Her ‘reel life’ histrionic performances held (and continue to hold) audiences/viewers entranced. Her talent was phenomenal, and she could literally glide through a movie, whatever be the role. She could convey an impressive array of emotions with her eloquent eyes and facial expressions without resorting to melodramatic contortions. Tragedy, romance, comedy, drama, and what have you – she could take everything in her stride, exquisitely and flawlessly, as convincingly proved by superhits such as Mahal, Tarana, Chalti Ka Naam Gaadi and the magnum opus, Mughal-e-Azam. All this she achieved despite a major heart disease, which assumed serious proportions as her career soared. This volume presents a fascinating panorama not only of the ‘reel life’ Madhubala but also of the ‘real life’ Madhubala, who was an extremely compassionate and caring human being, but lived in the shadow of her dominant father. The author recounts her captivating saga, right from her first film – Basant (1942), as a child star, up to the magnificent Mughal-e-Azam (1960) and beyond. Enthralling cameos from her masterpieces such as Mahal, Mr & Mrs 55 and Amar, are depicted in graphic detail. Also, all the drama involved in her love affair with Dilip Kumar, which culminated in intense acrimony, has been poignantly portrayed. The last few years of her life were spent in virtual solitude in spite of her being married to Kishore Kumar, and death, in a way, came as a release for her.

    Combining authoritative analysis, new ideas, and diverse perspectives, they discuss subjects which are topical yet enduring, as also emerging areas of study and debate. Giving identity to over a billion people, the Indian Constitution is one of the world's great political texts. Drafted over six decades ago, its endurance and operation have fascinated and surprised many. In this short introduction, Madhav Khosla brings to light its many features, aspirations, and controversies. How does the Constitution separate power between different political actors? What form of citizenship does it embrace? And how can it change? In answering questions such as these, Khosla unravels the document's remarkable and challenging journey, inviting readers to reflect upon the theory and practice of constitutionalism in the world's largest democracy.

    The same has been narrated in the book.

    Months later, on 29th October 2005, on the eve of Diwali and Eid, a series of bomb blasts unleash death on the streets of Delhi. The blasts are a continuation of the proxy war raged between Pakistan's military and intelligence in India. The magnitude of destruction outrages the normally docile Indian public and its demand for justice rocks Indian Government into action.The time has come to call upon the ultra-secret Force 22 of the Indian Army to avenge the attack...

    Here is a rare collection of photographs taken by one of the country's best photographers.

    David Headley: the dashing, intriguing Pakistani with one brown and one green eye, a man who could pass himself off as an American quite easily, a charmer of men and women alike.Headley inveigled his way into Rahul’s simple world and, in no time, swept him off his feet. It is only when ten men made a mockery of Mumbai in a well-planned act of terrorism that Rahul realized how close he had come to being a part of the careful plotting and the innumerable recces that Headley had carried out.This is a complex tale of human relationships and the deceit therein. It is the story of Rahul Bhatt, an aspiring Bollywood actor, and his encounter with David Coleman Headley, the man who was responsible for a ruthlessly executed carnage in which 166 people were killed and over 300 injured in 59 hours that brought Mumbai to despair and shook India.A pulse-racing narrative told in the voices of Bhatt and Headley, HEADLEY AND I traces the months leading up to the horrors of 26/11 and the interrogation that followed.Author BIOS. Hussain Zaidi is a veteran of investigative, crime and terror reporting. He has worked for The Asian Age, Mumbai Mirror, Mid-Day and The Indian Express. His previous books include bestsellers like Black Friday, Mafia Queens of Mumbai and the more recent Dongri to Dubai: Six Decades of the Mumbai Mafia. Zaidi is also associate producer for the HBO movie, Terror in Mumbai, based on the 26/11 terror strikes. He lives with his family in Mumbai.

    With text, translation, and Sri Aurobindo's commentary, this is probably the finest translation and commentary on the Bhagavad Gita that we have seen.

    They are the Avatari.An Ancient Artefact: When Henry Ashton, a retired British Army officer settled in the Yorkshire dales, receives a letter from a monk entreating him to prevent a hidden treasure stolen from a Laotian monastery from being misused, he finds himself honour-bound to respond. Assisted by a retired Gurkha Sergeant, a high-strung mathematician from Oxford with a Shambhala fixation of her own and an American mercenary on the CIAs hit list, Ashtons mission leads to an ancient map that dates back to the time of the great Mongol, Kublai Khan.A Secret that Must Not be Revealed: The group follows the trail, risking the perils of the inhospitable deserts of Ladakh, turmoil in Pakistan and the rugged mountains of Northern Afghanistan, where the Afghan War is at its height. But they are up against a deadly adversary with seemingly unlimited resources, who will stop at nothing to get possession of the anicent secret a secret that, if revealed, could threaten the very fabric of human civilization.

    Three thousand years ago, deep inside the forests of India, agreat ‘thought revolution’ was brewing.In those forest labs, the brightest thinker–philosopherscontemplated the universe, reflected on ancient texts called theVedas and came up with startling insights into questions westill don’t have final answers to, like:• What is the universe made of?• How do I know I’m looking at a tree when I see one?• Who am I? My body, my mind, my intelligence, my emotions,or none of the above?And where did they put those explosive findings?In a sprawling body of goosebumpy and fascinating oralliterature called the Upanishads! Intimidated? Don’t be! Forthis joyful, fun guide to some of India’s longest-lasting secularwisdoms, reinterpreted for first-time explorers by Roopa Pai, isguaranteed to keep you turning the pages.Why haven’t you read it yet?

    This is the second time that Mr. Bhyrappa is tackling an epic. Forty years ago, he wrote ‘Parva’, a retelling of the Mahabharata. Parva is in the form of personal reflections of some of the principal characters of the epic.

    The year 2012 does not indicate the end of the World, as said by Mayan Calendar, but as per Kalagnanam severe earthquakes and calamities are indicated in the Telugu year Nandana (2012–13) that takes millions of lives, and also revival of Mayan civilization(Mayan people are said to be the Descendants of Viswakarma/Viswabrahmin community of India, who have flown to North America for some reasons, a long ago). Possible reason behind the ending of Mayan Calendar on 21-12-2012 is, they might have noticed the advent of Lord Kalki/Lord Veera Bhoga Vasantha Raaya, change of velocity of planets, Stars and Milkyway/Galaxy, and as such they would have left the Calendar calculations and predictions to our fate. Surprisingly, it was clearly mentioned about the change of velocity of planets, etc. in Kalagnanam, and in particular, there is change in the velocity of Jupiter after Plavanga (2027–28) and suddenly from 2034 Jupiter will transit three Rasis a year.

     Who was Padmavati, the Queen of Chittor? What does history tell of her? Where did she come from? What kind of life did she lead? How did she have the courage to jump willingly into fire? Mrinalini goes to Chittorgarh to discover the truth. What does she really discover?

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    When the mystified librarian opens it, she screams before she falls unconscious to the floor. An elite group calling itself the Lashkar-e-Talatashar has scattered around the globe, the fate of its members curiously resembling that of Christ and his Apostles. Their agenda is Armageddon. In the labyrinthine recesses of the Vatican, a beautiful assassin swears she will eliminate all who do not believe in her twisted credo. In Tibet, Buddhist monks search for a reincarnation while in strife-torn Kashmir, a tomb called Rozabal holds the key to an ancient riddle. Father Vincent Sinclair, has disturbing visions of himself and of people familiar to him, except that they seem located in other ages. He goes to India to piece together the violent images burnt onto his mind. Shadowing his every move is a clandestine society, which would rather wipe out creation than allow an ancient secret to be disclosed.

    Following an enormous personal tragedy, he sets out on an introspective journey to the Himalayas. He is questioning the purpose of life when he comes across a mysterious 110-years old man. Thereby starts a journey of learning, unlearning and un raveling the secrets of ancient Indian wisdom that teach you how to live a blessed life. Among them, is the quest to find the inner swastika -one that holds the truth of the physical, the metaphysical and beyond. WRITTEN AS A WORK OF FICTION BUT BASED ON A TRUE ACCOUNT, THIS IS AN ENGAGING STORY OF A MAN TRYING TO FIND HIMSELF