A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    His clients are all renegades from the asylum, including a transvestite entertainer with curious medical issues, a buxom deadbeat blonde, a doctor who refers his own patients to a malpractice lawyer, and the driver of a Mardi Gras float shaped like a giant crawfish pot. He also has his hands full with an ex-wife and three teenage daughters, who are experts in the art of wrapping Tubby around their little fingers. And somehow, between work and family, Tubby finds time to sample the highs and lows of idiosyncratic Crescent City cuisine, from trout meuniere amandine and French roast coffee with chicory to shrimp po-boys and homemade pecan pralines. Tubby is asked to take on a new client: Darryl Alvarez, the manager of a local nightclub, who has been caught unloading fifteen bales of marijuana from a shrimp boat. At their first meeting, Darryl entrusts Tubby with an ordinary-looking blue gym bag. But when Darryl is later found shot at the nightclub, Tubby realizes he must tighten his grasp on the gym bag - and its million-dollar contents. Tubby can't just give up the cash. But if he gets caught, he'll be in jail. And if the wrong people catch him, he'll wish he was.

    After all, the man convicted of the crimes has been locked away for years. But in the small town of Paradise, Michigan, where McKnight has traded his badge for a cabin in the woods, a murderer with the same unmistakable trademarks appears to be back. McKnight can’t understand who else would know the intimate details of the old murders. And it seems like it’ll be a frozen day in Hell before McKnight can unravel truth from deception in a town that’s anything but Paradise.

    Her sister Andrea has an altogether different point of view. When the sisters go to the Canaan Valley to search for paintings mentioned in a document found in an old hotel once owned by their grandparents—paintings that might be Monets—Andrea immediately becomes involved in tracking down a murderer. Kathleen would much rather be looking for the paintings, but she goes along with Andrea, since the victim was their hotel-keeper, murdered just down the hall from their room. The question is: Does the murder have something to do with the elusive paintings?There are many clues and many suspects, including hotel staff, valley residents, and the mysterious foreigners who come from the Eastern Seaboard for skiing. There are also many types of danger—icy roads, sub-zero temperatures, and a killer who doesn’t care how many people die in the attempt to make sure the right ones do.

    Then in a terrible irony her own son, Simon, is arrested and charged with a series of brutal rapes and murders. The evidence against him appears so strong that his QC advises a guilty plea, but Simon swears he is innocent and begs his mother take on his defence. There is no law against a mother representing her son, so Sarah agrees. The only other obvious suspect for the murders, however, is a man who has already been acquitted once - with Sarah acting as his defence lawyer ...Has Sarah, in her single-minded determination to create a career for herself, neglected her son so much that she no longer knows him? Since he has often lied to her in the past, how can she trust him when he says he is innocent this time? And what should she do when she herself uncovers evidence that seems to suggest his guilt?It seems that telling the whole truth must be weighed in the balance against keeping certain information well hidden ...

    Fans of dark psychological suspense will devour this riveting story of rivals caught in a killer’s twisted web.When a coed falls prey to a sadistic killer, forensic psychiatrist Dr. Caitlin Cassidy and Special Agent Atticus Spenser are called in to testify—one for the defense, one for the prosecution. With warring approaches on justice, these two rivals have been butting heads for years—both in the courtroom and out. And at first, this case appears to be no different.But when a brutal attack leaves the accused man dead and Caity in critical condition, petty differences take a backseat to saving lives. As the lone survivor, Caity knows too much and the killer—a madman calling himself the Man in the Maze—is coming back for round two. Now, Caity and Spense must join forces to uncover the killer’s identity before Caity’s time—and luck—runs out.

    He travels for work and plays the carefree bachelor when he can. But now, on a solo business trip, in a remote coastal hotel, he’s surprised to find Lisa in his bathroom. She’s dead.He has no idea how she got there but one chilling fact is clear: everything points to Dan having murdered her. Someone is trying to frame him. Someone who might still be watching. In a panic, he goes on the run. But even as he flees across Europe, his unknown enemy stacks up the evidence against him.Dan is determined to clear his name and take revenge on Lisa’s killer, but the culprit is closing in. And then there’s the agony of his own guilty conscience. No, he didn’t kill her—but is it all his fault?

    Then he packs his victims in luggage—a nod to the cops that he works alone. Dremmel’s no fool, he’s also a college professor. He just likes using his intellect for darker purposes….Is Another Man’s Anguish…Haunted by his own daughter’s unsolved disappearance, Detective John Stallings is committed to finding runaways and busting their abductors. When a series of girls is found dead and stuffed into duffle bags, he’s consumed with capturing “The Bagman”—at the risk of his marriage, his career, and possibly his tough-as-nails partner, Patty Levine…And Neither Intends To Give UpAs The Bagman grows more brazen in his crimes, the clues line up. But when he draws terrifyingly close to Patty, Stallings is determined to play by his own rules—and they won’t be pretty—or quiet…

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

     Zoe’s carefree life takes a traumatic turn when her brother Liam is murdered.The only one who can help her find out what happened is Noah Brody, the last guy on earth she should trust.  Noah Brody is a natural who lives on the outside. He leads protests against the GAPs and detests the widening chasm they’ve created between those who have and those who don’t. He doesn’t like girls like Zoe and he has good reason not to like her specifically. He's not sure why he's agreed to help her, but what he finds out when he does, will change his life forever.PERCEPTION is a near-future mystery that can be read alone. ​

    Fiercely independent Carly is the number one suspect. When Carly asks Willa for due justice, Willa has everything to lose. But she risks it all to uncover the conspiracy and keep Carly alive. Can Willa possibly win?<**formerly titled Carly's Conspiracy

    Ten years ago, Magnolia Steele fled Franklin, Tennessee after an incident that left her with hazy memories and a horror of the place where she had been born and bred. Though her abrupt departure destroyed most of her treasured relationships, she vowed never to return . . . until she has no choice. When Magnolia’s breakout acting role in a Broadway musical ends in disgrace, there’s only one place she can go. She finds herself on her momma’s porch, suitcase in hand. Drama follows Magnolia around like a long lost friend. She reluctantly agrees to help her momma’s catering company at a party for a country music star, only to find herself face-to-face with a sleazy music agent from her past. After a very public spat, Magnolia not only finds him dead but herself center stage in the police’s investigation. Now she must scramble to prove her innocence, relying on the help of acquaintances old and new. But the longer Magnolia stays in Franklin, the more she remembers about the big bad incident that chased her away. The past might not be finished with her yet, and what she doesn’t remember could be her biggest danger.

    At twenty-seven, Marissa’s moved beyond the trauma and is working under a new name as a freelance photographer. But when she accepts a job covering a string of macabre murders in Portland, it’s impossible for Marissa not to remember.Everything is eerily familiar. The same underground lairs. Sad trinkets and toys left behind, identical to those Marissa had as a child. And then there is the note meant just for her that freezes Marissa’s blood: See you soon, Missy.To determine the killer’s next move, Marissa must retrieve her long-forgotten memories and return to a past she’s hidden away. But she won’t be facing her fears alone. Someone is waiting for her in the dark.

    All he has to do is accompany female pop star Max Magic to Los Angeles and deliver her to the FBI. But when their routine flight ends in a hail of gunfire at LAX, Walker has no choice but to take the frightened diva on the run.After a second attack leaves him battered and bloody, Walker realizes he cannot trust the FBI. To keep his client alive, he must use a patchwork of trusted aviation contacts to get her home to Austin, where the key suspects await.But as they race to stay one step ahead of their deadly pursuers, the biggest danger of all may be what they’re heading toward—the dark secrets that Max herself has been keeping…

    After a summer-night swim with her best friend, Ainsley, Violet is found confused, wandering in the forest—and Ainsley’s never seen again. But without a body, murder charges won’t stick, so Violet is sent away.After more than a decade in a psychiatric ward, Violet returns to her broken-down hometown of Normal, Alabama, to claim her dead mother’s inheritance and help her overworked sister care for their unstable, alcoholic father. Violet, still haunted by that night eleven years ago, endures horrific flashbacks and twisted hallucinations while townsfolk spit accusations—and for all she knows, they’re right.As the summer heats up, details of Ainsley’s fate appear like a beast’s wild eyes, watching in the darkness, and grim revelations about Violet’s family threaten to devour her. Already on the edge of madness, Violet must fight to keep her sanity long enough for the terrible truth to burst from the cold, dark waters.