After getting his M. A. degree he took up farming, and lives now in Chikkamagaluru district. Tejasvi has published a number of novels (Carvallo, Chidambara Rahasya, Svarupa), dramas (Yamala Prasne), short stories (Abachurina Post Office, Huliyurina Sarahaddu), and poems (Svagata Lahari). He is the recipient of the Karnataka Sahitya Akademi award as well as the Central Government Sahitya Akademi award.

    Durgastamana traces the life of the last ruler of Chitradurga - Madakari Nayaka V, also known as Raja Madakari Nayaka - from the time of his ascending the throne to his death fighting the armies of Haider Ali. A poignant tale that in addition to narrating a fantastic story, also explores the historical landscape of its time (1754 - 1779) as well as the social fabric of Chitradurga. The various facets of Madakari Nayaka - a wise ruler, reliable sentinel of Chitradurga, dutiful son, passionate lover, loyal friend, fierce enemy... are all beautifully brought out in this volume that is based on extensive research, contemporary records and the writings of the period.

    Pretty and intelligent, Ankita has everything she wants: friends, boys in hot pursuit, and admission into a premier management school for her MBA. But six months later, she finds herself a patient in a mental health hospital. How did she get here and will she ever get back her life again? Somehow, everything that made up her world has been taken away - and now she must fight like she has never had to, to recover her rightful lot. A gripping story of the pains of growing up, the strength afforded by faith and the indestructibility of the spirit, here is an inspiring story for modern readers.

    But a few weeks before the engagement, he receives a mysterious voice message from someone from Afsana's past. Curious, Shanay plays the voice message and through those many other such messages, a different world from the past opens up about a beautiful relationship that got broken due to a terrible lie. Half Torn Hearts is a coming-of-age tale of three layered individuals coming in terms with their first loss, which bares the devil that we all possess but are scared of encountering and which eventually becomes the cause of our own ruins.

    Story of an Electrical Engineer, who finds rural environment more interesting than cities, finds his real interest in Farming and turns a rugged forest land into Farm with his own innovations and about his emotional journey.

    In this book, the author has included the stories which reflect the problems commonly seen in the Nepalese society. These stories are listed among the best Nepalese tales. The stories of this book show different aspects of life. They teach us that life is sometimes full of happiness, prosperity and sometimes full of sorrow and pain. The author aims to let the readers know and understand the value of own life as well as others. He also writes that we cannot live alone in this world. So we must have the feeling of cooperation and brotherhood and must live in harmony in a society. This book also highlights the different social problems which we have to solve ourselves. Basically, while reading this book we can find that the stories are based on Nepal and Nepali society.

    My parents are having a tough time finding a suitable groom for me. However, recently they have a proposal from this very interesting guy from Mumbai. I almost get mesmerised when he starts talking to me. I think I like him very much. Kunal – I'm owner of a textile company in Mumbai. My Mom wants me to get married. Again. She has recently suggested a suitable girl from Delhi. What my Mom doesn't know is that I've met Shreya before once in my life and I've been looking for her ever since. I have a vendetta to settle. ]The author takes you along on a journey via roads of revenge, agony, remorse, attraction, titillation, tantalisation and romance. Do Shreya and Kunal make it, or do they fall prey to their past?

    Will you still call this a love marriage? And what if on the engagement day while you pull the ring out from your pocket, you realize what you planned was just a dream which never comes true…? How would you react when a beautiful person comes into your life, becomes your most precious possession and then one day goes away from you…forever? Not all love stories are meant to have a perfect ending. Some stay incomplete. Yet they are beautiful in their own way. Ravin’s love story is one such innocent and beautiful story. He believes love stories seldom die. They are meant to stay for the generations yet to come and read them. And given that one chance to narrate his love story, this is how he began…

    Overwhelmed with nostalgia, he goes back to his village to see the house one last time after 16 long years. And then begins a journey to his past--a past that he has always wanted to forget. And thus unfolds the story of his friendship with Pawan, who falls prey to village politics and superstitions, losing his memory in the process. This story is multilayered with the stories of the loving Jethiaama, the snake killer Chilgadi, the goon Rocky Dada, the village shaman Kohinoor--all colorful characters who delight and surprise readers in equal measure.Written in a sweet, flowing language, Firfire brings back the kaleidoscopic memories of our individual pasts.

    Majeed's father was rich once, so could send him to a school in the distant town, although he was not very good at studies. Suhra's father on the other hand had trouble making both ends meet. Even then he wanted to send his daughter, who was good at studies to the school. But after her father's death, all her hopes of further studies was ruined. Majeed begs his father to sponsor Suhra's education, but he refuses. Majeed leaves home after a skirmish with his father, and wanders over distant lands for a long time before returning home. On his return, he finds that his family's former affluence is all gone, and that his beloved Suhra has married someone else. He is grief struck at the loss of love, and this is when Suhra turns up at his home. She is a shadow of her former self. The beautiful, sunshiny, vibrant Suhra of old is now a woman worn out by life, battered hard by a loveless marriage to an abusive husband. Majeed commands her, "Suhra, don't go back!" and she stays.

    “Love is unpredictable.”Even if you’ve fallen in love a million times, you can’t claim, “Alam ko na ‘yan!” And that’s because “Ang pag-ibig kapag sineryoso, nakakabobo.”It’s really complicated, but you have to remember, “Sa isang relasyon dapat masaya ka, hindi ka stressed, hindi ka pressured.”Because “Love is such a wonderful feeling!”And to those who have not experienced what it is like to be loved, don’t worry, “Lahat ng kaldero, may nakalaang takip.”365 quotes: Read one love quote a day to keep the love troubles away.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    T. Vasudevan Nair. It was translated into English as Second Turn in 1997. M. T. Vasudevan Nair won Vayalar Award, given for the best literary work in Malayalam, for the novel in 1985. Later, in the year 1995, Mr. Nair was awarded the highest literary award in India, Jnanpith Award, for his overall contribution to Malayalam literature.The novel is set as a retelling of the Indian epic Mahabharata, from the view of Bhima, the second Pandava.

    For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.