These are three action thriller books that are sure to keep you turning pages. -- PRESIDENTIAL SHIFT --- The vice president killed... The first lady attacked... A president on the edge... Cal Stokes, former Marine and owner of Stokes Security International (SSI), has had a busy year. Trying to calm his inner demons and forget the tragic loss of his men, Cal dives headlong into his work, taking the battle to the enemy. Now the president needs his help to uncover a leak in his administration and start the long road to cleaning up Washington, and wrestling power back from corrupt officials who threaten to plunge the American government further into the abyss. Will Cal uncover the truth before it's too late? -- NATIONAL BURDEN -- A new president under pressure... Threats coming from every angle... The SSI team caught in the middle... Following his predecessor's abrupt departure, newly appointed President Brandon Zimmer must deal with aggressors at home and abroad. The sharks sense his weakness and are out for blood. The burden might just be too much to handle for the young president. Will President Zimmer cave to outside forces, or stand strong with his friends from Stokes Security International (SSI), like former Marine Cal Stokes and ex-Navy SEAL Travis Haden? And with their own responsibilities weighing heavy on their shoulders, will the team at SSI be able to stop a plot to manipulate the stock market and the country's economy? Regardless of the outcome, one this is for certain: Everything is about to change. -- LETHAL MISCONDUCT -- A ray of hope for millions... Powerful forces move to stop it... A Marine and his team play for keeps... A cure has been found for one of the world's deadliest diseases, but unseen forces want to keep the medical miracle from seeing the light of day. Can former Marine Cal Stokes and his new presidential sanctioned team track down the cure, save its inventor and take out the those trying to maintain the status quo?

    Aware of her intense feelings for the man ten years her senior, Lily comes to a decision, but not before Devin ups the ante.*Please note, though this story has a beginning, middle, and end it is short in form. If you prefer longer novels, there are other Asia Monique titles for you to choose from. This standalone novella is book six in the Flower Sister series. It is not required, but recommended to start at book one.

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Brave in its nakedness, her work like a lucid stream enjoys itself as it keeps its surefooted course. Written with the precision only passion can ensure, the poems commend us to the gay gravity of angels. This is a collection to be indeed relished and prized.' - Theodore Weiss

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings and a book with the text of the poetry, a bibliograohy, and commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review. "To hear a poem spoken in the voice of the person who wrote it is not only to witness the rising of words off the page and into the air, but to experience an aural reenactment of exactly what the poet must have heard, if only internally, during the act of composition. THE VOICE OF THE POET recordings deliver these pleasures as they broadcast the pitch and timbre of many of the major voices in twentieth-century poetry."--Billy Collins, U.S,. Poet Lauerate.

    Within the first pages, Amit Majmudar asserts the claims of both the self and the other: the title poem shows us the place of an Indian American teenager in the bland surround of a mostly white peer group, partaking of imagery from the poet’s Hindu tradition; the very next poem is a fanciful autobiography, relying for its imagery on the religious tradition of Islam. From poems about the treatment at the airport of people who look like Majmudar (“my dark unshaven brothers / whose names overlap with the crazies and God fiends”) to a long, freewheeling abecedarian poem about Adam and Eve and the discovery of oral sex, Dothead is a profoundly satisfying cultural critique and a thrilling experiment in language. United across a wide range of tones and forms, the poems inhabit and explode multiple perspectives, finding beauty in every one.

    The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.

    

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    In an array of poetic forms from the rhyming lyric to the philosophical meditation to the prose essay, 3 Sections confronts perplexing divisions of contemporary life—a wayward history, an indeterminate future, and a present condition of wanting to outthink time. This is an extraordinary book, witty and vivacious, by one of America’s best poets.

    Luminous, resonant and profound, these poems trace the dying days of summer, ‘the hour of rust’, when memory is haunted by loss and decay. But in the silence that follows, as the soul is cast adrift, there is also reconciliation with the transience of all things; the knowledge that there is a place, ‘changeable, that will not betray’.