The encounter sends him into a turmoil of memories, voices and associations. As the cellist oscillates between present and past, he is paralysed by doubt and confusion and he begins to question his own place in society.From sprawling social housing estates, via basement clubs and squat parties, and culminating in a dramatic role reversal, Wretchedness is a delirious trip through Europe’s underbelly. With a rhythmic, mesmerising flow, Tichy’s novel explores the possibility of social mobility and the ambivalent desire to escape your origins, asking how to love your neighbour when that neighbour is an addict, a criminal, wretched.

    Beata is a 20-year-old drop-out and daughter of Denis Kral (i.e., King), a Czech "new millionaire" of dubious connections. Beata embraces lover after lover as well as causes new to Eastern Europe: the environment, animal rights, feminism, consumerism, new-age religion.This satirical look at Prague today by the best of the new Czech writers entertains with a parade of unnforgettable characters, the new mafiosi and their ex-secret police bodyguards, the expatriate Americans, and many an extraordinary Czech, from a cremation enthusiast to a hopelessly na�ve sex-education teacher.The novel is also a serious exploration of the role of the writer in post-communist Central Europe. The narrator, himself a writer and teacher who is in love with Beata, must portray her fate in terms that explain her nihilism without losing faith in his own positive craft of story- telling. His hard-won credo as artist is to be an entertainer in a world of newly felt cruelty and suffering.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

    Frightened and in pain, she was once forced to make her way on foot. Propelled by the love she held for her soon-to-be-born child, Homeira walked through blood and wreckage to reach the hospital doors. But the joy of her beautiful son’s birth was soon overshadowed by other dangers that would threaten her life.No ordinary Afghan woman, Homeira refused to cower under the strictures of a misogynistic social order. Defying the law, she risked her freedom to teach children reading and writing and fought for women’s rights in her theocratic and patriarchal society.Devastating in its power, Dancing in the Mosque is a mother’s searing letter to a son she was forced to leave behind. In telling her story—and that of Afghan women—Homeira challenges you to reconsider the meaning of motherhood, sacrifice, and survival. Her story asks you to consider the lengths you would go to protect yourself, your family, and your dignity.

    Sixteen-year-old Céline and her sister Jo, fifteen, dream of escaping to somewhere far from their daily routine, far from their surly, alcoholic father and uncaring mother, both struggling to make ends meet. That summer Celine falls pregnant, devastating news that reopens deep family wounds. Those of the mother Severine whose adolescence was destroyed by her early pregnancy and subsequent marriage with Manuel. Those of Manuel, grandson of Spanish immigrants, who takes refuge in alcoholism to escape the open disdain of his in-laws. Faced with Celine’s refusal to name the father, Manuel needs a guilty party and Saïd, a childhood friend of the girls and conveniently Arab, seems to fit the role perfectly. In the suffocating heat of summer Manuel embarks on a drunken mission of revenge. A dark and upsetting account of an ailing society, filled with silent and murderous rage.

    Flashbacks and multilayered stories reveal his life: an impoverished upbringing as an orphan, his eventual rise to wealth and success—despite racial and class prejudice—and an obsession with a girl from an affluent family that has haunted him all his life. A True Novel then widens into an examination of Japan’s westernization and the emergence of a middle class.   The winner of Japan’s prestigious Yomiuri Literature Prize, Mizumura has written a beautiful novel, with love at its core, that reveals, above all, the power of storytelling.

    Until now. With The Patience Stone, Atiq Rahimi gives face and voice to one unforgettable woman–and, one could argue, offers her as a proxy for the grievances of millions…it is a rich read, part allegory, part a tale of retribution, part an exploration of honor, love, sex, marriage, war. It is without doubt an important and courageous book.” from the introduction by Khaled Hosseini, author of The Kite Runner and A Thousand Splendid SunsIn Persian folklore, Syngue Sabour is the name of a magical black stone, a patience stone, which absorbs the plight of those who confide in it. It is believed that the day it explodes, after having received too much hardship and pain, will be the day of the Apocalypse. But here, the Syngue Sabour is not a stone but rather a man lying brain-dead with a bullet lodged in his neck. His wife is with him, sitting by his side. But she resents him for having sacrificed her to the war, for never being able to resist the call to arms, for wanting to be a hero, and in the end, after all was said and done, for being incapacitated in a small skirmish. Yet she cares, and she speaks to him. She even talks to him more and more, opening up her deepest desires, pains, and secrets. While in the streets rival factions clash and soldiers are looting and killing around her, she speaks of her life, never knowing if her husband really hears. And it is an extraordinary confession, without restraint, about sex and love and her anger against a man who never understood her, who mistreated her, who never showed her any respect or kindness. Her admission releases the weight of oppression of marital, social, and religious norms, and she leads her story up to the great secret that is unthinkable in a country such as Afghanistan. Winner of the Prix Goncourt, The Patience Stone captures with great courage and spare, poetic, prose the reality of everyday life for an intelligent woman under the oppressive weight of the Taliban regime in Afghanistan.

    Showing us the war as we have never seen it before, here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

    Along the way a new aesthetic for the ‘Iraqi fantastical’ begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

    Edited by writer Karen Lord, New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of CaribLit project.

    In prose that is both elegantly spare and saturated with emotion, Nors explores the relationships that we have with others, and those we forge with ourselves, with characteristic empathy and insight.

    A cold, snowy morning.Andrei Danilovich Komiaga is fast asleep. A scream, a moan, and a death rattle slowly pull him out of his drunken stupor—but wait, that’s just his ring tone. And so begins another day in the life of an oprichnik, one of the czar’s most trusted courtiers—and one of the country’s most feared men.Welcome to the new New Russia, where futuristic technology and the draconian codes of Ivan the Terrible are in perfect synergy. Corporal punishment is back, as is a divine monarch, but these days everyone gets information from high-tech news bubbles, and the elite get high on hallucinogenic, genetically modified fish.Over the course of one day, Andrei Komiaga will bear witness to—and participate in—brutal executions; extravagant parties; meetings with ballerinas, soothsayers, and even the czarina. He will rape and pillage, and he will be moved to tears by the sweetly sung songs of his homeland. He will consume an arsenal of drugs and denounce threats to his great nation’s morals. And he will fall in love—perhaps even with a number of his colleagues.Vladimir Sorokin, the man described by Keith Gessen (in The New York Review of Books) as “[the] only real prose writer, and resident genius” of late-Soviet fiction, has imagined a near future both too disturbing to contemplate and too realistic to dismiss. But like all of his best work, Sorokin’s new novel explodes with invention and dark humor. A startling, relentless portrait of a troubled and troubling empire, Day of the Oprichnik is at once a richly imagined vision of the future and a razor-sharp diagnosis of a country in crisis.

    His internationally bestselling new novel, The Explosion Chronicles, follows the excessive expansion of a rural community from small village to megalopolis.With the Yi River on one side and the Balou Mountains on the other, the village of Explosion was founded more than a millennium ago by refugees fleeing a seismic volcanic eruption. But in the post-Mao era the name takes on a new significance as the community grows explosively from a small village to a vast metropolis. Behind this rapid expansion are members of the community’s three major families, including the four Kong brothers; Zhu Ying, the daughter of the former village chief; and Cheng Qing, who starts out as a secretary and goes on to become a powerful political and business figure. Linked together by a complex web of loyalty, betrayal, desire, and ambition, these figures are the driving force behind their hometown’s transformation into an urban superpower.Brimming with absurdity, intelligence, and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the polarizing dynamics of love and hate between families, as well as humankind’s resourcefulness through the vicissitudes of life.

    Béla has never had much luck. His mother abandoned him at birth to go to work in Budapest, leaving him in the care of the dubious ‘Old Rozi’, a former prostitute who now runs a foster home with equal parts hauteur and cruelty. Victimised and almost starved by his guardian, Béla must fight for everything, from scraps of the other boys' food to the right to go to school. At fourteen he is caught trying to steal a pair of shoes; his mother is called and she reluctantly takes him with her to Budapest.Once in the capital Béla manages to secure a position at a grand old hotel, and it is here that a more privileged lifestyle seems to extend a hand to him. Operating the lift, Béla encounters people from across Hungarian society and beyond, including the beautiful daughter of an American businessman and a passionate revolutionary. But his new lifestyle offers both pleasures and perils, and Béla must find a way to forge his own life from the divergent influences that surround him.A picaresque classic with a rich vein of bawdy humour, Temptation is an under-appreciated masterpiece of twentieth-century fiction. Rich, varied and endlessly entertaining, the novel creates a stunning panorama of Hungarian society through the travails of its singularly charming hero.

    I never perceived our life in New Zealand as exile and emigration as martyrdom, as it is the custom (and pretty much a patriotic obligation) in the Bulgarian cultural and literary tradition. Our life in Aotearoa was a challenge and a lifetime adventure, a love affair and a hilarious comedy (with just the tiny bit of drama) in a land, regarded by the rest of the world as the last Eden on Earth. This book is my humble attempt to tell the story of our hardship and joy, suffering and fun, the mundane and the extraordinary, the adventurous and the banal, that we faced during our six years in New Zealand. It is about the friends we found. The clichés we wrestled. The wonders we witnessed. The people we met. The lessons we learned. The country we reluctantly, but helplessly fell in love with. About Aotearoa - The Land Of The Long White Cloud. About New Zealand - at the end of the world.