because she's currently living it. A graphic artist, Sam started creating doodles and funny poems about her life as a 25-year-old. And when she decided to put them on Instagram, the captions were full of other people tagging friends and saying, "This is literally us." At a time where it seems like everyone around you is getting married, making more money than you do, and paying off their student loans, Sam's poetry captures the voice of millennials everywhere who know that being in your 20s can sometimes be the exact opposite of "the best years of your life."

    Gibson. The pages explore hurt, healing, love, forgiveness, self-discovery and the journey towards becoming a woman. Written in four chapters each piece encourages healing and the journeying of self.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Richard Hugo was, in James Wright’s words, “a great poet, true to our difficult life.” Making Certain It Goes On brings together, as Hugo wished, the poems published in book form during his lifetime, together with the new poems he wrote in his last years.

    Exploring war, plagues, and the search for a new God in exile, these poems create a chorus of wanderers haunted by empire, God, and personal trauma.

    The greatest Americans Have not been born yet They are waiting quietly For their past to die please give blood Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...

    All that's missing is a baby, an emptiness that will surely be filled with time . . .Then, in an instant, her life falls apart. Now, beneath Ilana's once flawless exterior hides a dark secret that may destroy the woman who seemed to have it all. Following a rapid succession of crushing trials, Ilana turns to prescription medications to take the edge off her agony both the ache of her body and the anguish of her soul. But when her desperation to dull the pain leads to the downward spiral of addiction, her friends in the Newport Ladies Book Club must do whatever it takes to save one of their own. Will Ilana's devastating losses bring about her own self-destruction, or will the loving determination of friends and family lend her the strength to overcome?

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.