Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob’s collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob’s stories portray clergymen furtively attending medieval sabbaths, Protestant galley slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noblemen wandering Europe at the height of the 1374 plague. These writings are of such hallucinatory detail and linguistic specificity that the reader is left wondering whether they aren’t newly unearthed historical documents. To read Schwob is to encounter human history in its most scintillating form as it comes into contact with this unparalleled imagination.

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    Original.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local legend. A river flows past the front garden. It's perfect for them...if it a bit gloomy. And Chester, their dog, seems really spooked at being away from home. And old houses do make sounds. And it's constantly cold. And even though they shut the cellar door every night, it's always open again in morning The Secret of Crickley Hall is James Herbert's finest novel to date. It explores the darker, more obtuse territories of evil and the supernatural. With brooding menace and rising tension, he masterfully and relentlessly draws the reader through to the ultimate revelation one that will stay to chill the mind long after the book has been laid aside.

    Inexplicably, four men and one woman are having heart-stopping nightmares revolving around the dark and forbidding houses where each of them were born. When recent terrifying events occur, they are each drawn to their identical childhood homes, only to confront a sinister supernatural presence which has pursued them all their lives, and is now closer than ever to capturing their souls....

    After a German artist's cool betrayal, his fiancee's retribution is eerily apt.

    One can feel the gust of a satanic draught from these open holes, hear the flapping, maddeningly blown-about shutters; one can almost see the spectral faces of the passengers. . . .A wandering train that appears, seemingly at will; an engine driver who is inseparable from his machine; a passenger who waits for trains but never travels on them; obsession with speed and motion; a harbinger of disaster; a daring liaison: these are the themes of The Motion Demon, Stefan Grabinski's collection of nine stories, first published in Poland in 1919.Stefan Grabinski (1887–1936), often referred to as 'The Polish Poe', struggled during his lifetime to gain recognition in his native land. He was an idealistic loner who strove for an understanding of the hidden forces of both the world and the human mind; and he represented those forces in the most potent framework available to him—his stories of the supernatural.With no one to champion him in his own land, it took until 1993 and the publication of The Dark Domain (translated by Miroslaw Lipinski) for English language readers to become truly aware of this undisputed master of original and interesting fantastic fiction.The stories of The Motion Demon are peopled by memorable characters, and even a simple railway journey offers telling clues to the metaphysical and beyond. All aboard for a unique adventure!With this first complete translation of The Motion Demon, Ash-Tree Press begins a comprehensive series of Grabinski volumes that will duplicate the content of the original Polish editions and also assemble short stories which never saw book publication. The complete series will represent the first comprehensive, collected work of Stefan Grabinski in any language.CONTENTS: Introduction by Miroslaw Lipinski; Engine Driver Grot; The Wandering Train; The Motion Demon; The Sloven; The Perpetual Passenger; In the Compartment; Signals; The Siding; Ultima Thule.

    The resulting volume is both an education in the history of fantastic literature and a rollercoaster ride of wonder and terror, vampires, ghosts, and the rebellious creatures of our own psyches. Selections include:E.T.A. Hoffmann--"The Sandman"G&#233rard de Nerval--"the Enchanted Hand"Nikolai Gogol--"The Nose"Edgar Allan Poe--"The Tell-Tale Heart"Hans Christian Andersen--"The Shadow"Ambrose Bierce--"Chickamauga"Robert Louis Stevenson--"The Bottle Imp"Henry James--"The Friends of the Friends"H.G. Wells--"The Country of the Blind"Comprising stories of the supernatural and narratives of the everyday uncanny, Fantastic Tales is a gallery of enchantments, deliciously entertaining yet more disturbing than our most persistent nightmares.CONTENTSIntroduction by Italo CalvinoI. The Visionary Fantastic of the Nineteenth CenturyThe Story of the Demoniac Pacheco by Jan PotockiAutumn Sorcery by Joseph von EichendorffThe Sandman by E. T. A. HoffmannWandering Willie’s Tale by Sir Walter ScottThe Elixir of Life by Honoré de BalzacThe Eye with No Lid by Phliarte ChaslesThe Enchanted Hand by Gérard de NervalYoung Goodman Brown by Nathaniel HawthorneThe Nose by Nikolai Vasilyevich GogolThe Beautiful Vampire by Théophile GautierThe Venus of Ille by Prosper MériméeThe Ghost and the Bonesetter by Joseph Sheridan Le FanuII. The Everday Fantastic of the Nineteenth CenturyThe Tell-Tale Heart by Edgar Allan PoeThe Shadow by Hans Christian AndersenThe Signal-Man by Charles DickensThe Dream by Ivan Sergeyevich TurgenevA Shameless Rascal by Nikolai Semyonovich LeskovThe Very Image by Auguste Villiers de l’Isle-AdamNight: A Nightmare by Guy de MaupassantA Lasting Love by Vernon LeeChickamauga by Ambrose BierceThe Holes in the Mask by Jean LorrainThe Bottle Imp by Robert Louis StevensonThe Friends of the Friends by Henry JamesThe Bridge-Builders by Rudyard KiplingThe Country of the Blind by H. G. Wells

    That is the real charm of Hawthorne’s writing—this purity and spontaneity and naturalness of fancy.”

    Sixteen short stories by Stephen King, William Tenn, Robert Bloch, Fritz Leiber, August Derleth, Richard Matheson, Tanith Lee, and others deal with the nightmarish theme of female vampires.

    Tieck's transition to Romanticism is seen in the series of plays and stories published under the title Volksmarchen von Peter Lebrecht (1797), a collection which contains the admirable fairy-tale Der Blonde Eckbert, and the witty dramatic satire on Berlin literary taste, Der Gestiefelte Kater. With his school and college friend Wilhelm Heinrich Wackenroder (1773-1798), he planned the novel Franz Sternbalds Wanderungen (1798), which, with Wackenroder's Herzensergiessungen (1798), was the first expression of the romantic enthusiasm for old German art. His writings between 1798 and 1804 include the satirical drama, Prinz Zerbino (1799), and Romantische Dichtungen (1799-1800). The latter contains Tieck's most ambitious dramatic poems, which were followed in 1804 by the remarkable "comedy" in two parts, Kaiser Oktavianus. These dramas, in which Tieck's poetic powers are to be seen at their best, are typical plays of the first Romantic school.

    He becomes obsessed with a young dancer whom he believes is the double of his beloved wife, leading him to psychological torment and humiliation, culminating in a deranged murder. This 1892 work is a poet's novel, dense, visionary, and haunting. Bruges, the 'dead city', becomes a metaphor for Hugues' dead wife as he follows its mournful labyrinth of streets and canals in a cyclical promenade of reflection and allusion--the ultimate evocation of Rodenbach's lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.