The Caped Crusader has been the all-abiding icon of justice and authority for generations. But in this surprising original graphic novel, we see Batman in a new light—as the savior who helps a discouraged man recover from a brutal attack that left him unable to face the world. In the 1990s, legendary writer Paul Dini had a flourishing career writing the hugely popular Batman: The Animated Series and Tiny Toon Adventures. Walking home one evening, he was jumped and viciously beaten within an inch of his life. His recovery process was arduous, hampered by the imagined antics of the villains he was writing for television including the Joker, Harley Quinn and the Penguin. But despite how bleak his circumstances were, or perhaps because of it, Dini also always imagined the Batman at his side, chivvying him along during his darkest moments. A gripping graphic memoir of one writer’s traumatic experience and his deep connection with his creative material, DARK NIGHT: A TRUE BATMAN STORY is an original graphic novel that will resonate profoundly with fans. Art by the incredible and talented Eduardo Risso (100 BULLETS, TRANSMETROPOLITAN).

    What if you can leap tall buildings and defeat alien monsters with your bare hands, but you buy your capes at secondhand stores, and have a weakness for kittens, and a snarky comment from Skeptical Guy can ruin a whole afternoon? Cartoonist Faith Erin Hicks brings her skills in character design and sharp, charming humor to the trials and tribulations of a young, superhero battling monsters both supernatural and mundane in an all-too-ordinary world.

    Things are awakening in the city. Things that have a nasty habit of leaving mutilated bodies in their wake and it all reeks of demons and dark gods up to no good. Owing a favor to his lazy ghost cop buddy Trotsky, Wormwood, the gentleman corpse and his oddball entourage are brought in to investigate the case (or at least hopefully not stuff it up too much.) This collection compiles the first miniseries (issues #1-4), the original "Taster" issue, and covers, sketches, pin-ups and other cocktail napkin scribblings from Templesmith.

    And someone will! Billy Butcher, Wee Hughie, Mother's Milk, The Frenchman, and The Female are The Boys: A CIA-backed team of very dangerous people, each one dedicated to the struggle against the most dangerous force on Earth - superpower! Some superheroes have to be watched. Some have to be controlled. And some of them - sometimes - need to be taken out of the picture. That's when you call in The Boys! After the opening story arc introducing Hughie to the team (issues 1-6), Dark avenger Tek-Knight and his ex-partner Swingwing are in trouble (issues 7-14). Big trouble. One has lost control of his terrifyingly overactive sex-drive, and the other might just be a murderer. It's up to Hughie and Butcher to work out which is which, in Get Some. Then, in Glorious Five-Year Plan, The Boys travel to Russia - where their corporate opponents are working with the mob, in a super-conspiracy that threatens to spiral lethally out of control. Good thing our heroes have Love Sausage on their side. Featuring some ever-so-slight tweaks the creators have meticulously restored, The Boys Omniobus Volume 1 also features bonus art materials, the script to issue #1 by Garth Ennis, a complete cover gallery, and more!

    Fear, corruption and treachery abound in this political satire set in the aftermath of Stalin's death in the Soviet Union in 1953. When the leader of the Soviet Union, Joseph Stalin, has a stroke—the political gears begin to turn, plunging the super-state into darkness, uncertainty and near civil war. The struggle for supreme power will determine the fate of the nation and of the world. And it all really happened.

    Don’t worry—this isn’t the typical redemptive coming-of-age tale of a young woman and her glorious triumph over tragedy or any such nonsense. It’s simply a hilarious—occasionally poignant—book filled with interesting art, absurd humor and plenty of amusing self-deprecation. Box by box, Wertz chronicles four sketchy apartments, seven terrible jobs, family drama, traveling fiascos, and too many whiskey bottles to count.

    Tolkien and Seamus Heaney to a multitude of Hollywood screenwriters. Beaowulf tells of the tale of a Scandinavian hero in lands that would become what is now Denmark and Sweden. A monster, Grendel, has arrived in the kingdom of the Danes, devouring its men and women for over a decade until Beowulf arrives to save them.Garcia and Rubin faithfully follow the original story for a graphic-novel version that is neither revisionist nor postmodern. It captures the tone and important details of the poem, translating its potent, epic resonance and melancholy into a contemporary comic that isn't standard swords and sorcery or heroic fantasy fare. This is an ancient story with a modern perspective that respects the source material.

    It lampoons role playing games and the fantasy genre itself in hilarious fashion weekly on the internet, and now even the technophobic can enjoy their antics in convenient book format.Strips #1-120, plus 18 new comics and author commentaries.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    Plastic surgery, a different wardrobe, a smouldering look, have given her confidence and a new and thrilling power to attract, which she uses recklessly. Often just for the fun of it.People are drawn to Tamara Drewe, male and female. In the remote village where her late mother lived Tamara arrives to clear up the house. Here she becomes an object of lust, of envy, the focus of unrequited love, a seductress. To the village teenagers she is 'plastic-fantastic', a role model. Ultimately, when her hot and indiscriminate glances lead to tragedy, she is seen as a man-eater, a heartless marriage wrecker, a slut.First appearing as a serial in the Guardian, in book form Tamara Drewe has been enlarged, embellished and lovingly improved by the author.

    The New Yorker published its first Addams cartoon in 1932, and his cast of genial ghouls, friendly freaks, and the famous family brought a touch of gleeful creepiness to its pages for more than five decades. This classic collection of more than 200 cartoons, from the master of the macabre at his most diabolical, contains the best cartoons from his first six books and is sure to delight both fans and cartoon connoisseurs.

    Follow Gert, a forty year old woman stuck in a six year old's body who has been trapped in the magical world of Fairyland for nearly thirty years. Join her and her giant battle-axe on a delightfully blood-soaked journey to see who will survive the girl who HATES FAIRYLAND.Collecting: I Hate Fairyland 1-5

    Part art-book, part graphic novel, By This Shall You Know Him depicts all manner of beast running, crawling and slithering towards death’s cold embrace.”

    And in King's story set in the days of America's Wild West, readers learn the origin of Skinner Sweet, the original American vampire – a stronger, faster creature than any vampire ever seen before. Don't miss out as Snyder and King set fire to the horror genre with this visionary, all-original take on one of the most popular monster stories!This beautiful collection features a new introduction by Stephen King and bonus art including character sketches, variant covers and more!Collecting: American Vampire 1-5

    Together with Zebra, the activist, and Goat, the reluctant brain, Pearls Before Swine offers caustic commentary on humanity's quest for the unattainable. Smart, witty, and sometimes painfully honest, Pearls Before Swine mocks the flaws and shortcomings of human nature with cynical humor.Pearls Before Swine has been syndicated by United Feature Syndicate since January 2002 and now appears in more than 100 newspapers worldwide. In panel after panel, Pearls Before Swine causes readers to lose themselves in laughter.