We all are connected. Are you a dreamer? Do you dream to be a successful person? Do you know sometimes the pursuit of monetary success could take you away from you? Have you felt the pain of separation from your loved ones? Have you felt lost some point in your life? This is a story about two people who lose the real treasures of their life in the pursuit of materialistic success and gratification. Gautam changes his life by following his dreams. But along the way, his life transforms into a living nightmare that he resolves to finish. Diksha is a young, brilliant, and headstrong person. Her dedication to be a perfect and sincere daughter, student, and employee turns her into an automaton. When both of them lose their last hope, something inexplicable happens in their life, which eventually sets them on the path of Sanyas. Can you give up your vain success to build an ever-lasting peace and tranquility within you? Can you stand tall and fight back your fears? Can you be a Sanyasi? Gear up to experience a mystical adventure! It’s a story about dreams, relationships, betrayal, courage, separation, and repentance. About the Author: Khemlata Negi is a novelist, poet, and educationist based in Chandigarh, India. Her first novel Hope: the journey to life was published in the year 2016. She has also written a collection of poetry Seasons of life and a book on yoga asana Stay Healthy. She loves reading, travelling, photography, yoga, and spending time in nature. She believes storytelling is one of the most effective methods to inspire and move the masses.

    She is known as a lost river and seen as a singular goddess, never as part of a couple, such as Shiva-Parvati or Lakshmi-Narayan. In Sarasvati's Gift, Kavita Kane brings to light Sarasvati's story-the goddess of art, music and knowledge-told in the voices of nameless celestials, powerful gods and lesser mortals. The book explores her relationship with her Creator, Brahma, and their unusual marriage-a union of fiercely independent minds and the most non-conforming, unconventional of the Triumvirate couples. As these peripheral figures and silent catalysts take centre stage, we get a glimpse of an extraordinary woman and her remarkable story, obscured and buried under myths and legends.

    Women and Sabarimala is a rare book and is written from a woman’s perspective, explaining the nature of the temple through India’s traditional knowledge systems, such as Ayurveda, Chakras, Tantra and Agama Shastra. At the same time, the author’s personal experiences simplify the understanding of these deep sciences, providing a glimpse into how temples impact the human physiology and, in particular, women’s menstrual cycles. This book will change the way Hindu temples, especially Sabarimala, are perceived and experienced.

    But not before they were provided with an alternative—an alternative that would mould their uncertain future...and that of the Delhi-based graduate, Mohan Sharma, who, while flipping through the lesser-known pages of mythology, becomes cognisant of a sinister presence lurking around. This is followed by a cryptic letter, revealing the existence of his grandfather of whom he has no recollection.Pandemonium strikes as Mohan unwittingly unravels a closely guarded secret that shall bring him face-to-face with an unspeakable horror, his adversary who is blessed with the boon of immortality by Lord Shiva. Accompanied by five men, each possessing a distinct ability, Mohan must find the weapon, long forgotten by mankind, that can spell doom for his nemesis—Lord Rama’s wondrous bow...the ‘Kodanda’!

    60–80 % of the so-called Indus Valley Civilisation sites which have been discovered are not on the banks of the Indus but on the course of the Sarasvati. The drying-out of the river is the most significant factor in the history and migrations of the ancient Indians. With new evidence, the time has come for a significant paradigm shift in Indology. This book breaks new ground to lay the foundation for an authentic Indian history.

    he is later found in a vegetative state at a railway station, where an old rag-picker takes him to his home where Mumukshu gradually recovers.Eventually, the old man dies leaving Mumukshu alone once again. slowly Mumukshu realizes that the old man was much wiser than what he appeared to be. he soon starts teaching the slum children from where he is eventually invited to serve in well known NGO.With his focus and dedication, Mumukshu becomes a well - known personality, yet he still feels a void inside him. One day almost 25 years post fateful incident of his wife's demise, Mumukshu meets tara, a young reporter, who constantly reminds him of his late wife. As the bond between the two grows, Mumukshu must find out the truth behind the same and decode the mysteries of life as he stands at the crossroads once again.About the Author:Niles is a writer, a poet a philanthropist but most importantly a seeker. His first book " Ladakh: Chronicles from the land of lamas " which was published in 2009. "Beyond The Night. Before the Dawn" is an attempt from him to share his experiences and learnings through the aid of a comprehensible fictional narrative of love story stretching beyond life.

    Arguing from within the sensibility of devout liberal Hindus who do not believe in exclusive religious nationalism, Juluri argued that these writers had turned their crusade against Hindutva into an egregiously misplaced existential attack on popular Hinduism. Widely read and commented on by lay readers and academics, this important review essay is essential reading for who anyone who cares for both Hinduism and secularism today.

    Bhola, the bear, escapes to the jungle from the brutalities of his human owner to lead a happy and satiated life.On the night of Bali’s welcome party, Bali saves Raja, the tiger, from the bullets of a poacher.The other animals are impressed and request him to go back to the city and help Rani, the tigress, to escape from the City Zoo. Wild World is a whacky and hilarious tale of a runaway langur and an ever hungry bear who join paws to save the jungle from becoming a human colony.

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    You’re supposed to have faith.Not a lot is going right for Taran Sharma. First, he stole his annoying brother’s necklace and ran off into the night. Then, his family got taken hostage by spindly creatures of the dead. And to top it all, he’s just been charged with a mission by Lord Ganesha himself! Now, in order to rescue his family from the hands of the preta, he has to undertake a journey more fantastical than he can begin to comprehend.As Taran embarks on an epic voyage that may lead to disastrous consequence, he realizes that having faith, especially in himself, might be harder than he was led to believe.Dive into this riveting adventure to the Veiled Lands, replete with evil Naga armies, mythical creatures and a supervillain who will stop at nothing to reach the elusive Gateway of Moksha.

    She is the power that protects and destroys. She represents the fertile, bountiful earth, and is the protector of all life form. All goddesses are considered to be a manifestation of her. The worship of the goddess has evolved over time. Local village goddesses of the forest, field, river and lake became versions of the one great female principle. Lakshmi, Saraswati and Parvati are also considered to be forms of Adi Shakti. The Devi Mahatmayam or the ‘Glory of the Goddess’, describes her as the fierce and beautiful goddess who fights asuras and wards off evil. She shields the gods against evil and stands up for the worthy.Amar Chitra Katha brings together stories of seven goddesses from the Puranas, folklore and the Devi Bhagavata. Endowed with strength, grace and courage, these goddesses show us the power of being a woman.

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.

    But this history of our ancestors continues to fascinate us. Even today, we have passionate discussions about the people and their actions in the epic, fervidly defending our favourites and denouncing others. The number of works on the Mahabharata-adaptations, retellings and fiction-that still get written is a testimony to its enduring relevance.While the general storyline is largely known, a lot of questions and myths prevail, such as-What was the geographical extent of the war? Did Drona actually refuse to take on Karna as his disciple? What were Draupadi's responsibilities as the queen of Indraprastha? Did she ever mock Duryodhana? Were the women in the time of the Mahabharata meek and submissive? What were the names of the war formations during the time? What role did the sons of the Pandavas play? Does the south of India feature at all in the Mahabharata? What happened after the war? These and many other intriguing questions continue to mystify the contemporary reader.Author Ami Ganatra debunks myths, quashes popular notions and offers insights into such aspects not commonly known or erroneously known, based solely on facts as narrated in Vyasa's Mahabharata from generally accepted authentic sources. For a history of such prominence and influence as the Mahabharata, it is important to get the story right. So pick this book up, sit back and unveil the lesser-known facts and truths about the great epic.

    I was in sublime touch shooting off arrow after arrow. The targets were drifting across my vision and all it took was one aim and release; the arrows shot off with a swish only to hit the target where I intended it and killed the recipient of the shot. A few lefthanded shots depending on the angle of the shot where I could find the target best positioned for the shot; others right handed. The bow was drifting from one hand to the other flawlessly and the arrows were flowing out like spit from a cobra's mouth, both accurate and deadly. Before we realised there were hardly any leaders standing. By the time Jarasandha recovered, his leaders and his entire army had perished. Jarasandha gave a loud shout and invited us to come out in the open and fight like real warriors. By this time Balarama also came into the battlefield.Jarasandha did not turn back and run; he was livid and angry; he started challenging us to come down and fight like real warriors.Rama and I descended into battleground. Jarasandha was aghast to see Kids trying to defeat him. Jarasandha invited us for a duel. He said two versus one couldn't be fair in a war. Balarama moved ahead and chose mace as his weapon. He was adept at mace and Jarasandha was no less a mace warrior. The fight that took place was of a quality that I wouldn't witness for a long time to come. Jarasandha was more than accomplished. While Jarasandha unleashed himself upon Balarama with full force and vigour, Balarama was deftly defending himself. Mace was flying into Rama from all directions. Balarama was saving his energy for the future; if he could wear Jarasandha down, he could then unleash himself upon him. Balarama was not through and through defensive. There would be moments when he surprised Jarasandha by his speed and power.Rama's mace would start banging into Jarasandha with immense strength and speed. Before Jarasandha would recover from one bout of attack the second one would begin in a different style of attack. The lesson and practice with our Guru was paying results; I could see that in this bout. Jarasandha couldn't fathom the skill level of Rama. He had thought it would be child's play and he would crush Rama in no time and head for me. But this challenge was more than what he had imagined. The fact that his theory proved wrong gave him the mental agony which the real fight had not given. That agony was showing in his inconsistent fighting method. He would burst at Rama; Rama would easily read the move and defend himself; that would frustrate Jarasandha; he would change his move, which Rama easily anticipated and countered, Jarasandha would get more frustrated and soon he lost his mace to a vicious shot by Rama. Now it was Rama with his mace facing an unarmed Jarasandha.Rama shouted at me and said he wanted to finish this fight right away, and lifted his mace to hit Jarasandha. I stopped Rama, it's unfair to kill someone who is unarmed on a battlefield. I said another day would come and he had to let him go with honour.

    Unable to bring them up by himself he gives them away for adoption The novel explores the emotional conflicts of both father and children.