Now, combined into a single convenient volume, the New, Expanded Edition of "The Romance of Arthur" covers nearly a thousand years of translated texts in a broad range of genres, from the early chronicles and Welsh verse through Sir Thomas Malory. A new section on lyrics has been added. The translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian were freshly done for the original anthologies and have now been updated. As before, complete text are presented whenever possible.

    The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.Alternate cover for this edition.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Excalibur? A shady deal with a watery arms dealer. Britain? A clogged sewer that Rome abandoned just as soon as it could.A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    Having come of age in a time of political turmoil and danger, the man who would become Henry VII spent fourteen years in exile in Brittany before returning triumphantly to the Dorset coast with a small army and decisively winning the Battle of Bosworth Field--ending the War of the Roses once and for all and launching the infamous Tudor dynasty.As Henry's claim to the throne was tenuous, his marriage to Elizabeth of York, daughter and direct heir of King Edward IV, not only served to unify the warring houses, it also helped Henry secure the throne for himself and for generations to come. And though their union was born from political necessity, it became a wonderful love story that led to seven children and twenty happy years together.Sweeping and dramatic, To Hold the Crown brings readers inside the genesis of the great Tudor empire: through Henry and Elizabeth's troubled ascensions to the throne, their marriage and rule, the heartbreak caused by the death of their son Arthur, and, ultimately, to the crowning of their younger son, King Henry VIII."Plaidy excels at blending history with romance and drama." --New York Times

    The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!Written in 1889, Mark 'A Connecticut Yankee in King Arthur's Court' is one of literature's first genre mash-ups and one of the first works to feature time travel. It is one of the best known Twain stories, and also one of his most unique. Twain uses the work to launch a social commentary on contemporary society, a thinly veiled critique of the contemporary times despite the Old World setting.While the dark pessimism that would fully blossom in Twain's later works can be discerned in 'A Connecticut Yankee in King Arthur's Court, ' the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling.

    I have fought with sword and bow, and struggled fiercely to bear my babes into this world. I have loved deeply and hated deeply, too. Lady Gruadh, called Rue, is the last female descendent of Scotland’s most royal line. Married to a powerful northern lord, she is widowed while still carrying his child and forced to marry her husband’s murderer: a rising war-lord named Macbeth. Encountering danger from Vikings, Saxons, and treacherous Scottish lords, Rue begins to respect the man she once despised–and then realizes that Macbeth’s complex ambitions extend beyond the borders of the vast northern region. Among the powerful warlords and their steel-games, only Macbeth can unite Scotland–and his wife’s royal blood is the key to his ultimate success.  Determined to protect her small son and a proud legacy of warrior kings and strong women, Rue invokes the ancient wisdom and secret practices of her female ancestors as she strives to hold her own in a warrior society. Finally, side by side as the last Celtic king and queen of Scotland, she and Macbeth must face the gathering storm brought on by their combined destiny.From towering crags to misted moors and formidable fortresses, Lady Macbeth transports readers to the heart of eleventh-century Scotland, painting a bold, vivid portrait of a woman much maligned by history. From the Hardcover edition.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    Thomas Berger has previously written "Little Big Man", "Killing Time" and "Changing the Past".

    He was magnificent, and I will never forget that, in that moment, I first loved him. And I believe--had I known what the future held for us: all the trouble, torment, battle, and grief of our lives--I still believe that I would have yielded my heart into his keeping as I did then . . .In a sweeping epic of the imagination, Alice Borchardt enters the wondrous realm of Arthurian legend and makes it her own. The Dragon Queen is the first volume in a trilogy of novels that boldly re-imagines Camelot--and casts Guinevere as a shrewd, strong-willed, magical warrior queen.Born into a world of terrible strife, where war is constant and weapons are never far from the hands of men or women, Guinevere, daughter of a mighty pagan queen, is a threat to her people and a prize to the dreaded sorcerer Merlin. Sent into hiding, she grows up under the protection of a shapeshifting man-wolf and an ornery Druid. But even on the remote coast of Scotland, where dragons feed and watch over her, she is not safe from the all-seeing High Druid Merlin. He knows the young beauty's destiny, and he will stop at nothing to prevent what has been foretold. For if Guinevere becomes Queen and Arthur, King, they will bring a peace to the land that will leave the power-hungry Merlin a shriveled magician in a weary cloak.Yet Guinevere possesses power of her own--dazzling power to rival even that of Merlin. Summoned from her home by forces she cannot fathom, she travels from the Underworld to an Otherworld of the Past, at each step calling on ancient powers to aid her way. When young Guinevere proves her mettle to an embarrassed Merlin, even her faithful dragon protectors cannot prevent the evil that the sorcerer rains down. Seeking revenge, Merlin banishes Arthur to a world from which the only escape is death. Now Guinevere must face Merlin's wrath without him--and prove that she is worthy of being Arthur's Queen.From the glass-roofed Great Hall at Tintigal to the lush garden forts of Wales, Alice Borchardt details the travels of Guinevere in a rich fabric of prose. The Dragon Queen is a novel of great emotional depth, timeless romance, and soul-stirring adventure.

    In a moment of desperate need, he draws a legendary sword from its stonebed and commences the life he was born to lead. A series of adventures sparked by the elusive wizard Merlin launches Arthur through love and betrayal, domination and defeat, and toward the prophesied end awaiting him. Merging a faithful retelling with dynamic illustrations, EXCALIBUR invites long-time fans to relive the legend and those new to the story to experience it up close in a vivid graphic adventure.

    When Alais arrives in the land of her father’s enemies, she is welcomed by the beautiful and powerful queen, Eleanor of Aquitaine. Eleanor, the richest and most influential woman in Europe, sees a kindred soul in the young French princess. Intrigued by the girl’s strength and fire, Eleanor adopts Alais as her protégée, teaching the girl what it takes to be a woman of power in a world of men. But Eleanor and Alais’ love for each other is threatened when the capricious and imperious King Henry meets the lovely young princess. Fascination with the king draws Alais deep into political intrigue, and she soon discovers what Eleanor is prepared to do to retain her position as queen. Alais, the one-time pawn, takes ruthless action of her own, as the two women become rivals both for the king’s love and the throne of England itself.

    Outcasts from society, the X-MEN are genetic mutants, born with superhuman powers, who harness their special abilities for the greater good. But the human race they fight to protect rejects and fears--even hates--them. Not all mutants seek to protect mankind. One terrorist group--led by the supremely powerful Magneto--seeks to strike first. Battling against prejudice and agents of intolerance, the X-MEN must establish a peaceful coexistence between mutant and mankind or they will surely perish . . .

    Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage. Witty, moving, and brilliantly entertaining, Cora's story marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James.