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    Together they provide a complete painting programme.

    VIDEO TRAINING. 12+ HOURS of searchable video training (requires Internet access). If you learn better from videos, watch the videos and use the ebook only for quick reference. If you learn better from books, read the ebook and refer to the videos to see the author demonstrate real world editing techniques. This much video training usually costs over $100 or requires a monthly subscription. 2. 150+ PRESETS. Jump-start your creativity by using the included presets to give your pictures a unique look. Others charge over $200 for this many presets! 3. 50+ RAW PICTURE FILES. Work alongside many of the book's examples, or just learn by experimenting with professional photos. 4. TEACHER & PEER SUPPORT. After buying the book, you get access to the private group on Facebook where you can ask the questions and post pictures for feedback from Tony, Chelsea, and other readers. It’s like being able to raise your hand in class and ask a question! Instructions are in the introduction. With this video book, you ll learn how to instantly find any picture in your library, fix common photography problems, clean up your images, add pop to boring pictures, retouch portraits, make gorgeous prints, create photo books, and even edit your home videos. Tony goes beyond teaching you how to use Lightroom. Tony shows you why and when to use each feature to create stunning, natural photos. When Lightroom is not the best tool, Tony suggests better alternatives. Tony covers every aspect of Lightroom in-depth, but structures his teaching so that both beginner and advanced photographers can learn as efficiently as possible. If you just want a quick start, you can watch the first video or read the first chapter and you'll be organizing and editing your pictures in less than an hour. If you want to know more about a specific feature, switch to that video or jump to that chapter in the ebook. If you want to know everything about Lightroom, watch the videos and read the book from start to finish.

    

     Wes stretched me beyond what I thought possible. One second I was breathing a sigh of relief and the next moment I was gasping for air. It was all too much. The way our lives delicately balanced pleasure and pain was like walking a slippery slope. We had our sights set on turning professional poker player, Vance Cruz, into a superstar, but the media had other plans to distract us from our daily affairs. The walls around me were closing in. And fast. I wanted to run. Wes kept his grip firm, not letting me get too far. Despite his brute strength, they were after me, and they were after Wes. Just when I thought things couldn’t get any worse, the walls were breached. My nerves were raw and I was fatigued. I needed a break. A way out of the chaos surrounding my life. Sheila had her ideas of what I should do, and so did Julia Mabel. And when I flew home to Minnesota thinking that Wes and I were done for good, I learned something that might just save me from losing the love of my life forever. Mature audience only. 18+ This story is planned to unfold over several stories and Vol. 5 ends on a cliffhanger.

    Every day is a new hell for her, oscillating between torture and death, with a quickly dimming flicker of hope that one day she will find her way back home. But will she? What does home really mean to a fractured soul? In anguish, it appears the whole world delights in schadenfreude, while God lies in wait. In wait for what, no one knows. ***A provocative concoction of realism, mystery and myth in a dystopian tone. Throughout the reading, a sense of pain carries forward till the end and it endures. A disturbing impactful debut novel - The New Indian express Will leave a deep impact on the readers. The details and tone of the story are haunting. Incredible writing - The news up About the Author: Sujith Balakrishnan was born in Kerala, India. An engineer by profession, he lives in UAE. This is his Debut Novel. He can be contacted at - sujithwriter2018@gmail.com

    As a successful dietician, she started her own business, by traveling and doing home visits for patients instead of working for someone else. She always knew she was destined for greatness. The only area she struggles in is her love life. After taking a trip home to visit her parents, she runs into her high school sweetheart. It has been seven years since she’s seen him, but her feelings haven’t changed, and she discovers that immediately after seeing him. Chance Sylvester has accepted mediocrity in his love life, since he felt like he couldn’t have the woman he wants. As a successful accountant, he’s made the best of life and his career, feeling like he was on the brink of making partner. His mediocre love life comes to a screeching halt when he sees Amesha, after seven years, in the grocery store. He is determined to hold onto her this time, no matter what it takes. This chance encounter is only the beginning. Despite the rekindling, they are now adults and don’t know if they will be as compatible as they once were as kids. Can they turn a past, immature attraction into an undeniable love?

    The book gives readers a whole new set of subjects to see through her sophisticated, sardonic eyes. Sandra Bernhard is the author of Confessions of a Pretty Lady.

    This is Girl on the Net's true story - of falling in love and falling apart. From the honeymoon days of sex whenever and wherever, to the everyday issues that comes with a solid relationship. This is more than a memoir, this is a must-read for all of us who have ever wondered...can great sex and real love ever go hand in hand?

    *Includes Cagney's own quotes about his life and career. *Includes a bibliography for further reading. *Includes a table of contents. "You don't psych yourself up for these things, you do them...I'm acting for the audience, not for myself, and I do it as directly as I can." – James Cagney A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, one of the Top 10 was James Cagney, an actor whose acting and dancing talents spawned a stage and film career that spanned over 5 decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Indeed, his portrayal of “The Man Who Owns Broadway”, George M. Cohan, earned him an Academy Award in the musical Yankee Doodle Dandy, and as famed director Milos Forman once put it, "I think he's some kind of genius. His instinct, it's just unbelievable. I could just stay at home. One of the qualities of a brilliant actor is that things look better on the screen than the set. Jimmy has that quality." Ultimately, it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive Hollywood star, and they were the kind of roles he was literally born to play after growing up rough in Manhattan at the turn of the 20th century. In movies like The Public Enemy (which included the infamous “grapefruit scene”) and White Heat, Cagney convincingly played criminals that brought Warner to the forefront of Hollywood and the gangster genre. Cagney also helped pave the way for younger actors in the genre, like Humphrey Bogart, and he was so good that he found himself in danger of being typecast. While Cagney is no longer remembered as fondly or as well as Bogart, he was also crucial in helping establish the system in which actors worked as independent workers free from the constraints of studios. Refusing to be pushed around, Cagney was constantly involved in contract squabbles with Warner, and he often came out on top, bucking the conventional system that saw studios treat their stars as indentured servants who had to make several films a year. American Legends: The Life of James Cagney examines the life and career of one of Hollywood’s most iconic actors. Along with pictures of important people, places, and events, you will learn about Cagney like never before, in no time at all.

    Images from Ryden's acclaimed Japanese Snow Yak Show are reproduced in large 11" x 14" format, & include many detail images & drawings. Features all of the works, as well as photographs of the work on display.

    And of her Friends, male and female, and her acquaintances as well. But Merritt's favourite motif is herself: she poses almost every minute of the day for her camera, taking photographs of herself in bed, in the shower, having sex with her friend, masturbating with and without accessories, from every imaginable angle and with the camera usually at arm's length. Merritt, born 1977, works with a digital camera, the Polaroid of the 90s, breaking down the most intimate details into universally accessible bits of information. Eric Kroll came across Natacha Merritt by chance in the internet, where she had put several of her photographs. This was something that left the tradition of classical pin-up and fetish photography, in which Kroll himself works, far behind. Face to face with Merritt's photographs one can reflect on intimacy and publicity in the digital age, on narcissism even, or on radical self-exploration with the help of the camera. But this all sounds better as Natacha Merritt herself puts it: in her view, she has found a new mode of masturbating her way into the next millennium.

    Will trust tear these two apart or will it bond them forever? With Wicked being shot and the culprits still on the run he's at a standstill trying to figure out his next move. As he starts to heal from his gunshot wounds things with him & Mecca seem to get better. At least that’s what he thinks, until he’s exposed to the truth and is shocked to find out Mecca isn’t as innocent as she claims to be. Mecca has never been stable in life. She went from being controlled by men to branching out and finding her passion. Finding her voice gave her a newfound freedom but it also caused her to do some unsavory things. The love she has for Wicked is undeniable but the love she has for her freedom is just as undeniable. A couple nights of fun caused her to make some bad decisions. When things hit the fan she doesn’t know if she can come back from it. Classie’s past has caught up with her causing her to reveal her sordid past. Her secrets may have caused her and her friends their lives. It’s the survival of the fittest in Classie’s mind as she tries to find away back to the love of her life. Zay has a lot of issues he’s dealing with right now. Feeling less than a man because someone took his girl & he did nothing but stand there. The horrible memory plagues his mind daily as he wonders about Classie’s whereabouts. As an old face on the streets he doesn’t have the clout he use to have but he’s determine to get his girl back. These two couple’s go through the up’s, down’s to figure out is love enough. There will be some heartbreak, some fights, some forgiveness, and even death. But who will come out on top & in the end does love always win?

    55 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Beauty's Release. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Beauty's Release by Anne Rice.

    First published in 1970, the book seeks to explain the causes for the 13 May 1969 riots in Kuala Lumpur.Dr Mahathir sets out his view as to why the Malays are economically backward and why they feel they must insist upon immigrants becoming real Malaysians speaking in due course nothing but Malay, as do immigrants to America or Australia speak nothing but the language of what the author calls “the definitive people”. He argues that the Malays are the rightful owners of Malaya. He also argues that immigrants are guests until properly absorbed, and that they are not properly absorbed until they have abandoned the language and culture of their past.