Once loved and cherished, the day Matthew left the strict evangelical community he grew up in, he lost his family too.Now, as he turns and walks away again, he receives a call from one of his team. A body has been found on the beach nearby: a man with a tattoo of an albatross on his neck, stabbed to death. The case calls Matthew back into the community he thought he had left behind, as deadly secrets hidden at its heart are revealed, and his past and present collide.An astonishing new novel told with compassion and searing insight, The Long Call will captivate fans of Vera and Shetland, as well as new readers.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    At the same time, a hot-air balloon crashes out of the sky. There’s just one survivor.She’s seen the killer’s face – but he’s also seen hers. And he won’t rest until he’s eliminated the only witness to his crime.Alone, scared, trusting no one, she’s running to where she feels safe – but it could be the most dangerous place of all . . .

    23 has a secret. In this bedsit-riddled south London wreck, lorded over by a lecherous landlord, something waits to be discovered. Yet all six residents have something to hide.Collette and Cher are on the run; Thomas is a reluctant loner; while a gorgeous Iranian asylum seeker and a 'quiet man' nobody sees try to stay hidden. And watching over them all is Vesta - or so she thinks. In the dead of night, a terrible accident pushes the neighbours into an uneasy alliance. But one of them is a killer, expertly hiding their pastime, all the while closing in on their next victim...As a cloying heatwave suffocates the city, events build to an electrifying climax in this dark, original and irresistibly compelling thriller.

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    . .

    Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep. His & Hers is a twisty, smart, psychological thriller. A gripping tale of suspense, told by expertly-drawn narrators that will keep readers guessing until the very end.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    As Dee looks back over her time in the Master's Lodging—an eerie and ancient house—a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why was Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family—and what it is to be denied one.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?