All of them know they will still be struggling to fit their lives into the new flats years later but no one protests. No one talks about it even as they are slowly being pushed out of their homes. Not Cardboard Lady, an eighty-year-old woman who sells scraps for a living. Not young Alex, who is left homeless after a falling out with Cindy. Not Ah Tee, who has worked at the coffee-shop on the ground floor of Block 204 for much of his adult life, and whose reaction to the move affects his neighbours in different ways.For some, the tragedy that occurs during their last days in Block 204 is a reminder of old violence, aged wounds. For others, new opportunities transpire. If I Could Tell You is about silence, the keeping and breaking of it, and what comes after.

    My name is Robert, and I haven’t been dead for sixty-three days now.If he hadn’t bought those crummy towels, Rob would be six feet under. But his poor shopping sense accidentally set off a convoluted chain of events that meant he lived when all those others died in the pub explosion. Okay, maybe it wasn’t the ugly towels that saved his life. Perhaps it was some other random action, some other small movement that was the utterly trivial yet vitally important factor. And that’s the real problem.Now, with his wedding fast approaching, Rob suddenly finds himself paralyzed with indecision–about Every. Little. Thing. He just can't be sure which seemingly innocuous choice will mean the difference between life and death: Should he wash the fork or the knife first? Should he step out of the shower with his left leg or his right leg? Red sweater or blue? One thing is certain: His fiancée, Jo, is at her wits’ end.To save his relationship and his sanity, Rob embarks on a quest to find out why he’s still breathing. When he meets up with others who have had similar lifesaving near misses, he figures the answer must be close. But fate may just catch them yet, for Rob’s search to understand why he’s still alive might well turn out to be the very thing that kills them all.Filled with the barbed and sparkling dialogue that made Things My Girlfriend and I Have Argued About a cult hit, Mil Millington’s Love and Other Near-Death Experiences is a hilarious existential romantic comedy about second guesses and second chances.

    When Timothy Dunphy, native of working-class Pawtucket, Rhode Island, is packed off to a fancy prep school, he finds that the privileged elite is hardly immune to life's screwups. Dunphy must reconcile his pedigreed schoolmates with his mongrel friends back home--including Drugs Delaney, whose diet consists mainly of vitamin Qs (Quaaludes), and Bunny Cote, who thinks New England is a state.Not far below Dunphy's comic demeanor churn powerful fears of abandonment by those he loves best: his mother, his girlfriend, and his closest friend. And he must come to terms with his complex relationship with the person he hates most, his father. As he struggles to live with the paradox of somehow loving the same man he blames for his family's tragedies, Dunphy begins to understand and accept life's betrayals, and learns how to trust in love.

    Then his life and the city were destroyed. John's wife was murdered, and his search for the killer takes place amidst the storms of El Niño.

    And in the great glass tower of Eldorado TV they are getting ready to cut and edit a major series that will outshine "Brideshead" and "The Jewel in the Crown".

    Eleanor is a young woman living alone who has experienced something terrible. Whatever tragedy she has been through, the reader only sees snippets of its impact until the very end of the story. Most of the novel focuses on Eleanor spending time trying to come out of her shell, helped by the unlikely IT guy from her office and an old man they both help one strange day.Eleanor Oliphant is Completely Fine was one of the 2017 New York Times’ “Books to Breeze Through This Summer.” Its charm and character makes it a riveting read that pulls at the heartstrings. A movie based on the book is in development as of May 2017, proving the book’s popularity and success.A Brief Look Inside:EVERY GOOD BOOK CONTAINS A WORLD FAR DEEPER than the surface of its pages. The characters and their world come alive, and the characters and its world still live on. Conversation Starters is peppered with questions designed to bring us beneath the surface of the page and invite us into the world that lives on.These questions can be used to...Create Hours of Conversation:• Promote an atmosphere of discussion for groups• Foster a deeper understanding of the book• Assist in the study of the book, either individually or corporately• Explore unseen realms of the book as never seen beforeDisclaimer: This book you are about to enjoy is an independent resource meant to supplement the original book. If you have not yet read the original book, we encourage doing before purchasing this unofficial Conversation Starters.

    There is no mains water, no petrol and no news. Towns and cities are chaotic and dangerous. Who will survive the months ahead without electricity? But out in the country, Sandra is determined to keep going. Can she keep her family healthy through the long, wet winter? And can they all adapt to life without power?

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island’s inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing. Where else can a dead circus elephant, a long-dead Viking, the discovery of uranium, a raven-haired castaway who may be psychic, an anarchist turned politician, and refugees fleeing from the United States all be part of everyday life? Where else is eccentricity embraced with such open arms? In this new readers’ guide edition, complete with an afterword by Neil Peart, Lesley Choyce’s novel about resilience, independence, and anarchy comes alive, leading readers to discover once again that everything is nothing and nothing is everything.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

    As the summer shimmers endlessly on, ten-year-olds Grace and Tilly decide to take matters into their own hands.And as the cul-de-sac starts giving up its secrets, the amateur detectives will find much more than they imagined…

    It is curious that a reprint could be heroic. It is more curious that a book this good could go out of print so quickly. And it is most curious that an introduction would even be required for a novel that, if you examine it carefully in the right kind oflight, might actually be seen to be steaming. MOTORMAN is a central work, pulsing with mythology, created by a craftsman of language who was seemingly channeling the history of narrative when he wrote it. It is a book about the future that comes from the past, and we are caught in its amazing middle. To read MOTORMAN now is to encouter proof that a book can be both emotional and eccentric, smeared with humanity and artistically ambitious, messy with grief and dazzling with spectacle--Ben Marcus, from his introduction.

    But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    They are bonded by their loyalty to each other-and by their urgent desire to reconcile their own versions of the past. In what she means to be a rebellious act, Lily steals a car with her boyfriend and heads southwest to confront her mother. Mabel stays behind, hoping to commune somehow with her father's ghost...in a textured, eccentric, and redemptive tale as spare and compelling as the Nebraska landscape.