The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done. Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.

    Generations of fans have longed to plumb that first romance, hinted at so captivatingly on the pages of "Little Women," Alcott's autobiographical classic. Now, after nearly one hundred fifty years spent among archived family documents, Louisa May Alcott's debut novel finally reaches its eager public. Set in an English country manor, the story follows the turbulent fortunes of Edith Adelon, an impoverished Italian orphan whose loyalty and beauty win her the patronage of wealthy friends until a jealous rival contrives to rob her of her position. In the locket around her neck, she carries a deep secret about her natural birthright. But an even greater truth lies hidden in Edith's heart - her deep reverence for the kind and noble Lord Percy, the only friend who can save her from the deceitful, envious machinations of Lady Ida. Reminiscent of Jane Austen in its charms, this chaste but stirringly passionate novel affirms the conquering power of both love and courtesy.Written by Louisa in 1849, when she was only 17, this book demonstrates virtue and values in a beautiful way.

    Summer 1763.Anne Jaccob is coming of age, the daughter of a wealthy merchant. When she is taken advantage of by her tutor — a great friend of her father’s — and is set up to marry a squeamish snob named Simeon Onions, she begins to realize just how powerless she is in Georgian society. Anne is watchful, cunning, and bored.Her saviour appears in the form of Fub, the butcher’s boy. Their romance is both a great spur and an excitement. Anne knows she is doomed to a loveless marriage to Onions and she is determined to escape with Fub and be his mistress. But will Fub ultimately be her salvation or damnation? And how far will she go to get what she wants?Dark and sweeping, The Butcher’s Hook is a richly textured debut featuring one of the most memorable characters in fiction.

    Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne— for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from the war determined to save their once grand home from ruin. But the arrival of beautiful wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal.   Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson - a piano prodigy – propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    Norris of Jane Austen's Mansfield Park, does not at the age of twelve seem destined for a career of infamy. However, treated with utter contempt by all except her mother, who is near death, she is sent to her uncle's estate in Portsmouth, where she must do her best to fit in with her troublesome male cousins and their sickly sisters. Nevertheless, Hatty has not seen the last of her frightful family. Indeed, events contrive to bring back into her life the haughty Lady Ursula, a friend of her mother's, and Hatty's main source of grief at home. But why should this forbidding woman be traveling so far to attend the funeral of a distant cousin? Rumors run riot and, in an unexpected twist of fortune, Hatty soon finds herself in competition with Lady Ursula for the attentions of a certain lord....

     A sweeping family saga, from the grand homes of Yorkshire and London in the Edwardian era, to the heartbreak of a French nursing station during World War I, and the glamour of American high society in the 1920s. Lally Leeds is just a baby when wealthy Black Jack Pollock finds her abandoned in a Yorkshire street and decides to raise her alongside his own children. As Lally blossoms into a young woman, the love and loyalty she feels towards her adoptive family bring her both happiness and heartache. Over time, it is Lally’s strength and devotion which hold the Pollock family together: her dashing brother, Jon; her selfish and self-destructive sister Margaret; and fragile Alice, who must been protected from herself. And the family’s fortunes become entwined with those of another foundling ‒ the mysterious, self-made businessman Brock Weymouth. Lally discovers to her cost that sometimes the most difficult promises to keep are to those we love. The latest historical blockbuster from the bestselling author of The Property of a Gentleman and The Summer of the Spanish Woman. An enjoyable page-turner that you won’t be able to put down. Perfect for fans of Barbara Taylor Bradford, Danielle Steel and Downton Abbey.

    To her overbearing family in London, it is a disturbing and inexplicable act of defiance. But Lolly will not be swayed, and in the depths of the English countryside she gradually discovers not only freedom and independence, but also, unexpectedly, her true vocation.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Bates wrote after the second world war, and it was his own favourite among his Northamptonshire novels. The Northants setting becomes the background both ugly and beautiful for the story of a young girl, the daughter of a decaying aristocratic household, and her lovers, of which the most important is the narrator himself.Published in 1952, it is essentially an autobiographical novel, and, though much of his fiction reflects his own life and background, this probably contains more than in any other piece of fiction – That may explain why it is such a satisfying book. Bates spent a brief time as a reporter on the Northamptonshire Chronicle, and there are other echoes of the author’s personal experiences here in the character of the narrator, Richardson. Lydia, it seems, is based on, or was inspired by, a young lady he once glimpsed on Rushden railway station – "a tallish, dark, proud, aloof young girl in a black cloak lined with scarlet". Lydia in the story is the sheltered and selfish Aspen daughter, and the novel chronicles her affairs with Richardson and two of the other young men. It has been described as a novel of "a young man's struggle to understand and resolve himself to a formidable world of change and uncertainty”, and the novel ends in his committing himself to Lydia in a much more mature and lasting way than he could have done at the beginning of the story. The novel was serialised on television in 1976.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    Blandings has impostors like other houses have mice. Now there are two of them – both intent on a dangerous enterprise. Lord Emsworth’s secretary, the efficient Baxter, is on the alert and determined to discover what is afoot – despite the distractions caused by the Honorable Freddie Threepwood’s hapless affair of the heart.

    His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.From the author of Lord of the Flies, The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.

    Is the child really his? And does he want him?