He has left the sword behind him to become a healer in the greatest sanctuary in Greece, turning his back on war.But war has followed him to his refuge at Epidauros, and now a battle to end the freedom of Greece is all around him. The Mediterranean superpowers of Rome, Egypt and Macedon are waging their proxy wars on Hellenic soil, turning Greek farmers into slaves and mercenaries.When wounded soldier Philopoemen is carried into his temple, Alexanor believes the man's wounds are mortal but that he is not destined to die. Because he knows Philopoemen will become Greece's champion. Its last hero. The new Achilles.In Christian Cameron's latest historical novel the old orders of the world begin to fall apart as Rome rises to supremacy - and Greece struggles to survive.

    But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings . . . and these are their stories. A young princess and an embittered prince join forces to prevent a fatal elopement. A tormented seeress challenges the gods themselves to save her city from the impending disaster. A tragedy-haunted king battles private demons and envious rivals as the siege grinds on. A captured slave girl seizes the reins of her future as two mighty heroes meet in an epic duel. A grizzled archer and a desperate Amazon risk their lives to avenge their dead. A trickster conceives the greatest trick of all. A goddess' son battles to save the spirit of Troy even as the walls are breached in fire and blood. Seven authors bring to life the epic tale of the Trojan War: its heroes, its villains, its survivors, its dead. Who will lie forgotten in the embers, and who will rise to shape the bloody dawn of a new age?

    When the god of love falls in love himself, things are bound to get interesting. And when he crosses his mama, Venus, in the process . . . Well, things could get downright messy.The much-lauded author of Pharaoh's Daughter and When Dad Killed Mom brings his renowned storytelling skills to one of the world's most famous tales. In doing so he weaves a romantic, hilarious drama brought to life with a bold new voice that's loaded with sly wisdom. Julius Lester's retelling is sure to draw new readers to classic mythology while satisfying old fans as well.

    Yes, the twelve gods of Olympus are alive and well in the twenty-first century, but they are crammed together in a London townhouse--and none too happy about it. And they've had to get day jobs: Artemis as a dog-walker, Apollo as a TV psychic, Aphrodite as a phone sex operator, Dionysus as a DJ.Even more disturbingly, their powers are waning, and even turning mortals into trees--a favorite pastime of Apollo's--is sapping their vital reserves of strength.Soon, what begins as a minor squabble between Aphrodite and Apollo escalates into an epic battle of wills. Two perplexed humans, Alice and Neil, who are caught in the crossfire, must fear not only for their own lives, but for the survival of humankind. Nothing less than a true act of heroism is needed-but can these two decidedly ordinary people replicate the feats of the mythical heroes and save the world?

    With a star cast including Kenneth Cranham, Eleanor Bron, Brian Cox, Ian MacDiarmid, Anna Chancellor, Hugh Bonneville, and Lindsay Duncan, these enthralling dramatizations perfectly capture the atmosphere of le Carré's taut, thrilling spy novels. Call for the Dead is the first Smiley novel, which sees him looking into an apparent suicide only to uncover a murderous conspiracy; A Murder of Quality finds Smiley investigating a murder in a private school; The Spy Who Came in from the Cold introduces Alec Leamas, a British intelligence officer whose East Berlin network is in tatters; The Looking Glass War features former spy Fred Leiser, lured back from retirement to investigate a claim that Soviet missiles are being installed close to the West German border; Tinker Tailor Soldier Spy is the first book in the Karla trilogy, and sees Smiley searching for a mole who has infiltrated the Circus; The Honourable Schoolboy sees Smiley determined to destroy his nemesis, Karla, and his spy networks; Smiley's People finds George Smiley called out of retirement to exorcize some Cold War ghosts from his clandestine past; The Secret Pilgrim sees Smiley invited to dine with the eager new recruits at the Circus. He offers them his thoughts on espionage and, in doing so, prompts a former colleague to re-examine his own eventful secret life. Duration: 20 hours approx

    Women must rely on their inner strength and cunning to survive the wars men wage for gold and glory.Clytemnestra of Mycenae struggles for control of her life after Agamemnon ruthlessly rips it apart. Leda of Sparta survives a brutal assault by Zeus, shouldering a terrible secret in silence. Penelope raises Ithaka’s sole heir alone, praying for Odysseus’ swift return. Thetis, the sea nymph, despairs of her son’s destiny and resorts to forbidden magic to save him. Hecuba of Troy mourns the loss of her second son to a dark prophesy. And Shavash of Pedasus prepares her daughter to marry the greatest warrior who ever lived.In a world where love leads to war and duty leads to destruction, the iron hearts of heroines will conquer all.Sing, Muse, sing their song of sacrifice...Replaces Song of Princes as the first book in the Homeric Chronicles.

    Rochester himself."Reader, she married me."For one hundred seventy years, Edward Fairfax Rochester has stood as one of literature's most romantic, most complex, and most mysterious heroes. Sometimes haughty, sometimes tender-professing his love for Jane Eyre in one breath and denying it in the next-Mr. Rochester has for generations mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontë's masterpiece. But his own story has never been told.Now, out of Sarah Shoemaker's rich and vibrant imagination, springs Edward: a vulnerable, brilliant, complicated man whom we first meet as a motherless, lonely little boy roaming the corridors and stable yards of Thornfield Hall. On the morning of Edward's eighth birthday, his father issues a decree: He is to be sent away to get an education, exiled from Thornfield and all he ever loved. As the determined young Edward begins his journey across England, making friends and enemies along the way, a series of eccentric mentors teach him more than he might have wished about the ways of the men-and women-who will someday be his peers.But much as he longs to be accepted-and to return to the home where he was born-his father has made clear that Thornfield is reserved for his older brother, Rowland, and that Edward's inheritance lies instead on the warm, languid shores of faraway Jamaica. That island, however, holds secrets of its own, and not long after his arrival, Edward finds himself entangled in morally dubious business dealings and a passionate, whirlwind love affair with the town's ravishing heiress, Antoinetta Bertha Mason.Eventually, after a devastating betrayal, Edward must return to England with his increasingly unstable wife to take over as master of Thornfield. And it is there, on a twilight ride, that he meets the stubborn, plain, young governess who will teach him how to love again.It is impossible not to watch enthralled as this tender-hearted child grows into the tormented hero Brontë immortalized-and as Jane surprises them both by stealing his heart. Mr. Rochester is a great, sweeping, classic coming-of-age story, and a stirring tale of adventure, romance, and deceit. Faithful in every particular to Brontë's original yet full of unexpected twists and riveting behind-the-scenes drama, this novel will completely, deliciously, and forever change how we read and remember Jane Eyre.

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times.This exciting curated anthology features a cross section of the most popular--and most widely taught--plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning.This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as "Greek Drama and Politics," "The Theater of Dionysus," and "Plato and Aristotle on Tragedy" give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day.With a veritable who's who of today's most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come.Praise for The Greek Plays"Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists--the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays--all enlightened me. This seems to me a helpful light into our gathering darkness."--Harold Bloom

    Guts. Pride. Wrath. The ancient clash of armies outside the walls of Troy is a cornerstone of Western literature. In The Rage of Achilles, Terence Hawkins brilliantly reimagines that titanic encounter. His stunningly original telling captures the brutality of the battlefield, the glory and the gore, in language that never relents. Raw and compelling, The Rage of Achilles tells the story of Achilles, a monstrous hero, by turns vain and selfish, cruel and noble; of Paris, weak and consumed by lust for his stolen bride; of Agamemnon, driven nearly to insanity by the voices of the gods; and of Trojans and Achaeans, warriors and peasants, caught up in the conflict, their families torn apart by a decade-long war. The Rage of Achilles is an exhilarating story that has captured the imaginations of readers for thousands of years restored to immediacy.

    But when a charmed, beautiful boy called Perseus arrives on the island, her lonely existence is disrupted with the force of a supernova, unleashing desire, love, betrayal . and destiny itself.Filled with glorious full-colour illustrations by award-winning Olivia Lomenech Gill, this astonishing retelling of Greek myth is perfect for readers of Circe and The Silence of the Girls. Illuminating the girl behind the legend, it brings alive Medusa for a new generation.

    Oxford lecturer Diana Morgan is an expert on Greek mythology. Her obsession with the Amazons started in childhood when her eccentric grandmother claimed to be one herself—before vanishing without a trace. Diana’s colleagues shake their heads at her Amazon fixation. But then a mysterious, well-financed foundation makes Diana an offer she cannot refuse. Traveling to North Africa, Diana teams up with Nick Barran, an enigmatic Middle Eastern guide, and begins deciphering an unusual inscription on the wall of a recently unearthed temple. There she discovers the name of the first Amazon queen, Myrina, who crossed the Mediterranean in a heroic attempt to liberate her kidnapped sisters from Greek pirates, only to become embroiled in the most famous conflict of the ancient world—the Trojan War. Taking their cue from the inscription, Diana and Nick set out to find the fabled treasure that Myrina and her Amazon sisters salvaged from the embattled city of Troy so long ago. Diana doesn’t know the nature of the treasure, but she does know that someone is shadowing her, and that Nick has a sinister agenda of his own. With danger lurking at every turn, and unsure of whom to trust, Diana finds herself on a daring and dangerous quest for truth that will forever change her world. Sweeping from England to North Africa to Greece and the ruins of ancient Troy, and navigating between present and past, The Lost Sisterhood is a breathtaking, passionate adventure of two women on parallel journeys, separated by time, who must fight to keep the lives and legacy of the Amazons from being lost forever.

    The story tells of Gilgamesh’s adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind’s eternal struggle with the fear of death.The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian.

    Inspired by the Prometheus Bound of Aeschylus, Shelley's play serves as a sort of sequel, matching its Greek predecessor in stature and pure poetic power. It depicts its philanthropist hero's ultimate triumph over the superstition and bigotry of the gods. As Shelley himself stated in his Defence of Poetry, Prometheus Unbound awakens and enlarges the mind.