His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    This volume brings us the last complete novel, portions of three others, four short stories, and an autobiographical essay.

    H recalls when he himself was sixteen—his godson’s age—as they search for the site of H’s life-altering friendship with a boy named Finn. Finn lives alone on an isolated slip of land and follows no rules: he spends his days swimming, fishing, and collecting driftwood for his tiny beach hut. H, on the other hand, is an upper-class boarding school boy stifled by monotony and endless rules. They meet by chance on the beach, and H is immediately awed by (and jealous of) Finn’s way of life. They strike up an unlikely friendship but the gap between their lives becomes difficult to bridge, and before long the idyll that nurtured their relationship is shattered by heart-wrenching scandal. Meg Rosoff was formerly a YA author, but her work transcends categorization and we are delighted to bring it to adult readers for the first time. What I Was is a timeless, enthralling story destined to become a classic.

    Although he is divorced and lonely, Matthew has a rich and moving relationship with his daughter Jane. She offers a fresh perspective on love, loss, and even the city of London.Matthew becomes entangled with an array of fascinating characters, from Rutter, a corrupt real estate developer whose mafia-like ways disgust him, to Sarah Bridges, a romantic ray of hope who enters his life. Mathew’s relationships with Jane, Sarah, and Rutter allow his mind to rove freely as the past, present, and future interweave and he strives to look ahead and forge new beginnings of his own..In Lively’s most ambitious novel, she has created a wonderfully rich and audacious confrontation with the mystery of London.

    He spent a brief period working for the Hong Kong and Shanghai Bank before abandoning finance for writing, earning a living by journalism and selling stories to magazines. An enormously popular and prolific writer, he produced about 100 books. In Jeeves, the ever resourceful "gentleman's personal gentleman", and the good-hearted young blunderer Bertie Wooster, he created two of the best known and best loved characters in twentieth century literature. Their exploits, first collected in Carry On, Jeeves, were chronicled in fourteen books, and have been repeatedly adapted for television, radio and the stage. Wodehouse also created many other comic figures, notably Lord Emsworth, the Hon. Galahad Threepwood, Psmith and the numerous members of the Drones Club. He was part-author and writer of fifteen straight plays and 250 lyrics for some 30 musical comedies. The... Name: P. G. Wodehouse Also Known As: Pelham Grenville Wodehouse (full name); P. Brooke-Haven, Pelham Grenville, J. Plum, C. P. West, J. Walker Williams, and Basil Windham Date of Birth: October 15, 1881 Place of Birth: Guildford, Surrey, England Date of Death: February 14, 1975 Place of Death: Southampton, New York Education: Dulwich College, 1894-1900 Biography Pelham Grenville Wodehouse was born in 1881 in Guildford, the son of a civil servant, and educated at Dulwich College. He spent a brief period working for the Hong Kong and Shanghai Bank before abandoning finance for writing, earning a living by journalism and selling stories to magazines. An enormously popular and prolific writer, he produced about 100 books. In Jeeves, the ever resourceful "gentleman's personal gentleman", and the good-hearted young blunderer Bertie Wooster, he created two of the best known and best loved characters in twentieth century literature. Their exploits, first collected in

    She has bittersweet memories of being a carefree child playing hide-and-seek at Danesborough, her family’s magnificent country estate. Decades later, the ancestral mansion has been restored to its former glory—and Chloe is shocked to discover that she is the sole heir.   Danesborough is not the sun-filled, evergreen place she remembers. The trees are bare and the house is shrouded in mist. But the enormous gold-and-black lacquered Chinese cabinet in the drawing room is exactly the same. Chloe’s childhood imagination created an entire story out of the intricate carvings on the cabinet: a flowing river filled with boats and fishermen and one frightening man she called Mr. Dark.   But now, as Chloe begins to uncover Mitchell Dane’s true motives for bequeathing her the centuries-old manse, she has a very real reason to be afraid: The truth about what’s hidden in the black cabinet will soon threaten her life.

    Wodehouse documented the lives of the inimitable Jeeves and Wooster for nearly sixty years, from their first appearance in 1915 ("Extricating Young Gussie") to his final completed novel (Aunts Aren't Gentlemen) in 1974. These two were the finest creations of a novelist widely proclaimed to be the finest comic English writer by critics and fans alike.Now, forty years later, Bertie and Jeeves return in a hilarious affair of mix-ups and mishaps. With the approval of the Wodehouse estate, acclaimed novelist Sebastian Faulks brings these two back to life for their legion of fans. Bertie, nursing a bit of heartbreak over the recent engagement of one Georgina Meadowes to someone not named Wooster, agrees to "help" his old friend Peregrine "Woody" Beeching, whose own romance is foundering. That this means an outing to Dorset, away from an impending visit from Aunt Agatha, is merely an extra benefit. Almost immediately, things go awry and the simple plan quickly becomes complicated. Jeeves ends up impersonating one Lord Etringham, while Bertie pretends to be Jeeves' manservant "Wilberforce,"—and this all happens under the same roof as the now affianced Ms. Meadowes. From there the plot becomes even more hilarious and convoluted, in a brilliantly conceived, seamlessly written comic work worthy of the master himself.A Kirkus Reviews Best Fiction Book of 2013

    Here, Lady Jane and the attractive, friendly Nicole rapidly make a niche for themselves until we feel it is indeed Kirkmeikle that is their "proper place."

    . . 'Yes. It's only - I'm very fond of Alfred, ' said Laura, taking the plunge and temporarily unaware that almost all wives begin conversations about almost all husbands in precisely the same way."Laura has been married for seven years. On those occasions when an after-dinner snooze behind The Times seems preferable to her riveting conversation about their two small sons, Laura dismisses the notion that Alfred does not understand her, reflecting instead that they are what is called happily married. At thirty-four, Laura wonders if she's ever been in love -- a ridiculous thing to ask oneself. Then Duke Ayland enters her life and that vexing question refuses to remain unanswered . . . With Laura, beset by perplexing decisions about the supper menu, the difficulties of appeasing Nurse, and the necessity of maintaining face within the small village of Quinnerton, E.M. Delafield created her first "Provincial Lady." And in the poignancy of Laura's doubts about her marriage, she presents a dilemma which many women will recognise.

    A comic novel set in England in 1838, about the adventures of a young country girl while in London to see the coronation of Queen Victoria.

    But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys: Gretchen is now a friend, and her quirky and charming daughter Margaret a sort of surrogate child. And Jean doesn't mean to fall in love with Gretchen's husband, Howard, but Howard surprises her with his dry wit, his intelligence and his kindness — and when she does fall, she falls hard.But he is married, and to her friend — who is also the subject of the story she is researching for the newspaper, a story that increasingly seems to be causing dark ripples across all their lives. And yet Jean cannot bring herself to discard the chance of finally having a taste of happiness...But there will be a price to pay, and it will be unbearable.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    In this compelling story of love, deception, obsession, and illusion, the arrival of two dangerous strangers in a small village in England in the early 1900s disrupts the quiet lives of a vicar with a fascination with spiritualism and his naïve young wife, and ultimately leads to murder. The Unseen is literary suspense at its most entertaining and enthralling, truly superior fiction not unlike the captivating tales of Kate Morton and Diane Setterfield.

    Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.