Michael Beschloss, in The Los Angeles Times, said that it succeeds brilliantly. The New York Times called it rock solid and The Washington Post hailed it as invaluable. And SidneyBlumenthal in The Boston Globe wrote that it was dense with astonishing incidents.Now Dallek has condensed his two-volume masterpiece into what is surely the finest one-volume biography of Johnson available. Based on years of research in over 450 manuscript collections and oral histories, as well as numerous personal interviews, this biography follows Johnson, the human dynamo, from the Texas hill country to the White House. We see LBJ, in the House and the Senate, whirl his way through sixteen- and eighteen-hour days, talking, urging, demanding, reaching for influence and power, in an uncommonly successful congressional career. Then, in the White House, we see Johnson asthe visionary leader who worked his will on Congress like no president before or since, enacting a range of crucial legislation, from Medicare and environmental protection to the most significant advances in civil rights for black Americans ever achieved. And we see the depth of Johnson's privateanguish as he became increasingly ensnared in Vietnam.In these pages Johnson emerges as a man of towering intensity and anguished insecurity, of grandiose ambition and grave self-doubt, a man who was brilliant, crude, intimidating, compassionate, overbearing, driven: A tornado in pants. Gracefully written and delicately balanced, this

    This work fills that order admirably ... [Thomas] sensibly and deftly integrates the course of Southern military fortunes with the concerns that shaped them and were shaped by them. In doing so he also manages to convey a sense of how the war itself deteriorated from something spirited and gallant to something base and mean and modern on both sides.

    They know with conviction what they believe within themselves. They understand that all actions have consequences. And they find commonsense solutions to the nation’s problems. One such American, Thomas Paine, was an ordinary man who changed the course of history by penning Common Sense, the concise 1776 masterpiece in which, through extraordinarily straightforward and indisputable arguments, he encouraged his fellow citizens to take control of America’s future—and, ultimately, her freedom. Nearly two and a half centuries later, those very freedoms once again hang in the balance. And now, Glenn Beck revisits Paine’s powerful treatise with one purpose: to galvanize Americans to see past government’s easy solutions, two-party monopoly, and illogical methods and take back our great country.

    Washington, the most recognized national leader, orator and educator, emerged from slavery in the deep south, to work for the betterment of African Americans in the post Reconstruction period. "Up From Slavery" is an autobiography of Booker T. Washington's life and work, which has been the source of inspiration for all Americans. Washington reveals his inner most thoughts as he transitions from ex-slave to teacher and founder of one of the most important schools for African Americans in the south, The Tuskegee Industrial Institute.

    Satirist Leland Gregory teaches us a lesson in historical hilarity with Stupid American History.From Columbus to George W. Bush (that's a lot of material, people), Leland leads us through American history's mythconceptions, exposing idiocy and inanity along the time line. He reeducates by informing us about myths. For example, Samuel Prescott actually was the guy to alert us that the British were coming and not that Paul Revere dude. Move over Colbert and Stewart; satire has finally found its rightful place in American history.Excerpt from the book:"John Tyler was on his knees playing marbles when he was informed that Benjamin Harrison had died and he was now president of the United States. At that time marbles was a very popular game for both children and grown-ups."For reasons still unknown, Texas congressman Thomas Lindsay Blanton, a Presbyterian Sunday school teacher and prohibitionist, inserted dirty words into the Congressional Record in 1921. His colleagues overwhelmingly censured him on October 24, 1921, by a vote of 293-0."

    The girl’s murder would be the catalyst for an epic saga that to this day holds a singular place in America’s collective imagination—a saga that would climax in 1915 with the lynching of Leo Frank, the Cornell-educated Jew who was convicted of the murder. The case has been the subject of novels, plays, movies and even musicals, but only now, with the publication of And the Dead Shall Rise, do we have an account that does full justice to the mesmerizing and previously unknown details of one of the most shameful moments in the nation’s history.In a narrative reminiscent of a nineteenth-century novel, Steve Oney recounts the emerging revelations of the initial criminal investigation, reconstructs from newspaper dispatches (the original trial transcript mysteriously disappeared long ago) the day-to-day intrigue of the courtroom and illuminates how and why an all-white jury convicted Frank largely on the testimony of a black man. Oney chronicles as well the innumerable avenues that the defense pursued in quest of an appeal, the remarkable and heretofore largely ignored campaign conducted by William Randolph Hearst and New York Times publisher Adolph Ochs to exonerate Frank, the last-minute commutation of Frank’s death sentence and, most indelibly, the flawlessly executed abduction and brutal lynching of Frank two months after his death sentence was commuted.And the Dead Shall Rise brings to life a Dickensian cast of characters caught up in the Frank case—zealous police investigators intent on protecting their department’s reputation, even more zealous private detectives, cynical yet impressionable factory girls, intrepid reporters (including a young Harold Ross), lawyers blinded by their own interests and cowed by the populace’s furor. And we meet four astonishing individuals: Jim Conley, who was Frank’s confessed “accomplice” and the state’s star witness; William Smith, a determined and idealistic lawyer who brilliantly prepared Conley for the defense’s fierce cross-examination and then, a year later, underwent an extraordinary change of heart; Lucille Frank, the martyred wife of the convicted man; and the great populist leader Tom Watson, who manipulated the volatile and lethal outrage of Georgians against the forces of Northern privilege and capital that were seeking to free Frank.And the Dead Shall Rise also casts long-awaited fresh light on Frank’s lynching. No participant was ever indicted, and many went on to prominent careers in state and national politics. Here, for the first time, is the full account of the event—including the identities of the influential Georgians who conceived, carried out and covered up the crime. And here as well is the story of the lynching’s aftermath, which saw both the revival of the Ku Klux Klan and the evolution of the Anti-Defamation League.At once a work of masterful investigative journalism and insightful social history, And the Dead Shall Rise does complete justice to one of history’s most repellent and most fascinating moments.

    But that historic event takes place near the beginning of The Last Lincolns, a singular title in the vast output of Lincolnia and one of the most unusual books ever written on the sixteenth president and his family. Going far beyond that fateful day into uncharted territory, it's a gripping page turner written by a TV producer with proven storytelling skills. This absorbing American tragedy tells the largely unknown story of the acrimony that consumed the Lincolns in the months and years that followed the president's murder. This was not a family that came together in mourning and mutual sadness; instead, they fell out over the anguished mental condition of the widowed Mary. In 1875, Robert, the handsome but resentful eldest Lincoln child engineered her arrest and forcible commitment to an insane asylum. In each succeeding generation, the Lincolns' misfortunes multiplied, as a litany of alcohol abuse, squandered fortunes, burned family papers, and outright dissipation led to the downfall of this once-great family. Charles Lachman traces the story right up to the last generation of Lincoln descendants: great-grandson Bob Lincoln Beckwith, his estranged wife, Annemarie, and her son, Timothy Lincoln Beckwith. Bob, who was according to all medical evidence sterile, believes the son who bears the Lincoln name was the product of an adulterous affair. Annemarie, however, wanted the boy to be a Lincoln, putting the child in line for a vast inheritance. There's even evidence uncovered by Lachman for the first time that a scheme to obtain possession of the Lincoln fortune was orchestrated by Bob Beckwith's chauffer, who may have been the notorious outlaw and skyjacker, D.B. Cooper. Published in advance of Abraham Lincoln's 200th birthday in February 2009, The Last Lincolns provides an unforgettable glimpse into the personal legacy left by the man who could unite a nation…but not his own family. An Unusual Family History Reveals That: Abraham and Mary Lincoln were very lenient with their younger sons;and rarely imposed discipline on them. At age 12, young Tad Lincoln, whose education during the family's White House years was very lax, could still not read. Eldest son Robert Lincoln objected to the intense attention the media paid to the Lincoln family. After her husband's assassination, Mary Lincoln pleaded for financial assistance from family friends and people in government. Mary's erratic behavior led Robert to swear out a warrant for her arrest and institutionalization.

    Follows the development of a rural Illinois community from its origins near the beginning of the nineteenth century, looks at community activity, and tells the stories of ordinary pioneers.

    The 200 poems, speeches, songs, essays, letters, and documents were chosen both for their readability and for their significance. These are the words that have inspired, enraged, delighted, chastened, and comforted Americans in days gone by. Gathered here are the writings that illuminate—with wit, eloquence, and sometimes sharp words—significant aspects of national conciousness. They reflect the part that all Americans—black and white, native born and immigrant, Hispanic, Asian, and Native American, poor and wealthy—have played in creating the nation's character.

    Despite its remote location, the quirky German Renaissance–style castle, with its intricate façade, peculiar interior design, and gargoyle guardians peering down on Central Park, was an immediate hit, particularly among the city’s well-heeled intellectuals and artists.   Over the next century it would become home to an eclectic cast of celebrity residents—including Boris Karloff, Lauren Bacall, Leonard Bernstein, singer Roberta Flack (the Dakota’s first African-American resident), and John Lennon and Yoko Ono—who were charmed by its labyrinthine interior and secret passageways, its mysterious past, and its ghosts. Stephen Birmingham, author of the New York society classic “Our Crowd”, has written an engrossing history of the first hundred years of one of the most storied residential addresses in Manhattan and the legendary lives lived within its walls.

    Her treatment of the family... [is] written with understanding and sensitivity... But it is her strength as a feminist historian that makes her treatment of Abigail the most gripping... masterful and captivating.” — Washington Times“A landmark... Well-organized and expertly composed, the book is an impressive addition to the nation’s written history.” — Oklahoma City OklahomanReaders who enjoyed Doris Kearns Goodwin’s No Ordinary Time, Cokie Roberts’s Founding Mothers, and David McCullough’s John Adams will love “this eminently readable… charming and sensitive, yet candid and unflinching joint biography” (Daniel Walker Howe, Pulitzer Prize-winning author of What Hath God Wrought: The Transformation of America, 1815-1848) of America’s original “power couple”: Abigail and John Adams.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

    Prescott after the publication of History of the Conquest of Mexico in 1843. Since then, his sweeping account of Cortés's subjugation of the Aztec people has endured as a landmark work of scholarship and dramatic storytelling. This pioneering study presents a compelling view of the clash of civilizations that reverberates in Latin America to this day. "Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . Here, as nowhere else, has Prescott succeeded in delineating character. All the chief actors of his great historic drama not only live and breathe, but they are as distinctly differentiated as they must have been in life. Cortés and his lieutenants are persons whom we actually come to know in the pages of Pres-cott. . . . Over against these brilliant figures stands the melancholy form of Montezuma, around whom, even from the first, one feels gathering the darkness of his coming fate. He reminds one of some hero of Greek tragedy, doomed to destruction and intensely conscious of it, yet striving in vain against the decree of an inexorable destiny. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature."From the eBook edition.

    Much is known of the slave trade and the American plantation system, but little of the ships that made it all possible.In The Slave Ship, award-winning historian Marcus Rediker draws on thirty years of research in maritime archives to create an unprecedented history of these vessels and the human drama acted out on their rolling decks. He reconstructs in chilling detail the lives, deaths, and terrors of captains, sailors, and the enslaved aboard a “floating dungeon” trailed by sharks.From the young African kidnapped from his village and sold into slavery by a neighboring tribe to the would-be priest who takes a job as a sailor on a slave ship only to be horrified at the evil he sees to the captain who relishes having “a hell of my own,” Rediker illuminates the lives of people who were thought to have left no trace.This is a tale of tragedy and terror, but also an epic of resilience, survival, and the creation of something entirely new. Marcus Rediker restores the slave ship to its rightful place alongside the plantation as a formative institution of slavery, a place where a profound and still haunting history of race, class, and modern economy was made.

    Ideal for anyone who wants to read a great work for the first time or revisit an old favorite, these new editions open the door to the stories and ideas that have shaped our world.