Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps.The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.

    This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    Free from her past, her tormentor, her shitty family and the even shittier odds she was given at birth.But freedom has a price, and when the young girl hell-bent on starting a new life crashes her cherry red 1989 Pontiac Bonneville on America's loneliest road, she finds out just how dear that price is.From the Bram Stoker Award nominated author of Dear Laura and White Pines comes a new novella, a searing tale of fire, revenge and redemption, a coming-of-age tale with a bite, because, let's face it... happy endings are for children, and some girls just want to watch the world burn.

    She knows which boards will creak. She knows where the gaps are in the walls. She knows which parts can take her in, hide her away. It’s home, after all. The home her parents made for her, before they were taken from her in a car crash. And home is where you stay, no matter what.Eddie is a teenager trying to forget about the girl he sometimes sees out of the corner of his eye. But when his hotheaded older brother senses her, too, they are faced with the question of how to get rid of someone they aren’t sure even exists. And as they try to cast her out, they unwittingly bring an unexpected and far more real threat to their doorstep. Written with grace and enormous heart, Girl in the Walls is a novel about carrying on through grief, forging unconventional friendships, and realizing, little by little, that we don’t need to fear what we do not understand.

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    Once the abuse becomes too much to handle, the two siblings embark on a sordid cross-country murder spree beginning with their mom. As the murder tally rises, Suzy’s mental state spirals into irredeemable madness.

    She’s taking him somewhere safe. In the forest ahead lies a house full of children like him—children whose parents have been diagnosed like her. Mentally ill. The Cradle—a government organization hellbent on eradicating the condition—believe they have the ultimate solution. Like any other disease, they seek to quarantine it. Entire families ripped apart and placed in asylums. Total removal from the gene pool, they say. For the future of humanity… Now Emmett can’t decide what’s more frightening: this new home where he’ll supposedly be safe, hidden from The Cradle and its horrific reputation… …or the ideas in his mother’s head which led them there in the first place.

    Teddy’s parasitic condition is usually tempered easily and is invisible to most, unless she feeds from them. However, her insatiable hunger has already begun to threaten her safety. Trapped in her tiny Connecticut hometown thanks to a careless mistake which cost her a prestigious scholarship, Teddy grieves her father’s death and cares for her neurotic mother, Mercy, who is convinced scorpion venom is the only remedy for her own peculiar skin ailment linked to her daughter’s sadness.Once an aspiring songwriter, Teddy now merely alternates between shifts at the local market and visits to the house of her eccentric neighbor, Mr. Ridley, for fresh scorpions to bring to her mother. It’s during one of her routine visits to Mr. Ridley’s subterranean grotto of exotic animals that Teddy meets an unusual young girl named Kiiara. Immediately enamored with one another, Teddy soon discovers that Kiiara is hiding a gruesome secret, too – a secret that will threaten to undo everything Teddy has ever known and loved, and violently touch all those who cross their path with disaster.

    Their journey eventually leads them to Slattery Falls, a small Massachusetts town living in the shadow of the Weeks House. The former home of the town’s most sinister and feared resident sits empty. At least that’s what the citizens say. It’s all in good fun. But after navigating the strange home, they find the residents couldn’t be more wrong. And now the roles are reversed. The hunters have become the hunted. Something evil refuses to release its grip, forcing the trio into one last adventure.

    Though she feels safe in this untamed land, Tracy still follows her late mother’s rules: Never Lose Sight of the House. Never Come Home with Dirty Hands. And, above all else, Never Make a Person Bleed.But these precautions aren’t enough to protect Tracy when a stranger attacks her in the woods and knocks her unconscious. The next day, she glimpses an eerily familiar man emerge from the tree line, gravely injured from a vicious knife wound—a wound from a hunting knife similar to the one she carries in her pocket. Was this the man who attacked her and did she almost kill him? With her memories of the events jumbled, Tracy can’t be sure.Helping her father cope with her mother’s death and prepare for the approaching Iditarod, she doesn’t have time to think about what she may have done. Then a mysterious wanderer appears, looking for a job. Tracy senses that Jesse Goodwin is hiding something, but she can’t warn her father without explaining about the attack—or why she’s kept it to herself.It soon becomes clear that something dangerous is going on . . . the way Jesse has wormed his way into the family . . . the threatening face of the stranger in a crowd . . . the boot-prints she finds at the forest’s edge.Her family is in trouble. Will uncovering the truth protect them—or is the threat closer than Tracy suspects?

    "A girl comes of age against the knife." So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a Cherokee father and white mother, Betty is the sixth of eight siblings. The world they inhabit is one of poverty and violence--both from outside the family, and also, devastatingly, from within. The lush landscape, rich with birdsong, wild fruit, and blazing stars, becomes a kind of refuge for Betty, but when her family's darkest secrets are brought to light, she has no choice but to reckon with the brutal history hiding in the hills, as well as the heart-wrenching cruelties and incredible characters she encounters in her rural town of Breathed, Ohio. But despite the hardship she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters, and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all she bears witness to, Betty discovers an escape: she begins to write. She recounts the horrors of her family's past and present with pen and paper and buries them deep in the dirt--moments that has stung her so deeply, she could not tell them, until now. Inspired by the life of her own mother, Tiffany McDaniel sets out to free the past by telling this heartbreaking yet magical story--a remarkable novel that establishes her as one of the freshest and most important voices in American fiction.

    One that calls forth a shadowy horned figure.She comes with unexpected gifts and the comfort of a dependable presence.She asks for very little in return, really. The more Ben offers her, the easier it gets.Sometimes, family requires more than a little sacrifice...

    In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes question her memories of their disappearance and her father’s departure.A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun.Holly Black describes as “half mystery, half fairy tale, all exquisitely rendered and full of teeth.” Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.

    There have been several detours―career snafus, bad romantic choices, a loved but unplanned child―not to mention her ill-advised lifelong obsession with boxer Mike Tyson. Evie is not plucky, but when life’s changes smash over her like the rough surf of the local shoreline, she muddles through―until that moment of loss and longing when muddling will no longer suffice. This is the story of what the baddest girl on the planet must find in herself when a bag of pastries, a new lover, or quick trip to Vegas won’t fix anything, and when something more than casual haplessness is required. The Baddest Girl on the Planet is inventive, sharp, witty, and poignant. Readers will want to jump in and advise this baddest girl on the planet―or at least just give her a shake or a hug―at every fascinating turn.

    They leave their Kansas home and drive through the night to Albuquerque, eager to begin again, united by the thrilling possibility of carving out a new life together. The boys go to school, join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. But soon the little missteps—the dead-eyed absentmindedness, the late night noises, the comings and goings of increasingly odd characters—become worrisome, and the boys find themselves watching their father change, grow erratic, then dangerous.Set in the sublimely stark landscape of suburban New Mexico and a cramped apartment shut tight to the world, One of the Boys conveys with propulsive prose and extraordinary compassion a young boy’s struggle to hold onto the pieces of his shattered family. Tender, moving and beautiful, Daniel Magariel’s masterful debut is a story of resilience and survival: two foxhole-weary brothers banding together to protect each other from the father they once trusted, but no longer recognize. With the emotional core of A Little Life and the speed of We the Animals, One of the Boys is among the most remarkable debut novels you’ll ever read.