Scott Fitzgerald, the flapper’s historian and poet laureate of the Jazz Age, wrote the ten stories that appear in this unique collection. Exploring characters and themes that would appear in his later works, such as The Beautiful and Damned and The Great Gatsby, these early selections are among the very best of Fitzgerald’s many short stories. This Modern Library Paperback Classic includes notes, an appendix of nonfiction essays by Scott and Zelda Fitzgerald and their contemporaries, and vintage magazine illustrations.

    For Lewis-born Macleod, the case represents a journey both home and into his past.A SECRETSomething lurks within the close-knit island community. Something sinister.A TRAPAs Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted.

    Detective-Sergeant Troy starts with the clue of a neatly dismembered corpse leading him into a world of stateless refugees, military intelligence, and corruption all the way to the top of Allied High Command.

    Following the enormous success of "The Thin Man" movie in 1934, Hammett was commissioned to write stories for additional films. He wrote two full-length novellas, for the films that became "After the Thin Man" and "Another Thin Man". Bringing back his classic characters, retired private investigator Nick Charles and his former debutante wife Nora, who return home to find Nora’s family gardener murdered, pulling the couple back into another deadly game of cat and mouse. Hammett has written two fully satisfying "Thin Man" stories, with classic, barbed Hammett dialogue and fully developed characters.Neither of these stories has been previously published (except for a partial in a small magazine 25 years ago). The Return of the Thin Man is a hugely entertaining read that brings back two classic characters from one of the greatest of mystery writers who ever lived. This book is destined to become essential reading for Hammett's millions of fans and a new generation of mystery readers the world over.

    He's out to get Alexandre St-Germain, the most powerful member of the Midnight Club -- a secret international society of ruthless crime czars, all of whom are 'respectable' businessmen.And Stef's the ideal man for the job -- until he's levelled by a blast from St-Germain's shotgun and left for dead. Now, Stef is back, wheelchair-bound, yet sworn to destroy St-Germain.With the help of a beautiful journalist and a Harlem cop, Stef is determined to crack the Midnight Club. And he's up against odds that are as unknown as they are deadly!

    After an unspeakable crime shatters her life, she changes her identity and moves to a small town in Illinois, hoping to spare her children from further trauma…or worse. But crime follows her everywhere.When the former mayor winds up dead, Rachel can’t help but get involved. Where local detectives see suicide, she sees murder. They resent her for butting in—especially since she’s always one step ahead. But her investigative genius may be her undoing: the deeper she digs, the harder it is to keep her own secrets buried.Her persistence makes her the target of both the cops and a killer. Meanwhile, the terrifying truth about her past threatens to come to light, and Rachel learns the hard way that she can’t trust anyone. Surrounded by danger, she must keep her steely resolve, protect her family, and stay one step ahead, or else she may become the next victim.

    She is hooded and bound, with no idea where she is or how she got there. Kept alive by a man she never sees, his only promise is that eventually he will kill her - like the others.

    senator. In a heated race against time, Storm chases Volkov's shadow from Paris, to the lair of a computer genius in Iowa, to the streets of Manhattan, then through a bullet-riddled car chase on the New Jersey Turnpike. In the process, Storm uncovers a plot that could destroy the global economy--unleashing untold chaos--which only he can stop.

    Now one is profiling her.Rush hour, London. A packed commuter train is torn apart in a collision. Picking through the carnage, ex-special forces profiler Ziba MacKenzie helps a dying woman who passes on a cryptic message: He did it. You have to tell someone.When a corpse is found bearing the gruesome signature of a serial killer dormant for twenty-five years, Ziba is pulled into the hunt for the perpetrator. As the body count rises it becomes clear he’s on a new spree. But what’s brought the London Lacerator back after such a long hiatus? And does his sudden return have anything to do with the woman on the train?Ziba scrambles to profile the killer in the hope of predicting his next move. But time is running out. And the closer she gets to uncovering his identity, the closer he gets to destroying hers.

    Interpol have tried and failed to find her. Now the combined forces of Scotland Yard and MI5 must try the impossible to prevent a major international incident.

    The novel pits Ted Cogan, a forty-three-year- old surgeon and self-described womanizer, against Hank Madden, a handicapped veteran detective. From the outset it's not clear who is victim and who is victimizer, as the usually dispassionate Madden grapples with his long-suppressed prejudices and his obsession with bringing Ted Cogan to justice at any cost. It all leads up to the most stunning surprise ending since Scott Turow's Presumed Innocent.

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    New York City bookstore owner Otis Parker is dead, killed by a falling bookcase. A tragic accident? Corey isn’t so sure. With deadpan humor and skeptical eye, the determined detective is on the case, and everyone who has the misfortune to be connected to Parker is a suspect—the failing mystery writer in town to sign books; the beautiful young wife, and the bookstore employee who appears to be more nervous than aggrieved. In his debut Kindle Single, DeMille deftly maneuvers through the twists and turns of this fast-moving story, delivering his legion of fans yet another gripping read.