In trunks, under floorboards, in remote ravines — even in their own beds — the bodies of those for whom their lovers’ passion proved fatal have been found, and often through the stench of decay. One ingenious killer boiled down his wife’s remains in a vat at his sausage factory. Another throttled and incinerated a perfect stranger in order to stage his own death and thus escape the charge of bigamy. Then there were the lesbian schoolgirls who bludgeoned to death the mother of one of them with a brick in a stocking. Her crime: she had tried to keep them apart. Whilst one woman kept her lover in a secret attic for years until he shot her husband dead. A dark narrative, Adrian Vincent expertly brings together some of the world’s most notorious killer. In sixteen fascinating case histories, Fatal Passions tells the true stories of those who have literally loved someone to death. Praise for Adrian Vincent ‘A skilfully written account’ – Kirkus Reviews. Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    Originally published in 1984 (Johns Hopkins University Press), and now available in paperback for the first time, this highly original book draws on insights from semiotics and from psychoanalytic, feminist, and Marxist criticism. Addressing the relations of language to experience, the body to scale, and narratives to objects, Susan Stewart looks at the "miniature" as a metaphor for interiority and at the "gigantic" as an exaggeration of aspects of the exterior. In the final part of her essay Stewart examines the ways in which the "souvenir" and the "collection" are objects mediating experience in time and space.

    What begins with a peace match—the marriage of the twelve-year-old daughter of France's Philip IV to the dissolute Edward II in 1308—ends in bloody conflict, a possible regicide, the usurpation of royal power, execution, and exile. In a lively narrative that brings a fresh perspective to the history of Isabella's catastrophic marriage, Doherty illuminates the people, passions, and politics that prompted the young queen, after thirteen years, to flee the feckless, ineffectual king who had sacrificed the English army to ignominious and unnecessary defeat at Bannockburn and to escape court intrigues and her personal persecution by men like the sinister Hugh Despenser. At Isabella's command, though, Despenser eventually met a gruesome death, when she returned to England with the exiled Roger Mortimer and a mercenary army that deposed Edward and enthroned the conquering queen in the name of her young son, Edward III.

    Richard Sennett’s insights into the danger of the cult of individualism remain thoroughly relevant to our world today. In a new epilogue, he extends his analysis to the new “public” realm of social media, questioning how public culture has fared since the digital revolution.

    But how did we get here? Exploring scores of previously sealed records, Family Secrets offers a sweeping account of how shame--and the relationship between secrecy and openness--has changed over the last two centuries in Britain. Deborah Cohen uses detailed sketches of individual families as the basis for comparing different sorts of social stigma. She takes readers inside an Edinburgh town house, where a genteel maiden frets with her brother over their niece's downy upper lip, a darkening shadow that might betray the girl's Eurasian heritage; to a Liverpool railway platform, where a heartbroken mother hands over her eight-year old illegitimate son for adoption; to a town in the Cotswolds, where a queer vicar brings to his bank vault a diary--sewed up in calico, wrapped in parchment--that chronicles his sexual longings. Cohen explores what families in the past chose to keep secret and why. She excavates the tangled history of privacy and secrecy to explain why privacy is now viewed as a hallowed right while secrets are condemned as destructive. In delving into the dynamics of shame and guilt, Family Secrets explores the part that families, so often regarded as the agents of repression, have played in the transformation of social mores from the Victorian era to the present day. Written with compassion and keen insight, this is a bold new argument about the sea-changes that took place behind closed doors.

    London grew from a backwater in the Classical age into an important medieval city, a significant Renaissance urban centre and a modern colossus.

    But the ravens' past has far more high drama. From the plains of the North American Indians to the arctic tundra, all the way to the Tower of London, they have been symbols of cruelty, of survival through adversity, and a loveable icon. Boria Sax shows how our attitudes to the raven and to the natural world have changed enormously over the centuries. By describing the distinct place of this special bird in Western culture, he shows how blurred the lines between myth and history can be. This is a unique and brilliantly readable story of the entwined lives of people and animals.

    This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations.In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared.Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.

    This highly acclaimed biography reveals for the first time the true story behind her sensational life and scandalous 'Memoirs'. When her former lovers - including much of the British aristocracy - turned against her, she knew exactly how to take revenge . . .'A wonderful book. Much more than a biography of one attractive, witty woman, it offers a deft analysis of how Britain dealt with celebrity, sex, power and popular journalism in an age that bears remarkable similarities to our own . . . Frances Wilson is not only a first-rate scholar but also a wonderful storyteller who manages to get inside her namesake's famously creamy skin and tell her story with wit and understanding.' Kathryn Hughes, Mail on Sunday'Lively and stylish . . . Reveals how dangerous the courtesan who operated at the heart of the political world was thought to be.' Anne Sebba, Spectator'Harriette's story is deftly and stylishly told. It beats most novels with its rich ingredients.' Frances Spalding, Daily Mail

    In this brilliant new interpretation Steve Pincus refutes this traditional view.By expanding the interpretive lens to include a broader geographical and chronological frame, Pincus demonstrates that England’s revolution was a European event, that it took place over a number of years, not months, and that it had repercussions in India, North America, the West Indies, and throughout continental Europe. His rich historical narrative, based on masses of new archival research, traces the transformation of English foreign policy, religious culture, and political economy that, he argues, was the intended consequence of the revolutionaries of 1688–1689.James II developed a modernization program that emphasized centralized control, repression of dissidents, and territorial empire. The revolutionaries, by contrast, took advantage of the new economic possibilities to create a bureaucratic but participatory state. The postrevolutionary English state emphasized its ideological break with the past and envisioned itself as continuing to evolve. All of this, argues Pincus, makes the Glorious Revolution—not the French Revolution—the first truly modern revolution. This wide-ranging book reenvisions the nature of the Glorious Revolution and of revolutions in general, the causes and consequences of commercialization, the nature of liberalism, and ultimately the origins and contours of modernity itself.

     The Third Crusade is on the horizon, and Henry II is on the throne. Young Frederick Banastre has grown up hearing about his father’s adventures in the Second Crusade. And now Frederick is being sent to court to become a steward to the young prince Richard, readying him for his own chance at glory. Frederick and Richard soon become firm friends, with the royal household their personal playground. But as the King ages, and the heir to the throne, Young Henry, prepares to take over, Frederick and Richard need to prove themselves on the battlefield. They journey to France in an attempt to quell rebellious uprisings, and cement English rule. But then disaster strikes, and with both Henrys in mortal danger, the way is paved for the rise of Richard the Lionheart… ‘Crusader’ is the first in a new series of historical thrillers chronicling the life of Richard the Lionheart. "Full of action, intrigue and historical insight." Richard Foreman. Paul Bannister is a journalist and author. His is also the author of the Lord of the Narrow Sea series, which includes 'Arthur Britannicus', 'Arthur Imperator', ‘Arthur Invictus’, ‘The King’s Cavalry’ and ‘A Fragile Peace’.

    Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling StoneWith enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book - Time OutThis book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era - The New York Times

    Years of research went into this lively chronicle, chockablock with photos and rare documents. Author Lewisohn received unprecedented access to studio archives and personnel.

    This is a photographic facsimile of John Lyly's comedy Gallathea, printed in 1592, taken from the copy in the British Library, with the songs from Lyly's Sixe Court Comedies, printed in 1632, taken from the copy in the Huntington Library, California.

    In his pages the public events of London in the 1660s - the politics of the Restoration, the Dutch War, the Plague, the Great Fire - are interwoven with a richly diverting account of his colourful private life. Perhaps no one else in the whole of English history has transmitted his experience so vividly to posterity.Pepys's diary has long been recognized as the most remarkable diary in the English language, but it has been impossible until our own day to print it as he wrote it. Very little scholarly work had been done on it, and legal restrictions prevented the publication of its frankest passages, in which Pepys describes his vigorous love life. In 1960, however, two scholars set to work afresh on a study of the manuscript - the late Professor William Matthews, the leading expert on the shorthand in which the diary was written, and Robert Latham, an authority on the history of the period. Together they worked out a new version of the text which was published in 9 volumes, making Pepys available to the public in full for the first time.This edition - lavishly illustrated from a wealth of contemporary material - is meant for the reader who will welcome the chance of having a representative selection. It contains about one-twelfth of the original 1,300,000 words and is so designed that the flavour and variety of the original is retained.