Virtually unknown to archaeologists until the early twentieth century, their true importance is only now being realized and shedding new light on how the Indian peoples of the Americas came to be here.

    To find the answer to their question, the Super Readers fly into the classic story Twas the Night Before Christmas?. While in the story, the Super Readers meet Santa and discover that he visits all the children because it makes both him and them happy.

    In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature.ContentsPrelude: Excerpt from The use of thought / Samuel Ramos Early influences:Major Aranda's hand / Alfonso Reyes My cousin Agueda, and In the wet shadows / Ramón López Velarde Excerpt from Pedro Páramo / Juan Rulfo L.A. nocturne : the angels / Xavier Villaurrutia Chicano/a voices I: How to tame a wild tongue / Gloria AnzaldúaIndia / Richard RodriguezMeditations on the South Valley: Poem IX / Jimmy Santiago Baca B. Traven is alive and well in Cuernavaca / Rudolfo Anaya Contemporary Mexican voices:Excerpt from The death of Artemio Cruz / Carlos Fuentes Introduction from Here's to you, Jesusa! / Elena Poniatowska The day of the dead, and I speak of the city / Octavio Paz Excerpt from The book of lamentations / Rosario Castellanos Chicano/a voices 2: Daddy with Chesterfields in a rolled up sleeve / Ana Castillo Never marry a Mexican / Sandra Cisneros Maria de Covina / Dagoberto Gilb Excerpt from Crossing over : a Mexican family on the migrant trail / Rubén Martínez New departures:Hagiography of the apostate / Ignacio PadillaAunt Leonor, and Aunt Natalia / Ángeles MastrettaIdentity hour or, What photos would you take of the endless city / Carlos Monsiváis Fish of fleeting skin / Coral Bracho

    

    They move into a historic New England house, which is secretly inhabited by a brood of small creatures. These creatures seem at first to be playful figments of his daughter's imagination, but quickly turn into a deadly threat. The book, co-written by Guillermo Del Toro and Christopher Golden, takes place a hundred years before the movie begins. It chronicles the travels and adventures of a young nature scientist who begins to understand there's more to the world than science understands.

    In this retelling of an Aztec myth, Lord of the Night sends Wind to free the four musicians that the Sun is holding prisoner so that they can bring joy to the world.

    This work recounts the adventurous life of his beloved 'Cello Prieto, ' tracing its history through each of its previous owners from Stradivari in 1720 to the author himself

    M. G. Le Clézio here conjures the consciousness of Mexico, powerfully evoking the dreams that made and unmade an ancient culture. Le Clézio’s haunting book takes us into the dream that was the religion of the Aztecs, a religion whose own apocalyptic visions anticipated the coming of the Spanish conquerors. Here the dream of the conquistadores rises before us, too, the glimmering idea of gold drawing Europe into the Mexican dream. Against the religion and thought of the Aztecs and the Tarascans and the Europeans in Mexico, Le Clézio also shows us those of the “barbarians” of the north, the nomadic Indians beyond the pale of the Aztec frontier.Finally, Le Clézio’s book is a dream of the present, a meditation on what in Amerindian civilizations—in their language, in their way of telling tales, of wanting to survive their own destruction—moved the poet, playwright, and actor Antonin Artaud and motivates Le Clézio in this book. His own deep identification with pre-Columbian cultures, whose faith told them the wheel of time would bring their gods and their beliefs back to them, finds fitting expression in this extraordinary book, which brings the dream around.“We are lucky to have in Le Clézio a writer of great quality who brings his particular sensibility and talent here to remind us of the very nature of the rituals and myths of the civilizations of ancient Mexico; he provides us with descriptions as precise as they are mysterious.”—Le Figaro

    Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.

    "Baca's evocation of this landscape," as City Paper noted, "its aridity and fertility, is nothing short of brilliant." The individual poems of Black Mesa are embedded both in the family and in the community life of the barrio, detailing births and deaths, neighbors and seasons, injustices and victories. Loosely interconnected, the poems trace a visionary biography of place.

    Although the ciguapas fear humans, Guapa, a bold and brave ciguapa, can't help but be curious--especially about a boy she sees on the nights when she goes on the land to hunt for food. When she gets too close to his family and is discovered, she learns that some humans are kind. Even though she escapes unharmed and promises never to get too close to a human again, Guapa still sneaks over to the boy's house some evenings, where she finds a warm pastelito in the pocket of his jacket on the clothesline.From the Hardcover Library Binding edition.

    "The rooster crows and away he goes", pictured on the jacket, is only one of these well-known nursery rhymes, counting-out games, skipping-rope songs, finger games, and other jingles beloved by American children for generations. They come from collections all over America, so you may find some that are new as well as your own favorites. "Mother, may I go out to swim", "Fuzzy Wuzzy was a bear", "Roses are red, violets are blue", all are here, each one charmingly illustrated to make this an outstanding picture book. An American Mother Goose for every child's library.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    The three little kittens may be a bit irresponsible, but they always manage to correct their mistakes in this favorite classic tale. The kittens' dramatic displays of regret, as well as their sincere efforts to get into their mother's good graces—and taste her scrumptious-looking pie!—will delight readers young and old.