No one knows who sent the invitations or why. No one has heard of the literary society. And no one is prepared to bare their deepest secrets to a roomful of strangers.Yet curiosity and loneliness bring them back week after week to the old library. And it’s there they discover the stories of their hearts, and the kind of friendship and love that heals their souls.

    He buys stolen police files on serial killers, and uses them to find and dig up missing bodies. Calls in the results anonymously, taunting the police for their failure to do their job.Detective Sandra Whittal takes that a little personally. She’s suspicious of the mysterious caller, who she names the Finder. Maybe he’s the one leaving the bodies behind. If not, who’s to say he won’t start soon?As Whittal begins to zero in on the Finder, Martin makes a shocking discovery. It seems someone—someone lethal—is very unhappy about the bodies he’s been digging up.Hunted by a cop, hunted by a killer. To escape and keep his family safe, Martin may have to go deeper into the world of murder than he ever imagined.

    Heart - warming and compulsive reading, this is an entertaining, lively and moving novel from one of New Zealand's favourite authors.

    On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time--and sold to the circus sideshow. More than two decades later, nineteen-year-old Julia Blackwood has inherited her parents' estate and horse farm. For Julia, home was an unhappy place full of strict rules and forbidden rooms, and she hopes that returning might erase those painful memories. Instead, she becomes immersed in a mystery involving a hidden attic room and photos of circus scenes featuring a striking young girl. At first, The Barlow Brothers' Circus is just another prison for Lilly. But in this rag-tag, sometimes brutal world, Lilly discovers strength, friendship, and a rare affinity for animals. Soon, thanks to elephants Pepper and JoJo and their handler, Cole, Lilly is no longer a sideshow spectacle but the circus's biggest attraction. . .until tragedy and cruelty collide. It will fall to Julia to learn the truth about Lilly's fate and her family's shocking betrayal, and find a way to make Blackwood Manor into a place of healing at last. Moving between Julia and Lilly's stories, Ellen Marie Wiseman portrays two extraordinary, very different women in a novel that, while tender and heartbreaking, offers moments of joy and indomitable hope.

    Blemishes, scars, freckles, and wrinkles have all disappeared, their fingerprints are different, their vision is impeccable, and most importantly, their illnesses have been cured.But the fresh start they’ve been given is anything but perfect. Without their old bodies, their new physical identities have been lost. Hannah, an artistic prodigy, has to relearn how to hold a brush; David, a Congressman, grapples with his old habits; Connie, an actress whose stunning looks are restored after a protracted illness, tries to navigate an industry obsessed with physical beauty; and Linda, who spent eight years paralyzed after a car accident, now struggles to reconnect with a family that seems to have built a new life without her. As each tries to re-enter their previous lives and relationships they are faced with the question: how much of your identity rests not just in your mind, but in your heart, your body?

    Ren longs to be reunited with her boyfriend Gabe but soon discovers why he has failed to visit. Devastated, she must learn to break through and talk to the living so she can reveal the truth about her untimely end.

    No one is really sorrowing, except maybe her granddaughter Hania, whose own career as a concert artist never took off due to a terrible weight problem. Feeling unwanted, Hania arrives in Warsaw for the funeral hoping for a warm welcome from her relatives. Instead, they saddle her with their appalling children, decamp, and refuse to return. Hania’s situation is at first improved and then complicated when a neighbor ─ the very correct, very austere descendant of an old Polish family ─ asks her to proofread an amateur history project. Hania sets to work with a will, and Pan Doctor Prince Konstanty Radzimoyski is surprised when his ideas get more editing than he bargained for. Typing pages of the past, rediscovering her native city, and playing the piano all contribute to taking Hania’s mind off her problems, but can’t change her awareness that the children need help and that her growing attachment to her employer will only give her pain. The summer Hania spends between love, hostility, and the weight of history tests her resourcefulness, but her fresh ideas and readiness to carry on brighten the lives of her new acquaintances. Still, no one, least of all Hania herself, expects that her beautiful qualities will make Konstanty forget her figure and other excess baggage. This book contains a history of Poland in a nutshell and is about seeing beyond the conventions.

    Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.

    But on Miranda’s twelfth birthday, Billy has a mysterious falling-out with her mother and suddenly disappears from Miranda’s life. She doesn’t hear from him again until sixteen years later when she receives unexpected news: Billy has died and left her Prospero Books, which is teetering on bankruptcy—and one final scavenger hunt.

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    Amid the strange, disjointed rhythms of her days and nights and another impending winter in upstate New York, Ari is a tree without roots, struggling to keep her branches aloft.When Mina, a one-time cult musician — older, self-contained, alone, and nine-months pregnant —moves to town, Ari sees the possibility of a new friend, despite her unfortunate habit of generally mistrusting women. Soon they become comrades-in-arms, and the previously hostile terrain seems almost navigable.With piercing insight, purifying anger, and outrageous humor, Elisa Albert issues a wake-up call to a culture that turns its new mothers into exiles, and expects them to act like natives. Like Lionel Shriver’s We Need to Talk About Kevin and Anne Enright’s The Gathering, this is a daring and resonant novel from one of our most visceral writers.

    Benedict Grant a wealthy Londoner, leading a lonely life. Marie Boulanger a nurse and single mum, struggling to make ends meet in Marseille. However, a mother’s illicit revelation will set in motion a chain of events that will reshape their identities, stir poignant family affairs and delve into the by-products of lawless decisions.With this domestic thriller, discover a captivating and moving story of impossible yearnings, weaving mystery and drama peppered with humour. A tale that will stay with you long after its final page and a twist you won't see coming.

    Sometimes the end is just the beginning . . . Sam Elling works for an internet dating company, but he still can't get a date. So he creates an algorithm that will match you with your soul mate. Sam meets the love of his life, a coworker named Meredith, but he also gets fired when the company starts losing all their customers to Mr. and Ms. Right.When Meredith's grandmother, Livvie, dies suddenly, Sam uses his ample free time to create a computer program that will allow Meredith to have one last conversation with her grandmother. Mining from all her correspondence—email, Facebook, Skype, texts—Sam constructs a computer simulation of Livvie who can respond to email or video chat just as if she were still alive. It's not supernatural, it's computer science.Meredith loves it, and the couple begins to wonder if this is something that could help more people through their grief. And thus, the company RePose is born. The business takes off, but for every person who just wants to say good-bye, there is someone who can't let go. In the meantime, Sam and Meredith's affection for one another deepens into the kind of love that once tasted, you can't live without. But what if one of them suddenly had to? This entertaining novel, delivers a charming and bittersweet romance as well as a lump in the throat exploration of the nature of love, loss, and life (both real and computer simulated). Maybe nothing was meant to last forever, but then again, sometimes love takes on a life of its own.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    The villagers are friendly and she is made aware of the mystery surrounding the previous ownder of her house, Ben Thornton. As Frances brings both the ancient house and its magnificent apple tree back to life, she finds out more about the house and its previous occupants - and at the same time begins to rebuild her own life.