forty-thousand Mormon Fundamentalists believe the mainstream Mormon Church went unforgivably astray when it renounced polygamy. Defying both civil authorities and the Mormon establishment in Salt Lake City, the leaders of these outlaw sects are zealots who answer only to God. Marrying prodigiously and with virtual impunity (the leader of the largest fundamentalist church took seventy-five "plural wives," several of whom were wed to him when they were fourteen or fifteen and he was in his eighties), fundamentalist prophets exercise absolute control over the lives of their followers, and preach that any day now the world will be swept clean in a hurricane of fire, sparing only their most obedient adherents.Weaving the story of the Lafferty brothers and their fanatical brethren with a clear-eyed look at Mormonism’s violent past, Krakauer examines the underbelly of the most successful homegrown faith in the United States, and finds a distinctly American brand of religious extremism. The result is vintage Krakauer, an utterly compelling work of nonfiction that illuminates an otherwise confounding realm of human behavior.

    In addition to Emerson, a philosopher, there was Amos Bronson Alcott, an educator; Henry David Thoreau, a naturalist and rebel; and Nathaniel Hawthorne, a novelist. This book is the story of that unique and influential friendship in action, of the lives the friends led, and their work that resulted in an enduring change in their nation's direction.""--From the Prologue

    In conversation with legendary rock critics and authors he respected, Reed’s interviews are as pithy and brilliant as the man himself.

    This dynastic hierarchy meets in private; neither its minutes nor the church’s finances are available for public review. Members are reassured by public relations spokesmen that all is well and that harmony prevails among these brethren.But by interviewing former church aides, examining hundreds of diaries, and drawing from his own past experience as an insider within the Latter-day Saint historical department, D. Michael Quinn presents a fuller view. His extensive research documents how the governing apostles, seventies, and presiding bishops are likely to be at loggerheads, as much as united. These strong-willed, independent men–like directors of a large corporation or supreme court justices–lobby among their colleagues, forge alliances, out-maneuver opponents, and broker compromises.There is more: clandestine political activities, investigative and punitive actions by church security forces, personal “loans” from church coffers (later written off as bad debts), and other privileged power-vested activities. Quinn considers the changing role and attitude of the leadership toward visionary experiences, the momentous events which have shaped quorum protocol and doctrine, and day-to-day bureaucratic intrigue from the time of Brigham Young to the dawn of the twenty-first century.The hierarchy seems at root well-intentioned and even at times aggressive in fulfilling its stated responsibility, which is to expedite the Second Coming. Where they have become convinced that God has spoken, they have set aside personal differences, offered unqualified support, and spoken with a unified voice. This potential for change, when coupled with the tempering effect of competing viewpoints, is something Quinn finds encouraging about Mormonism. But one should not assume that these men are infallible or work in anything approaching uninterrupted unanimity.

    Youngs (Eastern Washington U.) provides both personal and political details of Eleanor Roosevelt's life, from childhood through and beyond the death of her husband Franklin, exploring her life as First Lady and the following

    He has lived without money—and with a newfound sense of freedom and security—ever since. The Man Who Quit Money is an account of how one man learned to live, sanely and happily, without earning, receiving, or spending a single cent. Suelo doesn't pay taxes, or accept food stamps or welfare. He lives in caves in the Utah canyonlands, forages wild foods and gourmet discards. He no longer even carries an I.D. Yet he manages to amply fulfill not only the basic human needs—for shelter, food, and warmth—but, to an enviable degree, the universal desires for companionship, purpose, and spiritual engagement. By retracing the surprising path and guiding philosophy that led Suelo from an idealistic childhood through youthful disillusionment to his radical reinvention of "the good life," Sundeen raises provocative and riveting questions about the decisions we all make—by default or by design—about how we live. The Man Who Quit Money inspires us to imagine how we might live better.

    His colorful bombast, fearless reporting, and courageous stance on civil rights soon captured the attention of listeners everywhere. No mere jock turned "pretty-boy" broadcaster, the Brooklyn-born Cosell began as a lawyer before becoming a radio commentator. "Telling it like it is," he covered nearly every major sports story for three decades, from the travails of Muhammad Ali to the tragedy at Munich. Featuring a sprawling cast of athletes such as Jackie Robinson, Sonny Liston, Don Meredith, and Joe Namath, Howard Cosell also re-creates the behind-the-scenes story of that American institution, Monday Night Football. With more than forty interviews, Mark Ribowsky presents Cosell's life as part of an American panorama, examining racism, anti-Semitism, and alcoholism, among other sensitive themes. Cosell's endless complexities are brilliantly explored in this haunting work that reveals as much about the explosive commercialization of sports as it does about a much-neglected media giant.

    The complete account of the Sex Pistols saga.