The revision covers all the poems published in Princeton's earlier bilingual edition, "George Seferis: Collected Poems" (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-71) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised."Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    Join the wild goose chase with Sherlock Holmes in the adventure of the blue carbuncle. Graphic Planet is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.

    They cover a period of more than 30 years, and were originally published in French periodicals and in Russia. Zola's racy tone is faithfully rendered by Parmee whose translations have been highly acclaimed.

    During World War II, the Jewish orphanage he directed was relocated to the Warsaw ghetto. Although Korczak's celebrity afforded him many chances to escape, he refused to abandon the children. He was killed at Treblinka along with the children.King Matt the First, one of Korczak's most beloved tales, is the story of a boy who becomes king and sets out to reform his kingdom. He decrees that all children are to be given a piece of chocolate at the end of each day. He visits faraway lands and befriends cannibal kings. Whenever his ministers tell him something's impossible, he puts them in jail. He disguises himself as a soldier and becomes a hero. But, as in real life, fantasy is tempered by reality:Matt's fellow kings become jealous of his success--and in the end, Matt falls, although it's clear that he was the greatest king there ever was.Now this rediscovered classic is available again, and with a vibrant new cover by award-winning artist Brian Selznick. This timeless tale shows that only through the honesty and spontaneity of children can grown-ups begin to imagine and to create a better world.

    In this revised and expanded collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved and enduring poems, including forty new poems from his recent work.from Tourists:Once I was sitting on the steps near the gate at David's Citadel and I put down my two heavy baskets beside me. A group of tourists stood there around their guide, and I became their point of reference. "You see that man over there with the baskets? A little to the right of his head there's an arch from the Roman period. A little to the right of his head." "But he's moving, he's moving!" I said to myself: Redemption will come only when they are told, "Do you see that arch over there from the Roman period? It doesn't matter, but near it, a little to the left and then down a bit, there's a man who has just bought fruit and vegetables for his family."

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    It concludes with excerpts from his creative writings such as Monsieur Teste and the drama Mon Faust.The list of translators for this volume is distinguished. Among them are Lionel Abel, Léonie Adams, Malcolm Cowly, James Kirkup, C. Day Lewis, Jackson Mathews, Louise Varese, and Vernon Watkins.

    The editing, with excellent notes, excerpts from Brecht's own views about poetry and Mr. Willett's concise introduction is exemplary. Most important, the translations by 35 poets, among them H.R. Hayes, Peter Levi, Christopher Middleton, and Naomi Replansky, maintain a high standard of accuracy and often convey a very clear idea of the texture and feeling of the German." --Stephen Spender, "The New York Times Book Review"

    This trilogy of stories—Ferragus: Chief of the Companions of Duty, The Duchesse De Langeais, and The Girl with the Golden Eyes—purporting to be the history of a secret society, laid the foundation for Balzac’s Scenes of Parisian Life and is a stunning evocation of all ranks of society.

    . . . It helps us to go on, having Gary Snyder in our midst."--Los Angeles Times. Snyder is the author of many volumes of poetry and prose, including The Practice of the Wild and the Pulitzer Prize-winning Turtle Island. Reading tour.

    When told they must wait days for a bridge to be repaired, they are inspired - by recalling Boccaccio's Decameron - to pass the time in a cultured manner by each telling a story every day. The stories, however, soon degenerate into a verbal battle between the sexes, as the characters weave tales of corrupt friars, adulterous noblemen and deceitful wives. From the cynical Saffredent to the young idealist Dagoucin or the moderate Parlamente - believed to express De Navarre's own views - The Heptameron provides a fascinating insight into the minds and passions of the nobility of sixteenth century France.

    

    Babel was best known for his mastery of the short story form—in which he ranks alongside Kafka and Hemingway—but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come.

    In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.