When you give him the sprinkles, he might spill some on the floor. Cleaning up will make him hot, so you'll give him a bathing suit . . .Written in the tradition of the bestselling If You Give a Mouse a Cookie, Laura Numeroff and Felicia Bond's If You Give a Cat a Cupcake will show everyone that Cat is where it's at! The If You Give... series is a perennial favorite among children. With its spare, rhythmic text and circular tale, these books are perfect for beginning readers and story time. Sure to inspire giggles and requests to "read it again!"Other favorites in Laura Numeroff and Felicia Bond's bestselling series include:If You Give a Dog a DonutIf You Give a Moose a MuffinIf You Give a Mouse a CookieIf You Give a Pig a PancakeIf You Give a Pig a Party

    "Get off!" said the rat. But the fat cat just sat. Will the rat get the fat cat off the mat? Enjoy reading this silly story aloud for maximum effect!Find out if rat can get cat off the mat in this funny, phonetic Level One I Can Read that's perfect for kids learning to sound out words and sentences. With repeating sounds and words, beginning readers will grow their reading confidence as they laugh about the cat and the rat and their sibling-style squabble.

    Kitty is not happy when she's told that her favorite foods are all gone and all that's left are Asparagus, Beets, Cauliflower, Dill...and 22 other equally unappealing vegetables. So she: Ate my homework, Bit grandma, Clawed the curtains, Damaged the dishes, and so on, through Z. Only when tastier things arrive (An Assortment of Anchovies, Buffalo Burritos, Chicken Cheesecake...) does she Apologize to Grandma.Now, Roaring Brook is proud to introduce a new edition so deliciously funny, someone's already taken a bite out of it. With two die-cut ñbitesî on its side, special endpapers, and a brand new piece of artwork within, this eye-catching novelty edition of a proven best-seller is sure to be . . . devoured!

    Their favorite activities are eating, sleeping, and digging holes. Here, in the words of one unusually articulate wombat, is the tongue-in-cheek account of a busy week; eating, sleeping, digging holes . . . and training its new neighbors, a family of humans, to produce treats on demand. This entertaining book, with its brief, humorous text and hilarious illustrations, will endear the wombat to young children, who may recognize in the determined furry creature some qualities that they share.

    Full color.

    But he'd never thought much about it until the day he lost life number one in a flower garden on Nantucket. He'd spent lazy days wandering all over the island, not calling any one place home. Now he knows it is time to settle down. But Comet's lives begin to disappear all too quickly, as he gets into one humorous predicament after another. Then comes the day of the big hurricane.... Beautiful island scenes--sandy beaches, hillside flower gardens, seaside trails, villages, and the sea itself are set within exquisite shell borders. Once again Jan Brett brings her originality and charm to a familiar setting as she inhabits her Nantucket with colorful canine residents, among them a shaggy sheepdog captain who travels through the story and into the borders looking for a friend to live with him and his lighthouse cat.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    When Pokko takes the drum deep into the forest it is so quiet, so very quiet that Pokko decides to play. And before she knows it she is joined by a band of animals —first the raccoon, then the rabbit, then the wolf—and soon the entire forest is following her. Will Pokko hear her father’s voice when he calls her home? Pokko and the Drum is a story about art, persistence, and a family of frogs living in a mushroom.

    He loved stories.He loved books.But every story has its upsets.Everything in Morris Lessmore’s life, including his own story, is scattered to the winds.     But the power of story will save the day.

    When a T-Mex threatens the pack, it's El Skippito, the great sword fighter, to the rescue. With yips and yowls, he drives the big baddie away, so all the dino-dudes can rattle their bones another day. This fourth entry in a series that "Kirkus Reviews" called ?ay caramba, mucho fun, ? will win even more fans for the Siamese cat with oversize ears and an imagination to match.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    Uses rabbits, a species introduced to Australia, to represent an allegory of the arrival of Europeans in Australia and the widespread environmental destruction caused by man throughout the continent.

    When he is left alone for the afternoon, Tickle must learn that sometimes being to curious can get you into trouble.

    At first, things seem marvelous. The food is better than at home, and the toy box is filled with fluttering wind-up angels and dinosaur skulls that crawl and rattle their teeth.But there's another mother there and another father, and they want her to stay and be their little girl. They want to change her and never let her go. Coraline will have to fight with all her wit and all the tools she can find if she is to save herself and return to her ordinary life.This beloved tale has now become a visual feast. Acclaimed artist P. Craig Russell brings Neil Gaiman's enchanting nationally bestselling children's book Coraline to new life in this gorgeously illustrated graphic novel adaptation