The Babylonian worldview is centered on the supremacy of Marduk, and contributes the belief that mankind exists to service god. This Babylonian creation epic was first discovered by modern scholars in the ruins of an early library in Mosul, Iraq and its seven translated clay tablets are provided to you here in the form of a paperback book.

    Now greatly expanded, the classic anthology of contemporary texts reexamines the phenomenon of witchcraft, taking into account the remarkable scholarship since the book's publication almost thirty years ago.Spanning the period from 400 to 1700, the second edition of Witchcraft in Europe assembles nearly twice as many primary documents as the first, many newly translated, along with new illustrations that trace the development of witch-beliefs from late Mediterranean antiquity through the Enlightenment. Trial records, inquisitors' reports, eyewitness statements, and witches' confessions, along with striking contemporary illustrations depicting the career of the Devil and his works, testify to the hundreds of years of terror that enslaved an entire continent.Thomas Aquinas, Martin Luther, Thomas Hobbes, and other thinkers are quoted at length in order to determine the intellectual, perceptual, and legal processes by which folklore was transformed into systematic demonology and persecution. Together with explanatory notes, introductory essays--which have been revised to reflect current research--and a new bibliography, the documents gathered in Witchcraft in Europe vividly illumine the dark side of the European mind.

    The third edition adds new texts to sections throughout the book, vividly describing women's sentiments and circumstances through readings on love, bereavement, and friendship, as well as property rights, breast cancer, female circumcision, and women's roles in ancient religions, including Christianity and pagan cults.

    They are all, he admits, illuminating, but none is adequate by itself, because these ' traditional tales ' are of such variety that no single theory that can embrace them all. His general analysis of the nature of myth is followed by a splendid account of the Greek myths - myths about gods, myths about heroes and, in greater detail, the myths about the unique god-hero Heracles.In the final chapter of this unusually rigorous study Professor Kirk speculates on the manner in which an age dominated by myth gave way to an age dominated by philosophy.

    From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed their themes, their relevance to Greek religion and society, and their relationship to the landscape."Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater."Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities."The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities."Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes."Family sagas" explores the dramas and catastrophes that befall heroes and heroines."A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld."Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

    It tells how Hades abducted Persephone & how her mother, the grain goddess Demeter, forced the gods to allow Persephone to return to her part of each year. Foley presents the Greek text, an annotated translation & selected essays on its historical context & its religious, literary, social & psychological meaning. The Hymn reflects both the crisis when marriage separates mother & daughter as well as the bonds allowing them to survive this transition. Demeter & Persephone, who suffered the pains of mortality, found the Eleusinian Mysteries that offered their initiates a "different lot once dead in the dreary darkness." A version of the same myth formed the basis of exclusively female religious cults. The essays, contributed by Foley, Mary Louise Lord, Jean Rudhardt & Nancy Felson-Rubin, Harriet M. Deal, Marilyn Arthur Katz, & Nancy Chodorow, give a rich understanding of the Hymn's structure & artistry, its role in the religious life of the ancient world & its meaning for moderns. The essays study the Hymn in the context of early Greek epic & cosmology, examine its critical attitude to marriage & analyze mother-daughter dynamics.Text & Translation of the Homeric Hymn to DemeterCommentary on the Homeric Hymn to DemeterBackground: The Eleusinian Mysteries & Women's Rites for DemeterInterpreting the Hymn to DemeterThe "Theology" of the MysteriesVariants of the Myth & the Importance of the Version in the Hymn to DemeterFemale Experience in the Hymn to DemeterMarriageGender Conflict & the Cosmological TraditionThe Mother/Daughter RomanceThe Psychology of the MysteriesThe Hymn to Demeter & the PolisChristianity & the Hymn to DemeterThe Influence of the Hymn to Demeter & Its Myth

    These tales reveal many universal truths about historical human behavior and have great relevance in today's world.

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    Yet those meager remains showed such power and genius that they captured the imagination of readers through the ages. But within the last century, dozens of new pieces of her poetry have been found written on crumbling papyrus or carved on broken pottery buried in the sands of Egypt. As recently as 2014, yet another discovery of a missing poem created a media stir around the world.The poems of Sappho reveal a remarkable woman who lived on the Greek island of Lesbos during the vibrant age of the birth of western science, art, and philosophy. Sappho was the daughter of an aristocratic family, a wife, a devoted mother, a lover of women, and one of the greatest writers of her own or any age. Nonetheless, although most people have heard of Sappho, the story of her lost poems and the lives of the ancient women they celebrate has never been told for a general audience.Searching for Sappho is the exciting tale of the rediscovery of Sappho’s poetry and of the woman and world they reveal.

    While the Meditations were composed to provide personal consolation and encouragement, Marcus Aurelius also created one of the greatest of all works of philosophy: a timeless collection that has been consulted and admired by statesmen, thinkers and readers throughout the centuries.

    Although many readers know that this literary masterwork is based on actual events, there is disagreement about how much of Homer's tale is true. Drawing on recent archeological research, historian and classicist Barry Strauss explains what really happened in Troy more than 3,000 years ago.

    In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.

    The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

    In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities.Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata.Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries.As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes. From the Hardcover edition.

    The emergence of rational thought, Vernant claims, is closely linked to the advent of the open-air politics that characterized life in the Greek polis. Vernant points out that when the focus of Mycenaean society gave way to the agora, the change had profound social and cultural implications. Social experience could become the object of pragmatic thought for the Greeks, he writes, because in the city-state it lent itself to public debate. The decline of myth dates from the day the first sages brought human order under discussion and sought to define it.... Thus evolved a strictly political thought, separate from religion, with its own vocabulary, concepts, principles, and theoretical aims.