Divan of Shah represents an unconscious longing for union within. It is beautifully illustrated and a wonderful amalgamation of some of Shah’s brilliant work filled with the raw emotion of love as if he himself has spilled his heart onto a canvas and has painted love itself. Shah has tapped into the collective unexplored and perhaps his own realm of dreams.The book meticulously presents so many aspects of love in specific detail which harkens one’s appreciation for love even more than before and some examples of love we may have taken for granted. It shows the limitless power and ways love presents itself and how it can change one’s life for the better or worse.This one is a thoughtful collection of poetic lines that invites the reader into the dimension of love, which happens to be the idea of a reflective mirror having no color yet for all colors of the embodiment are reflected back.never make a lady crypearls are not meant to flowlet them reside within celestial eyesfor even paradise unveils its reflectionthrough the radiance of their glow

    Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially "The Sonnets, " but this selection encompasses his full poetic output, including the later sequences "Easter Monday" and "A Certain Slant of Sunlight, " as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer.Praise for" The Collected Poems of Ted Berrigan: ""This is a great, great book for all seasons of the mind and heart."--Robert Creeley"Thanks to this invaluable "Collected Poems, " one can hear, as never before, Ted Berrigan dreaming his dream."--"The Nation"""The Collected Poems of Ted Berrigan "is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --"Bloomsbury Review ""It's a must-have, a poetic knockout."--"Time Out New York"

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    The Last American Valentine is a unique anthology of non-sappy love poetry and flash fiction. Poet Laureates, rock musicians, actors, famed prose writers and a few talented American barfly's have been handpicked, hunted down and crammed together with an artist the world has never met.

    

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    This full-length collection includes individual lyric poems as well as a previously published chapbook Sea Lyrics and a new collaborative piece "Dumb Duke Death" with illustrations by Jennifer Jarnot.

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.

    Wright's short lyrics, in Charles Simic's words, "achieve a level of eloquence where the reader says to himself, if this is not wisdom, I don't know what is" (The New York Review of Books). The poems in Buffalo Yoga are pristine examples of the Tennessee poet's deft, painterly touch-"crows in a caterwaul" are "scored like black notes in the bare oak"-and his oblique, expansive, and profound interrogation of mortality, as in the title sequence, where the soul is "a rhythmical knot. / That form unties. Or reties."

    / In writing. / I signed my name. / It’s death’s move.” As he considers his mortality, the poet finds a new elation and clarity on the page, handing over for our examination the flawed yet kneeling-in-gratitude self he has become. F stands both for Franz, the poet-speaker who represents all of us on our baffling lifelong journeys, and for the alphabet, the utility and sometimes brutality of our symbols. (It may be, he jokes grimly, his “grade in life.”) From “Entries of the Cell,” the long central poem that details the loneliness of the single soul, to short narrative prose poems and traditional lyrics, Wright revels in the compensatory power of language, observing the daytime headlights following a hearse, or the wind, “blessing one by one the unlighted buds of the backbent peach tree’s unnoted return.” He is at his best in this beautiful and startling collection.

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    Or that was the way it used to be. Three hot brothers enjoy their work and each other's company, taking advantage of nearby parks for camping and fishing expeditions. But things go awry on a camping trip for Christian, the eldest brother, and that sets off a chain of events that leads each brother on an adventure of keeping the town safe from the dark shifters and finding their mates! If you like paranormal romance with danger, action, and heart-pounding romance, then you won’t want to miss The Holbrook Brothers Shifters series. Grab your copy today! Wild Temptations When a trip to the great outdoors goes horribly wrong, a small-town ER nurse soon finds herself with more than she can handle. Christian Holbrook is looking forward to a quiet, relaxing weekend of fishing with his brothers, complete with their usual jokes about his lacklustre love life. But when he discovers a mysterious cave hidden deep among the trees, the creature that lurks within changes his life forever. Libby Grimes is an ER nurse in a small country town. Tasked with the stressful job of caring for her wheelchair-bound mother, her long days and sleepless nights are haunted by the strange disappearance of her father. She knows he wouldn’t abandon them – but all her clues led to dead-ends. When Christian checks into her hospital, her mystery takes a new turn. Libby soon finds herself drawn to him. As their feelings grow, can Libby she help Christian overcome the darkness forming inside him? Or will his new powers be her end? Finding the Wolf Two artists brought together by a dangerous world of wolf shifters. Eric Holbrook lived for the perfect shot. He dedicates his life to the moments when everything is flawless and the planets seem to align. But growing up in small-town America, he struggles to break from his future of hometown newspapers and an ex happily married to his boss. When his chase for the perfect picture drives him toward secrets he never thought possible, he soon ends up thrust into a dangerous world of shifters. Misty Miller finds herself once again in her hometown, miles away from her art career in Chicago. Finding refuge in clay, wire and metal, she hopes the country setting will breathe inspiration into her work. But when Eric lands on her front porch, her art soon falls to the sidelines. Through the fur and fangs, Misty finds herself clawing to keep him grounded – and struggling to make sense of the new reality that has revealed itself to her. As their bond strengthens, will lust and discovery be enough to see them through the fear and danger that the shifter world brings? Or will Eric’s drive end up being more than just the death of his career? A Dangerous Curiosity She’s a big-city girl with a dark secret. He’s a small-town guy destined to become a wolf shifter. Brighton Holbrook had everything planned for his future – a good education, a family company, and supportive brothers. But when his brothers begin acting strangely, he becomes determined to find out what they’re hiding. And when he discovers their secret, there’s no going back. Lily Tucker is a city girl, groomed to take over her family’s business. But when her grandmother falls ill, she’s forced to travel to a small country town to care for her – and to protect her family’s dark secrets. She expected a quiet, boring town, but it soon becomes anything but when Brighton walks into the bar. He’s handsome, wild, and the spark between them is instantaneous.

    Not only that but she’s left trying to figure out her next move after a bomb is dropped on her. Trinity is trying to move on with her life after all the drama with Lucas but when his accident causes her to be by his side she sees moving on isn’t as easy as she thought. Now she has to try to maintain a new relationship while showing she’s still loyal to the ones that’s been there from the beginning. Will things work out in her favor? Brady and Trinity are getting ready for their new addition but when outside forces come in threatening to tear them apart they must show there love is strong enough to overcome them. Brady makes a decision that will not only affect him but his family as well, now he must deal with consequences, but will Renee be willing to stick by his side? Meanwhile, the DEA is still on the boys back, Trevor is still lurking in the shadows, and death is trying to knock on the crew's door. Will they be able to make it through this crazy ride or fall victim to the madness?

    The anthology - the 22nd of its kind - is introduced by Jeannette Winterson. If you buy only one poetry book this year, this deserves to be it.