Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Fearing dismissal, Maisie is shocked when she discovers that her thirst for education is to be supported by Lady Rowan and a family friend, Dr. Maurice Blanche. But The Great War intervenes in Maisie’s plans, and soon after commencement of her studies at Girton College, Cambridge, Maisie enlists for nursing service overseas.Years later, in 1929, having apprenticed to the renowned Maurice Blanche, a man revered for his work with Scotland Yard, Maisie sets up her own business. Her first assignment, a seemingly tedious inquiry involving a case of suspected infidelity, takes her not only on the trail of a killer, but back to the war she had tried so hard to forget.

    Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of the gaol's rutheless governor and his cronies.The trouble is, Tom Hawkins has never been good at following rules - even simple ones. And the recent grisly murder of a debtor, Captain Roberts, has brought further terror to the gaol. While the Captain's beautiful widow cries for justice, the finger of suspicion points only one way: to the sly, enigmatic figure of Samuel Fleet.Some call Fleet a devil, a man to avoid at all costs. But Tom Hawkins is sharing his cell. Soon, Tom's choice is clear: get to the truth of the murder - or be the next to die.A twisting mystery, a dazzling evocation of early 18th Century London, The Devil in the Marshalsea is a thrilling debut novel full of intrigue and suspense.

    As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie’s girls-on-the-side at his funeral: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they’re in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company.Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball introduces a sparkling new voice in crime fiction.

    But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    Besides his practice, Bartholomew is teacher of Medicine at Michaelhouse, part of the fledgling University of Cambridge. In 1348, the inhabitants of Cambridge live under the shadow of a terrible pestilence that has ravaged Europe and is travelling relentlessly eastward towards England. Bartholomew, however, is distracted by the sudden and inexplicable death of the Master of Michaelhouse - a death the University authorities do not want investigated. When three more scholars die in mysterious circumstances, Bartholomew defies the University and begins his own enquiry. His pursuit for the truth leads him into a complex tangle of lies and intrigue that causes him to question the innocence of his closest friends, and even his family. And then the Black Death finally arrives and Bartholomew is dragged deeper and deeper into a quagmire which threatens not only his life, but the continued existence of the University and the future of the town.

    But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    Devastated, Will Rees left his son, David, in his sister's care, fled his Maine farm, and struck out for a tough but emotionally empty life as a traveling weaver. Now, upon returning unexpectedly to his farm, Rees discovers that David has been treated like a serf for years and finally ran away to join a secluded religious sect--the Shakers.Overwhelmed by guilt and hoping to reconcile with his son, Rees immediately follows David to the Shaker community. But when a young Shaker woman is brutally murdered shortly after Rees's arrival, Rees finds himself launched into a complicated investigation where the bodies keep multiplying, a tangled web of family connections casts suspicion on everyone, and the beautiful woman on the edge of the Shaker community might be hiding troubling ties to the victims. It quickly becomes clear that in solving Sister Chastity's murder, Rees may well expose some of the Shaker community's darkest secrets, not to mention endanger his own life.An atmospheric portrait of a compelling time in American history, A Simple Murder is an outstanding debut from Eleanor Kuhns, Minotaur Books/Mystery Writers of America's 2011 First Crime Novel Competition Winner.

    Annie’s husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also has a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco’s most exclusive clairvoyants, and one of Madam Sibyl’s clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered and that his assets have been stolen. Nate Dawson has a problem. As the Voss family lawyer, he would love to believe that Matthew Voss didn't leave his grieving family destitute. But that would mean working with Annie Fuller, a woman who alternatively attracts and infuriates him as she shatters every notion he ever had of proper ladylike behavior. Sparks fly as Anne and Nate pursue the truth about the murder of Matthew Voss in this light-hearted, cozy historical mystery set in the foggy gas-lit world of Victorian San Francisco. Maids of Misfortune is the first book in M. Louisa Locke’s historical mystery series, see also, Uneasy Spirits, and Bloody Lessons, as well as the two short stories based on the characters from the novels, Dandy Detects, and The Misses Moffet Mend a Marriage.

    A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man's maid swears she heard three musicians playing before the murder.But with no way in or out of the locked practice room, the puzzle makes no sense...Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss - Detective 'Nine-Nails' McGray - actually believes in such nonsense.McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next...

    Still reeling from the tragedy, Ziele transferred to a police department north of New York, to escape the city and all the memories it conjured.But only a few months into his new life in a quiet country town, he’s faced with the most shocking homicide of his career to date: Young Sarah Wingate has been brutally murdered in her own bedroom in the middle of an otherwise calm and quiet winter afternoon. After just one day of investigation, Simon’s contacted by Columbia University’s noted criminologist Alistair Sinclair, who offers a startling claim about one of his patients, Michael Fromley—that the facts of the murder bear an uncanny resemblance to Fromley’s deranged mutterings.But what would have led Fromley, with his history of violent behavior and brutal fantasies, to seek out Sarah, a notable mathematics student and a proper young lady who has little in common with his previous targets? Is Fromley really a murderer, or is someone mimicking him?This is what Simon Ziele must find out, with the help of the brilliant but self-interested Alistair Sinclair—before the killer strikes again.With this taut, atmospheric, and original story of a haunted man who must search for a killer while on the run from his own demons, Stefanie Pintoff’s In the Shadow of Gotham marks the debut of an outstanding new talent, the inaugural winner of the Minotaur Books/Mystery Writers of America Best First Crime Novel Competition.

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.