Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect.It's just that he's away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect.But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband's face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can't quite meet her gaze...But everything is perfect. Isn't it?

    Everyone else—his family, his friends, his doctors—was convinced that any moment could be his last. So when Lucas miraculously returns from the brink of death, Emma thinks her prayers have been answered.As the surprised town rejoices, Emma begins to question whether Lucas is the same boy she’s always known. When she finds an unidentifiable object on his family’s farm—and government agents come to claim it—she begins to suspect that nothing is what it seems. Emma’s out-of-this-world discovery may be the key to setting things right, but only if she and Lucas can evade the agents who are after what they have. With all her hopes and dreams on the line, Emma sets out to save the boy she loves. And with a little help from a distant star, she might just have a chance at making those dreams come true.

    At that point, Elantris had only been out in stores for about seven or eight months, but I actually hadn't written anything new on the story or world since 2000, when I'd finished the first draft of the original book. This story was originally posted for sale on Amazon.com; once the contract with them ran out, I posted it on my website.There were always a few holes in the manuscript where I decided not to include viewpoints or sections of explanation in the name of streamlining, particularly at the end. In the back of my mind, I knew what happened. This story talks about one of those holes; it is meant to be read after you've finished the novel and takes place during the events of the climax. In the annotation, I've written a further explanation of why I wrote this piece. Some of you may find it interesting to read this ahead of time; I put it in the annotation, however, as I know others would rather enjoy the story without bias beforehand, then read my thoughts afterward. Either way, if you haven't read the novel Elantris, this contains major spoilers. Might I suggest reading the book first? This story won't work at all for you if you haven't.As always, thanks for reading!

    After spending the last year struggling to make it as a painter, all she has to show for it are bills she can't pay. Out of money and sick of struggling, she decides it's time to pack it up and head back to her hometown in New Hampshire.When she meets Ian Sinclair at her going away party, Nina's instantly attracted to his dark, smoldering looks and lean athletic body. When he asks her back to his apartment, she's willing to overlook the fact that he's a high-powered lawyer. It's just for one night, and guys as gorgeous as Ian don't come around every day.Ian has never had a problem getting women into his bed, but after his hot night with Nina, all he wants is more of her. So he makes the curvy painter a deal - stay in the city for a few weeks and he'll take care of everything.Nina agrees, even though she knows better than to get attached. He's a rich corporate suit, she's a struggling artist. But as the connection between them deepens and Ian takes her to places she's never been - both in and out of the bedroom - Nina doesn't know how much longer she can resist.Tempt Me is a 28,000 word steamy romance novella.

    At least, that's what her mother has loudly declared to everyone in Spindle Cove.But Diana's not excited by dukes and lords. The only man who makes her heart pound is the village blacksmith, Aaron Dawes. By birth and fortune, they couldn't be more wrong for each other...but during stolen, steamy moments in his forge, his strong hands feel so right.Is their love forged strong enough to last, or are they just playing with fire?

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    Unable to find new work, she’s demanding compensation from the man who got her sacked: a petty, selfish, swinish duke. But it’s not the duke she fears. It’s his merciless man of business—the man known as the Wolf of Clermont. The formidable former pugilist has a black reputation for handling all the duke’s dirty business, and when the duke turns her case over to him, she doesn’t stand a chance. But she can’t stop trying—not with her entire future at stake.He cannot give in…Hugo Marshall is a man of ruthless ambition—a characteristic that has served him well, elevating the coal miner’s son to the right hand man of a duke. When his employer orders him to get rid of the pestering governess by fair means or foul, it’s just another day at the office. Unfortunately, fair means don’t work on Serena, and as he comes to know her, he discovers that he can’t bear to use foul ones. But everything he has worked for depends upon seeing her gone. He’ll have to choose between the life that he needs, and the woman he is coming to love…

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.

    Experience the horror of Tade Thompson's The Murders of Molly Southbourne.The rule is simple: don't bleed.For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction.Molly knows every way to kill herself, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

    in this e-book collaboration between Stephen King and Joe Hill.In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King and Joe Hill can deliver.In the Tall Grass was originally published in two parts in the June/July and August 2012 issues of Esquire magazine. This is their second collaboration since the novella Throttle, published in 2009.

    It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    Five characters, in very different circumstances—from a domestic cook in Mumbai, to a vagrant and his dancing bear, to a girl who escapes terror in her home village for a new life in the city—find out the meanings of dislocation and the desire for more.Set in contemporary India and moving between the reality of this world and the shadow of another, this novel of multiple narratives—formally daring, fierce, but full of pity—delivers a devastating and haunting exploration of the unquenchable human urge to strive for a different life.

    Now his wife, Galatea is expected to be obedience and humility personified, but it is not long before she learns to use her beauty as a form of manipulation. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...

    Though most of Earth has already been evacuated, it’s Samantha’s job to catalog plant samples for the survivors’ unknowable journey beyond.Preparing to stay behind and watch the world end, she makes a final human connection.As certain doom hurtles nearer, the unexpected and beautiful potential for the future begins to flower.Veronica Roth’s Ark is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.