Sure, he’s always been a little bit different—his tusk isn’t as long, he’s not as good of a swimmer, and he really doesn’t enjoy the cuisine. Then one night, an extra strong current sweeps Kelp to the surface, where he spots a mysterious creature that looks just like him! Kelp discovers that he and the creature are actually unicorns. The revelation leaves him torn: is he a land narwhal or a sea unicorn? But perhaps, if Kelp is clever, he may find a way to have the best of both worlds.

    Now read the legend of how it all began . . .Long ago, in an ancient and distant realm called the Kingdom of Backyard, there lived a warrior named ROCK.Meanwhile in the Empire of Mom’s Home Office, a second great warrior sought the glory of battle. And his name was PAPER.At the same time, in the Kitchen Realm, in the tiny village of Junk Drawer, lived a third warrior. They called her SCISSORS.These three were the strongest, smartest, and fastest in all the land. Time and again they beat the most fearsome opponents they could find: an apricot, a computer printer—even frozen, breaded, dinosaur-shaped chicken nuggets! But when the warriors finally meet each other, the most epic round of battles begins . . . and never ends. That is why, to this day, children around the world honor these worthy adversaries by playing ROCK, PAPER, SCISSORS!

    subway for a free concert. More than a thousand commuters rushed by him, but only seven stopped to listen for more than a minute. In The Man with the Violin, bestselling author Kathy Stinson has woven a heart-warming story that reminds us all to stop and appreciate the beauty that surrounds us. Dylan is someone who notices things. His mom is someone who doesn’t. So try as he might, Dylan can’t get his mom to listen to the man playing the violin in the subway station. With the beautiful music in his head all day long, Dylan can’t forget the violinist, and finally succeeds in making his mother stop and listen, too. Vividly imagined text combined with illustrations that pulse with energy expertly demonstrate the transformative power of music. With a postscript explaining Joshua Bell’s story, and afterword by Joshua Bell himself.

    "Leap, Butter Bear, leap!" Ballet Cat prompts. But Butter Bear would prefer to just point her toe. When Ballet Cat keeps pushing, Butter Bear gets hungry, then thirsty, then sleepy . . . The bottom line is that Butter Bear would rather do almost anything to avoid making a big leap. Why? Because her bottom is covered in silly underpants! This second entry in the Ballet Cat series will have beginning readers rolling on the floor with laughter.

    . . like providing comfortable chairs,and good conversation,and yummy food.But sometimes that is not enough for special guests,especially when their manners are more Cretaceous than gracious . . .Introducing Tea Rex, a guest that just about any child would love to have to tea!

    A cumulative rhyme relating how Ki-pat brought rain to the drought-stricken Kapiti Plain. Verna Aardema has brought the original story closer to the English nursery rhyme by putting in a cumulative refrain and giving the tale the rhythm of “The House That Jack Built.”

    Bobo return with another gorgeously illustrated new classic that’s the perfect gift for baby showers, birthdays, or just for reading at home again and again.My presence matters in this world. I know I can do anything, if only I believe I can.

    Chu is a little panda with a big sneeze.When Chu sneezes, bad things happen.In dusty library, diner pepper, circus tent, Will Chu sneeze today?

    But then Nana makes him a special cape to help him be brave, and soon the everyday sights, sounds, and smells of the city are not scary—but wonderful. The succinct text is paired with watercolor illustrations that capture all the vitality, energy, and beauty of the city.

    Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

    In a series of conversations with every flower and creature and gust of wind, she says good-bye to summer and welcomes autumn.